- 更多网络例句与经过音相关的网络例句 [注：此内容来源于网络，仅供参考]
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And the noise, vibration and harshness that make their way into the car's cabin aren't hushed in any particular way.
而传递到车内的噪音，震动和尖锐音也没怎么经过消除。
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James Jamerson's bass lines were more tonally developed (involving a high level of chromaticism and passing notes) than many of the time.
詹姆斯。加莫森的贝斯线条比起当时的许多人而言在音色上有很大改进（包括高水准的半音阶和经过音）。
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People abounded in the accident spot and police dispersed them with great effort.2 We are in the period of transition between the dismantlement of the old system and the establishment of the new one.
就像一个交响音乐会的原音通过高保真音响来进行录制一样，艺术品本身在经过复杂的复制过程后，失去了它的独立性和想象的空间。
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Results After one-year theray, 70% of patients with delayed language achieved the expected target and most dysarthria were corrected.
结果 经过 1年的治疗，70 %的语言发育迟缓患儿达到预期的训练目标，大部分构音障碍患儿得到矫正。
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Grace ; half tone harmony ; program music
装饰音；半音和声；标题音乐；经过音群
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Chapter one is "Introduction". On the basis of summarizing the history of the study of the pictophonetic characters, we suppose some theoretical principle, such as the principle of the correspondence between the form and the meaning of the individual graph of Chinese characters, the principle of the total graphs of Chinese characters being a character-formation system, and the principle of the optimum development of the character -formation system in the history, and som analytic methods, such as the methods of structrue-function analysis, form-position analysis and meaning factor analysis, in the study of the pictophonetic characters. Chapter two is titled"General knwledge of the pictophonetic character." We discuss their origins, nature and some standards of distingnishing them, introduce the knowledge about the editions of SHUO WEN JIE ZI, analyse the functions of the modules of pictophonetic characters in detail, discuss concretely the function of phonetic graphs showing origins and pronunciations, the function of meaning graphs showing meanings and analogies, and the function of distinguishment when the two kinds of graphs are conbined. Chapter three is"The system of meaning graphs of Xiao Zhuan system."After we describe the structure of the meaning graph system, the relations between meaning graphs, the distributions of the function of meaning graphs showing meanings, and the frequency of all this kind of graphs, we get a table of all meaning graphs, a table of the frequency. Chapter four is"The system of phonetic graphs of Xiao Zhuan system."We describe the structure of the phonetic graph system, the relations between phonetic graphs, and between their function showing origins and their function showing pronunciations, and their frequency, then we get ageneral table of phonetic graphs and table of their frequency. Chapter five is "conclusion". We think that systematical methodology is useful in describing and analysing the formation system of Chinese characters. The methodology is adaptable in describing the formation system of modern Chinese characters as well as the historical character systems, adaptable in describing horizontally as well as comparing vertically. Only when we finish the systematical vertical compare on the base of systematical horizontal decription, could we know the true history of the system of Chinese characters, recover the rule of the system's development, and supply the theoretical supports for the scientifical arrangement of modern Chinese characters.
第一部分—绪论，在总结形声字研究历史状况的基础上，提出了研究形声系统的理论原则和分析方法，即汉字个体字符形义统一的思想，汉字字符集合构形系统的思想，汉字构形系统历史演变系统优化的思想等三项理论原则和结构功能分析法，形位分析法，义素分析法等三种分析方法，还扼要地介绍了具体的工作程序和论文的主要内容；第二部分—形声字概述，论述了形声字的来源、性质和鉴别标准，介绍了对《说文解字》正篆形声字说解中的传抄讹误，版本异文，说解错误校勘和考证的经过，详细分析了形声字构件的功能，具体讨论了声符的示源功能与示音功能，义符的示意功能与类化功能以及声符与义符组合中的相互区别功能；第三部分—小篆字系的义符系统，从义符系统的构成、义符间的相互关系，义符示意功能的分布及义符的构字频度等不同侧面，对义符系统进行了全面的描写，产生了义符总表、义符间意义关系总表和义符构字频度总表；第四部分—小篆字系形声字的声符系统，从声符系统的构成、声符间的相互关系，声符的示源功能与示音功能的关系以及声符的构字频度等不同侧面，对声符系统进行了全面描写，产生了声符总表和声符构字频度总表；第五部分—结束语，在全面测查小篆字系形声字的基础上，对研究汉字的方法和现代汉字发展方向的问题提出了一些看法，认为系统论的方法是描写和分析汉字构形系统行之有效的方法，系统论方法，不仅适用于历史上文字系统的描写，也适用于现代汉字构形系统的描写，不仅适用了断代描写，也适用于历史比较，只有在对汉字断代系统描写的基础上进行系统的历史比较，才能认清汉字系统历史演变的真相，揭示汉字系统发展的客观规律，为科学地整理现代汉字提供理论上的依据。
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Right now the nurse answers with gentle language, patient manner sucks phlegmy necessity and importance to patient and family member specification, and the serious consequence that rejects to suck phlegmy likelihood to bring about, and signal patient and gentleness of movement of family member operation, at the same time directive and sober patient cooperates to may decrease those who suck phlegmy place to bring is unwell, cooperate in order to obtain what the patient reachs a household. Whether do the 5 distances that check tracheal spile to be apart from fore-tooth have fluctuant reach auscultation sound of double lung breath is symmetrical. Sound of breath of 6 auscultation double lung, in order to judge the place of phlegmy fluid. The 7 patients as a result of tracheal spile, what aeriform exchange does not pass nose pharynx ministry is wet change, make inside tracheal spile drier, reason should time do pulverization inspiratory 2 / D~4 second / D, arrive in order to rise the wet path that spend energy of life, avoid the end with phlegmy scabby fluid.
此时护士应以暖和的语言，耐心的态度向病人及家属说明吸痰的必要性和重要性，以及拒绝吸痰可能导致的严重后果，并示意病人及家属操作动作轻柔，同时指导清醒病人配合可能减少吸痰所带来的不适，以取得病人及家属的配合。5检查气管插管距门齿的距离是否有变动及听诊双肺呼吸音是否对称。6听诊双肺呼吸音，以判定痰液的位置。7由于气管插管的病人，气体交换不经过鼻咽部的湿化，使气管插管内较干燥，故应定时做雾化吸入2次/d~4次/d，以起到湿化气道、防止痰液结痂的目的。
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Richard Taruskin has identified two contrasting idioms in the opera, one based largely in Russian folksong and used to portray the Russian characters, the other an exotic 'oriental' idiom, featuring melismatic vocal lines, melodic augmented 2nds, chromatic passing notes, and double-reed wind timbre, used to portray the Polovtsians.
在这部歌剧中理查德塔鲁斯金找到了两个对比的风格特色，一个主要根据俄罗斯民歌，用来塑造俄罗斯的人物形象，另外一个是具有异国特色的&装饰性&特色，以花唱的声乐表现，增二度的旋律，半音的经过音，双簧片的风声音色为特征，用来描绘波罗维茨人。
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On the third day, the themes began to emerge out of each group: the wind distortion on the unobstructed river embankment and sounds of stones striking objects, led into the man-made mechanical systems of the MRT at the Taipei Main Station, followed by the Madams speaking with a local twang in a alleyway off Huaxi Street, a young foreign woman whispering and teasing, passersby flipping through pirated DVDs that are encased in plastic cases, and karaoke, the modulated looping of non-melodic electronic effects. These environmental sounds become timeless ambiance and a cross-section of memory. We observe the world through sound, using point of sound as a capturing angel for imagery and through digital wave imaging to illustrate the soundscape.
第三天各组的主题渐渐地浮上来；河堤旁空旷的风阻声与小石击物的动作声，带进台北车站内火车捷运的人造机械系统，尔后，华西街小巷内的老鸨多操著本籍口音，暗暗私语的是外籍年轻小姐的笑骂，旁人翻动盗版DVD的塑胶壳与卡拉 OK，无音律的电子效果经过回路改造再制，转成大空永恒的环境音，切著记忆的片断，以声音去看世界，以发声点为摄像的角度，更透过电子波型图示音景自载的起承转合。
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Playing the flute is a musical instrument, although most of the flute are made of metal, but it still belongs to the orchestra's woodwinds.
长笛是木管乐器中最灵活的一种，现代的长笛可吹奏的音律将近4个8度，能够奏出一切可能的经过句、音阶、琶音、颠音等，特别擅长演奏快速的断音和快速的同音反复。
- 更多网络解释与经过音相关的网络解释 [注：此内容来源于网络，仅供参考]
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Changing note：换替音,非和弦音或经过音,助音出现在重音位置上
51. chamber music 室内乐、厅堂音乐. 可分为:二重奏、三重奏、四重奏、五重奏等. | 52. changing note 换替音,非和弦音或经过音,助音出现在重音位置上. | 53. chanson 歌曲、短剧
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diatonic scale：自然音阶 passing tone 经过音
chromatic scale 半音阶 | diatonic scale 自然音阶 passing tone 经过音 | inverted mordent 逆波音(lower mordent;
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Unaccented passing note：弱经过音
小字八度 Unaccented octave | 弱经过音 Unaccented passing note | 十一连音,十一连音符 Undecicuplet
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Unaccented passing note：非强拍位置经过音
Tyrolienne 蒂罗歌舞,慢三拍子环形舞 | Unaccented passing-note 非强拍位置经过音 | Una corda 用单弹,踩钢琴弱音踏板,使只有一根弦发音
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Unessential note：非主要音,经过音,助音,倚音等不属于构成一个和弦的音
Unequal temperament 不平均律 | Unessential note 非主要音,经过音,助音,倚音等不属于构成一个和弦的音 | Uneven time 不平均拍子
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fills：经过音
根音 Root | 经过音 fills | 决定音 Determinant
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Passing note：经过音
经过音(passing note)和邻音(auxiliary note)都是"和声外音" 即是不属於和弦里的音. (我通常叫你所说的邻音为辅助音, 不过叫法不是问题啦!)邻音也是一样的~ 试想想把CDE 改成CDC~ D 是加上去的上辅助音 (upper auxiliary note)邻音也是一样的~ 试想想把CDE 改成CDC~ D 是加上去的上辅助音 (upper auxiliary note)
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Accented passing note：强经过音
"强小节","Accented bar" | "强经过音","Accented passing note" | "辅助音","Accessory tone"
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Accented passing note：强拍上的经过音
13. accent beat 强拍. | 14. accented passing-note 强拍上的经过音. | 15. acciaccatura 短倚音、快速唱奏的装饰音.
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acciaccatura：短倚音、快速唱奏的装饰音
14. accented passing-note 强拍上的经过音. | 15. acciaccatura 短倚音、快速唱奏的装饰音. | 16. accidental 临时记号.