- 更多网络例句与艺术歌曲相关的网络例句 [注：此内容来源于网络，仅供参考]
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The first chapter of German and Austrian art song tradition, in its brief intro...
第一章，回顾德奥艺术歌曲传统，在简要介绍其发展过程中重要代表作曲家后，阐明格里格的艺术歌曲创作是在德奥艺术歌曲传统的基础上，对德奥艺术歌曲传统的继承和发展，在此基础上，展现格里格不为大家所熟悉的、作为艺术歌曲作曲家的一面。
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During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties
横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。
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His songs have been awarded for JinZhong cup of Chinese supreme honour and the "mose favorite songs of Chinese" for three times .This dissertation research on Luzaiyi"s art songs with his eight representative ones ,analyzes his ideas and skills of creation from different aspects ,and draws a conclusion that contemporary of subjects conciseness of themes ,racialism of melodics popularity of lyric, and imagination of accompaniment reflected from his art songs should be regarded as the mainstream to day"s music creation in China.
本文以陆在易艺术歌曲作为研究对象，以他八首具有代表性的艺术歌曲作为分析蓝本，对其创作思想、创作技法进行宏观与微观、横向与纵向的分析，并得出结论：陆在易艺术歌曲所折射出的题材时代性、主题简洁性、旋律民族性、歌词通俗性、伴奏意像性等特征应为中国当代雅俗共赏艺术歌曲创作的主流。
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He composed over 88 pieces of lieder , which occupied a significant position in all his musical works.
艺术歌曲是其创作领域中的重要体裁之一，他一生共创作了83首艺术歌曲，每一首歌曲都是俄罗斯艺术歌曲中的精品。
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Through a detailed analysis of Liszts lieder, this thesis aims to explore their artistic values, appreciate their creative charms, and provide references for their performance.
本文就是通过对李斯特的艺术歌曲的创作来探究其艺术的价值，感悟其艺术歌曲创作的魅力，为更好地演唱李斯特的艺术歌曲服务。
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Through a detailed analysis of List's lieder, this thesis aims to explore their artistic values, appreciate their creative charms, and provide references for their performance.
本文就是通过对李斯特的艺术歌曲的创作来探究其艺术的价值，感悟其艺术歌曲创作的魅力，为更好地演唱李斯特的艺术歌曲服务。
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The fist part mainly describes the background of his creating in artistic songs from the social background, aesthetic thought,the impacts of classical German traditions,overall development of German artistic songs and the humanitarian significance on Beethoven.The second part analyzes his creation techniques from the aspects of subjects,genre,tune development methods,harmonic language,tone,mode,musical structure anal piano accompaniment.The third part is the summary for Beethoven's inheritance and innovation
第一部分主要从社会时代背景、美学思想背景、德国古典传统与贝多芬创作的关系、作品中表达的人道主义内涵以及德国艺术歌曲整体发展对贝多芬艺术歌曲创作的影响几方面着手进行阐述；第二部分从题材、旋律发展手法、和声语言、调式调性、曲式结构、钢琴伴奏等六个方面来展开对贝多芬艺术歌曲创作技法的分析；第三部分则从贝多芬艺术歌曲对后人艺术歌曲创作的影响这三个方面入手对贝多芬的继承与创新做一个总结
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The first chapter is a brief introduction of Poulenc's life and works , including the character of the composer, large vocal works, instrumental works and art song. The second chapter is an overall analysis of Poulenc's art songs. It is summed up in five areas around the second chapter of detailed introduction and analysis as well as serious d...更多iscussion. They are about the creative conception of the composer, art song and human voice, art song and poetry, art song and piano. And the last one of the five areas is the total conclusion.
第一章普朗克的生平与创作概况：通过对作曲家生平性格、大型声乐作品、器乐作品、艺术歌曲四个方面对普朗克所涉及的音乐创作领域进行了概述；第二章普朗克艺术歌曲的总体分析：通过作曲家自己的创作观、作曲家艺术歌曲与人声、作曲家艺术歌曲与诗歌、作曲家艺术歌曲与钢琴和对作曲家艺术歌曲的总结共五个方面围绕第二章节进行了详细介绍、仔细分析、认真论述。
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The first chapter is a brief introduction of Poulenc's life and works , including the character of the composer, large vocal works, instrumental works and art song. The second chapter is an overall analysis of Poulenc's art songs. It is summed up in five areas around the second chapter of detailed introduction and analysis as well as serious discussion. They are about the creative conception of the composer, art song and human voice, art song and poetry, art song and piano. And the last one of the five areas is the total conclusion. The third chapter is about the case study of Poulenc's classics and the suggestions for singing.
第一章普朗克的生平与创作概况：通过对作曲家生平性格、大型声乐作品、器乐作品、艺术歌曲四个方面对普朗克所涉及的音乐创作领域进行了概述；第二章普朗克艺术歌曲的总体分析：通过作曲家自己的创作观、作曲家艺术歌曲与人声、作曲家艺术歌曲与诗歌、作曲家艺术歌曲与钢琴和对作曲家艺术歌曲的总结共五个方面围绕第二章节进行了详细介绍、仔细分析、认真论述。
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In the conclusion chapter, there will be a sum up on the creation characteristics of Songs and Dances of Death and make a further discussion about its influence on songs composing in 20th Century for western composers.The dissertation will focus on the creation analysis of songs and combine the research on musicology, sociology, history and esthetics. It will lay emphasis on the deep research of his representative artistic songs, through which we can get the creation characteristics. It will give people more chances to make further research on Mussorgsky's creation
论文以穆索尔斯基艺术歌曲套曲《死之歌舞》创作分析为主线，并结合音乐学、社会学、历史学、美学的分析方法进行研究，对俄罗斯艺术歌曲创作、穆索尔斯基及其艺术歌曲创作在宏观上加以阐述，并重点对其代表性艺术歌曲作深入分析，在此基础上得出穆索尔斯基艺术歌曲的创作特征，以期抛砖引玉，引发更多对穆索尔斯基音乐创作的研究
- 更多网络解释与艺术歌曲相关的网络解释 [注：此内容来源于网络，仅供参考]
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art song：藝術歌曲
一、艺术歌曲与中国古诗词艺术歌曲(art song)兴起于18世纪的德国,当时德国诗歌的繁荣给德国艺术歌曲带来了生机. 20世纪初,德奥艺术歌曲传入我国,大批作曲家纷纷尝试创作,在之后的几十年里产生了大量优秀的作品. 中国是一个诗律发达的国家,
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French art song：法国艺术歌曲
法国艺术歌曲:French artistic song | 法国艺术歌曲:French art song | 中法文化交流:Chinese French cultural exchange
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Chinese art song：中国艺术歌曲
中国传统艺术:Chinese tradition art | 中国艺术歌曲:Chinese art song | 音乐心理:accordion performance
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German art song：德国艺术歌曲
德国思辨哲学:German speculate philosophy | 德国艺术歌曲:German art song | 德国资产问题:"German Assets"
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lied,art song：艺术歌曲
37. libretto 歌剧脚本 | 38. lied,art song 艺术歌曲 | 39. line 线
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Jerome Hines：海因斯
美国德州大学研究生院,师从世界艺术歌曲大师,法国男中音热拉尔.苏宰依(Gerard Souzay),美国纽约曼讷斯音乐学院歌剧艺术家证书班, 师从大都会歌剧院艺术指导琼.道尔曼(Joan Dornemann),美国国际歌剧艺术中心(OMTI),艺术总监杰罗姆.海因斯(Jerome Hines).
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LIED：歌曲
韩女士的演唱只有一架钢琴伴奏,这种伴奏方式我更偏爱,显得特别"艺术歌曲"(lied)不是吗?:) 其实我更希望大家注意这款录音的钢琴伴奏. 这个伴奏是现任中央歌剧院副院长,著名钢琴家黄小曼女士应李光羲老师的邀请编写的.
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German Lied：德国艺术歌曲,复数
Passion 受难乐 | German Lied 德国艺术歌曲,复数Lider | Melodie 法国艺术歌曲
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Song cycle：联篇歌曲
联篇歌曲(song cycle) 由多首有彼此关联的艺术歌曲所组成的,歌词通常来自同一个诗人,内容通常有特定的故事、人物,景色或是心情.
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lieder：艺术歌曲
因为改编或者配器而使舒伯特"升华"并让我感动莫名的,是后人为他的"艺术歌曲"(LIEDER)作的乐队伴奏,这使他的歌曲分量终于可以与马勒和理查施特劳斯不朽的"乐队歌曲"并驾齐驱.