- 更多网络例句与节奏相关的网络例句 [注：此内容来源于网络，仅供参考]
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The rhythmic proportion was an important precondition and foundation to the serialize rhythm and integral serialism later. The article analyzed Webern's two early compositions, the Six Orchestral Pieces, Op.6 (1909), and the Five Pieces for Orchestra, Op.10 (1913), both of them in the style of free atonality. From the relation principle of the rhythmic cell, the writer discussed Webern's way of organizing rhythm, technique of developing variate of rhythmic cell, as well as its score writing way, and summarized the Webern's early orchestral outputs rhythmic features and its impact on the rhythm style of the works in his later years.
文章以威伯恩早期自由无调性时期的两部管弦乐作品《六首管弦乐小品》Op.6和《五首管弦乐小品》Op.10为对象，从"节奏细胞"的形成以及关系原则着手进行剖析，挖掘、揭示作品中节奏的组织方式；并进一步用作品文本说明、论证节奏细胞的变值发展手法与节奏细胞的谱面组成方式；最后总结出威伯恩早期管弦乐作品中的节奏特征以及对作者晚期节奏风格产生的影响。
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The dynamic web pages included account management and score showing; the multimedia program included six sub-parts of understanding notes values and notes relationship, aurally selecting rhythm, aurally grouping rhythm, tapping rhythm, creating rhythm and designing question databaise.
动态网页共分为帐号管理与成绩显示两部份；多媒体程式则分成认识音符的时值与关系，听音选节奏、听音组合节奏、节奏击打、节奏创作、题库设计等六个部份。
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In his treatise Ars Cantus Mensurabilis,written around 1280,he describes a system of notation in which differently shaped notes have entirely different rhythmic values, this is a striking change from the early system of de Garlandia whereas before the length of the individual note could only be gatherd from the mode itself, this new inverted relationship made the mode dependent upon-and determined by- the individual notes or figurae that have incontrovertible durational values, an innovation which had a massive impact on the subsequent history of European music.
一书中，阐述了一个有着完全不同的节奏价值的、不同音符形状的记谱法体系，这是自早期Johannes de Garlandia的节奏体系以来的一个显著改变，在这之前一个音符的长度只能在它从属的节奏模式中找到答案，但是这个新的记谱体系却颠覆了这种两者间的联系使得节奏模式取得了独立，并由取得了绝对节奏价值的单独的音符或者连唱决定。
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Based on likeness, Chinese traditional painting mainly applies the rhythm with obvious subjectivity and expresses its feelings through hogarth's line and chiaroscuro, while western traditional painting pays more attention to expressing feelings through color and chiaroscuro with objectivity based on appearance resemblance.
中国传统绘画是在"神似"的基础上对绘画中的节奏进行把握和运用，因此其对绘画节奏的认识具有明显的主观倾向，体现在更注重通过线条节奏和黑白节奏来表达自身的情感和认识；西方传统绘画是在"形似"的基础上对绘画中的节奏进行把握和运用，因此其对绘画节奏的认识具有明显的客观性，体现在更注重通过色彩节奏和明暗节奏来表达自身的情感和认识。
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The writer takes Rubato as the targeted object, mainly applying the following theories, including musical analysis, musical performing, musical historiography, musical aesthetics, phonetics and something like to carry out researches and give an in-depth analysis from such three fronts as melody, rhythm, phonetic features in vocal music. In doing so, the writer concludes Rubato, as a flexible elements in the rhythm-organizing structure, is mainly used to bring out the balanced proportion of the musical works and finally to keep the balance of the mu...更多sical development, through filling up the missing parts of rhythm-organizing structures, on the basis of the logical dividing of the time on the musical part.
本文将以自由节奏Rubato为研究对象，主要运用音乐分析学、音乐表演理论、音乐史学、音乐美学、语音学等相关知识展开研究，从旋律、节奏、声乐语音几个方面进行全面而深入的剖析，从中认识到自由节奏作为节奏组织结构中的自由体，它的主要目的是：以音乐作品时间段的逻辑划分为基础，通过对节奏组织结构缺失部分的填补、塑造出音乐作品的匀称比例，从而达到音乐发展的平衡。
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At last,through engineering actual examples,elaborates priority election of unregular flowing water construction order,so as to give a reasonable arrangement for it,and furtherly enhances the production efficiency of labor and engineering quality.
对无节奏流水施工进行了介绍，探讨了组织无节奏流水施工的要点，分析了无节奏流水施工的主要参数，提出了确定工期的方法，通过工程实例，对无节奏流水施工顺序优选进行了说明，以合理安排无节奏流水施工顺序，从而提高劳动生产率和工程质量。
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Rhythm 节奏 I like to dance to the rhythm of this music.
我喜欢随着音乐的节奏跳舞。
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Rhythm节奏 I like to dance to the rhythm of this music.
我喜欢随著音乐的节奏跳舞。
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The rhythmic proportion was an important precondition and foundation to the serialize rhythm and integral serialism later. The article analyzed Webern's two early compositions, the Six Orchestral Pieces, Op.6 (1909), and the Five Pieces for Orchestra, Op.10 (1913), both of them in the style of free atonality. From the relation principle of the rhythmic cell, the writer discussed Webern's way of organizing rhythm, technique of developing variate of rhythmic cell, as well as its score writing way, and summarized the Webern's early orchestral outputs rhythmic features and its impact on the rhythm style of the works in his later years.
文章以威伯恩早期自由无调性时期的两部管弦乐作品《六首管弦乐小品》Op.6和《五首管弦乐小品》Op.10为对象，从&节奏细胞&的形成以及关系原则着手进行剖析，挖掘、揭示作品中节奏的组织方式；并进一步用作品文本说明、论证节奏细胞的变值发展手法与节奏细胞的谱面组成方式；最后总结出威伯恩早期管弦乐作品中的节奏特征以及对作者晚期节奏风格产生的影响。
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Features include syncopated rhythms and unconventional rhythmic notation, double-time exercises in a variety of meters, and 15 etudes incorporating all of the rhythmic concepts presented.
学习要点有切分节奏与非常规节奏记谱；多种节奏设定的双倍节奏练习；15条练习曲涵盖了所有学习过的节奏概念。
- 更多网络解释与节奏相关的网络解释 [注：此内容来源于网络，仅供参考]
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metronome interrupter：节奏器
metronome 节奏器,节奏声 | metronome interrupter 节奏器 | metronoscope 眼肌失调纠正器
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rhythm and blues：节奏怨曲
rhythm 节奏 | rhythm and blues 节奏怨曲 | rhythm guitar 节奏结他
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rhythmic pattern：节奏型;节奏模式
rhythmic mode 节奏型 [十三世纪用] | rhythmic pattern 节奏型;节奏模式 | riff 两小节或四小节的简短乐句
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rhythmical：节奏的
rhythmic 节奏的 | rhythmical 节奏的 | rhythmically 有节奏地
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rhythmization：节奏化
rhythmizable 予以节奏的 | rhythmization 节奏化 | rhythmize 予以节奏
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Tempo rubato：自由节奏
在速度中,它有各种不同的变化,常见的有自由节奏(tempo rubato);渐慢(vit),加快(a tempo)等等. 在节奏的变化和节奏自由等情况中,最主要的一点是,基本速度不要忘记!每一首曲子都可以有很多渐慢、渐快的变化,但是在一定的时候它总要回到它的原速,
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IZZY：节奏/原声节奏吉他
主音/节奏吉他:Slash | 节奏/原声节奏吉他:Izzy | 贝司:Duff
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Polyrhythm：复节奏
不对称节奏 (asymmetric rhythm) 又称"复节奏"(polyrhythm). 在同一乐句或小节中,各声部的节奏不相一致;或在同一小节中,组成各节拍的时值不相一致. 广义言之,复调音乐都属于奇异节奏. 现代派作曲家所用的奇异节奏,是一种高度复杂化的节奏.
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Polyrhythm：复合节奏
* 复合节奏(Polyrhythm) 两个或两个以上彼此冲突的节奏同时演奏. * 拉格泰姆乐(Ragtime) 爵士乐问世之前出现的一种切分音乐曲或称粗劣参差的音乐. * 节奏(Rhythm) 音乐或强或弱、或长或短的节拍的组织. 节奏是爵士乐与众不同的特色之一.
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Cross rhythm：交叉节奏
显然,上下两个声部的重音很少在同一位置上出现,节奏关系是完全错开的,在实际的演奏实践中,随着声部的不断增加,节奏点的交错现象更为复杂,在黑人音乐中,类似的节奏现象一般就用"交叉节奏"(Cross Rhythm)这样的概念来定义.