英雄

基本解释 (translations)

Cid  ·  hero  ·  heroes

与英雄相关的网络例句 [注：此内容来源于网络，仅供参考]

Afterwards, this article deals with the making and functions of heroic rhetorical fantasy based on some language materials; the absolute authority rhetorical fantasy created by recessive heroic discouse; the ideal model rhetorical fantasy created by dominant heroic discouse, possessing the functions of paradigm, instruction and dedication; the shaping allegory of rhetorical fantasy created by hero's absolutory discouse; the shaping allegory rhetorical fantasy created by future-hero's absolutory, possessing the functions of proving and punishing; the value identification rhetorical fantasy created by sub-hero's confiding discouse, possessing the functions of assisting, exposing evil and carrying forward good; the background metaphor rhetorical fantasy created by pan-hero's praising discouse, possessing the functions of receiving kindness and worship; the opposite symbolic rhetorical fantasy created anti-hero's foolish discouse.

接着，结合语料对"英雄"修辞幻象的生成与功能进行梳理：隐性英雄的语录式话语生成"绝对权威"的修辞幻象，并具有全面控制的功能；显性英雄的号召式话语生成"理想样板"的修辞幻象，并具有楷范功能、教谕功能和献身功能；准英雄的忏悔式话语生成"成长寓言"的修辞幻象，并具有迷误功能、证明功能和惩戒功能；亚英雄的倾诉式话语生成"价值认同"的修辞幻象，并具有协助功能、显恶功能和扬善功能；泛英雄的颂扬式话语生成"背景隐喻"的修辞幻象，并具有受恩功能和崇拜功能；反英雄的愚狂式话语生成"对立符码"的修辞幻象，并具有反衬功能。

In 《Hero's Return》, the astronaut protected by the guards is received by a welcoming crowd. In the first painting, he appears rigid, uneasy and overwhelmed by the scale of the event. In fact, he looks more like a criminal being marched to the execution ground. But in the second painting, he is shown to wave to the crowd and play the role of 'hero' with adeptness. We can almost begin to see the life he leads afterwards. He will be received by various top leaders and interviewed in television programs. In a succession of awarding ceremonies, speeches and briefings, he will become more and more experienced, relaxed and eloquent, so on and so forth. His self will be eroding. Whenever he looks at himself in the mirror, he will see a hero, a hero through and through. Via the contrast of images, the artist subtly reveals the process of hero-making.

在《英雄归》里，那位宇航员在卫兵的护送下，接受人群的夹道欢迎，第一幅画面上，我们可以看到他显得举止僵硬，受宠若惊，仿佛还没有适应如此盛大的场面，夸张地说，他的姿态倒像是一个被押送的犯人，而在第二幅画面上，他已经在挥手致意，看上去已经进入到"英雄"这一角色之中，我们似乎可以猜想他此后的生活，他将会不停地受到领导人的接见，不停地出席电视采访节目、受勋仪式、演讲会、报告会，在那样的过程中越来越老练、坦然，口才越来越出色，如此等等，他的自我逐渐地丧失，甚至当他揽镜自照时，眼之所见也俨然是一个不折不扣的英雄形象。

Boundless The Middle Ages is the age of God rule the whole shoot, God full of omniscience and almightiness made the heroes in the Hebrew myth wanting of independent consciousness and subjective spirit of Greece heroes trevolting and activity, therefore, The heroes in the Hebrew myth were the embodiment of the godship brilliance and reasonableness spirit of God , Their superhuman power and outstanding achievement is just for proving the greatness of God\' s divine nature.

漫漫中世纪是极端化了的上帝统治一切的时代，上帝的全知全能和至高无上使希伯来神话中的英雄们缺少了希腊英雄那种抗争与行动的独立意识与主体精神，因此，希伯来神话中的英雄是上帝神性光辉和理性精神的体现者，他们超人的神力和辉煌的英雄业绩不过是为了证明上帝神性之伟大。

Birth from" demigod " of the first prototype of the hero image at The Ancient Greece literature, This"The Hero Type of Demigod" has been controled and dominated the figures\' molding of The Western literature , The hero images in the not coetaneous literature all can be treated as the different"anamorphosis" of "The Hero Type of Demigod".

从英雄形象的第一个原型"半神"在古希腊文学中诞生，这个"半神式英雄"就一直支配并主宰着西方文学的人物塑造，不同时代的文学中的英雄形象都可以看作是"半神式英雄"的不同"变体"。

Milene music inc Transcribed by paul gongola Whatever happened to good time sally I don't see her 'round no more She used to be all over me It ain't like that no more Sally had the best game there was in town Now the good girl just can't be found Whatever happened to good time sally I don't see her 'round no more The heat is on, everybody has gone underground The heat is on, everybody hiding out just like jesse james My old home town Lord, it don't seem the same Well, I walked in this place, I was just lookin' for a game Everybody here wanted to know my name I said hush, hush up your mouth, I'll introduce my own self To this house I was born in the back woods, I was raised up like a slave Having me a good time now is all I crave I spotted me a barroom queen, skin tight blue jeans That same old midnight show I took her to the side and I said I won't be satisfied Until you tell me everything you know Whatever happened to big time buddy I don't see him 'round no more I heard tell that they got him in jail But I don't know what they got him for They caught him with an airplane Talkin' 'bout some cocaine Nobody knows for sure Whatever happened to good time buddy I don't see hem 'round no more The heat is on, everybody has gone underground The heat is on, everybody hiding out just like jesse james My old home town Lord, it don't seem the same [size=-2][size=-2][size=-2][size=-2][size=-2]Let The Music Take Control (Hiro's Groove)- Hiro-kun's Theme Everybody needs a hero Whose not afraid to start from zero Somebody who will stand up When everyone is falling down Hiro will stand his ground Stay Hiro is on the way He's grooving, prooving He knows how to live Stay Hiro is on the way He's got a whole lot of Soul to give * Dacing like a hero HIro let your body go Dancing like a hero Let the music take control Even if you Dace 'till you're the last one standing You won't be alone Dancing like a hero When the groove is in your bones Hiro Yeah you know he's got the power To get in the groove and rock for hours He's ready and he's able Just keep turning those tables on He'll boogie all night long

这里的每个人都想知道我的名字我说：嘘，嘘你的嘴，我将介绍一下我自己这房子我出生在丛林，是我，就像一个奴隶我现在有了一段美好的时光是我渴望我发现我的王后，皮肤紧了酒吧间更蓝色牛仔裤那个老午夜表演我带她到一边和我说我不会满意直到你告诉我，你知道的一切不管发生了一次大群组我看不出他的圆我听说他们得到了他在监狱但我不知道他们得到他他们发现他和一架飞机废话'布特有些可卡因没人知道不管发生什么事，好时光好友我看不出有任何更多的圆边热是，每个人都已经在地下热是，每个人都躲就像杰西·詹姆斯我的旧的家乡耶和华阿，这似乎不太一样 [2][尺寸大小== 2][2][尺寸大小的=== 2]，[2]的大小让音乐带控制- Hiro-kun的主题每个人都需要一个英雄谁不害怕开始从零吗有人会站起来当每个人都要塌下来吗宏会忍受他的地保持宏已经在路上了他的槽，这种皮革被证明他知道如何生活保持宏已经在路上了他有一大堆灵魂*邻台铁大庆像个英雄让你的身体去。宏跳舞，像个英雄让音乐带的控制即使你戴斯直到你最后一站你不会感到孤独跳舞，像个英雄在你的槽的时候骨头呢宏是的，你知道他所拥有的权力对进入工作状态和摇滚了好几个小时他已经和他的能力只是不停地转动那些桌子上他会彻夜跳舞

The differentiation lies in:If the giant type hero of The Renaissance have reflected the rising bourgeoisie calling and expecting for the giant type hero, so, the enlighten heroes from Robinson to Faust in The Enlightenment Times have already growing up from infantility to maturity, have become the symbol of bourgeoisie heroes who actively exploiting and enterprising.

区别在于：如果说文艺复兴时期带有缺憾感的巨人式英雄反映了新兴资产阶级对于巨人英雄的呼唤与期盼，那么，从鲁宾逊到浮士德这些启蒙时代的启蒙英雄则已从幼稚走向成熟，成为勇于开拓积极进取的资产阶级英雄的象征。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

The Renaissance is an age which calling and bringing up the giants, The hero motif in the literature of this age have also immediately taken place of tremendous change: The hero images in the literature at that times have break through the traditional molding pattern of divine nature hero , The angle of view has changed from the divine nature heros to giant heros:For example, Pantagruel writed by Rabelais, Hamlet writed by Shakespeare and Quixote writed by Cervantes, They are the outstanding delegates of he hero type of giants in the giant epoch.

文艺复兴时代是一个呼唤与造就巨人的时代，这一时期文学中的英雄母题也随之发生了巨大转变：这一时期文学中的英雄形象突破了传统神性英雄的塑造模(来源：ABCd8论文80网www.abclunwen.com)式，把视角从神性英雄转向了巨人英雄身上：比如拉伯雷笔下的庞大固埃、莎士比亚笔下的哈姆莱特以及塞万提斯笔下的堂吉诃德，他们是文艺复兴时期巨人式英雄的杰出代表。

And now and then a Perseus （柏修斯,杀死蛇法女怪的英雄）, equipped with the shoes of swiftness of the ready writer, with the cap of invisibility of the editorial article, and it may be with the Medusa-head of vituperation( Medusa :蛇法女怪), shows himself ready to try conclusions with the scientific dragon.

因此，一位勇敢的除妖英雄柏修斯就会随时出现。他脚蹬写作快手的"追风靴"，头戴编辑评论的"隐形盔"，也会长着装满谩骂之言辞的"美狄萨"脑袋，摆出了与科学之怪物决胜负的架势。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

与英雄相关的网络解释 [注：此内容来源于网络，仅供参考]

anti-hero：反英雄,非传统英雄式的主角

alliterative romance 头韵传奇小说 | anti-hero 反英雄,非传统英雄式的主角 | anti-novel 反小说,非传统小说

antihero：非英雄主角, 反英雄

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During a parade, the hero will only regenerate as much stamina as if the hero was diseased：在游行中,英雄将只作为再生的耐力,犹如英雄是病

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Callous Deceiver：无情欺瞒者 神河英雄录 铁

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Heroes and Hero Worship：英雄和英雄崇拜

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On Heroes, Hero-Worship, and the Heroic in History：论英雄、英雄崇拜与历史上的英雄事蹟

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heroically：英雄地; 庞大地; 超人地; 史诗地 (副)

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heroics：英雄辞令; 英雄诗体; 豪壮行为 (名)

heroically 英雄地; 庞大地; 超人地; 史诗地 (副) | heroics 英雄辞令; 英雄诗体; 豪壮行为 (名) | heroin 海洛因; 吗啡 (名)

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