纵排的

基本解释 (translations)

tandem

与纵排的相关的网络例句 [注：此内容来源于网络，仅供参考]

Ctenophore having a rounded body with longitudinal rows of cilia.

纤毛纵排、圆形身体的栉水母。

The die-cutting, if it is a water emulsion adhesive layer material, is not cuttingoff or incition, label--they still exhaust because the exhaust is pulling force is very easy to draggle layer.

所以在模切时，如果是火乳胶质料，在黏合剂层未被堵截或合座不不安纵堵截的境况下，标签仿照照旧排宝，因为排宝时的不推辛很便当不推断胶层。

With the intense pace of the life, we always get angry unconsciously, hurt the others, engorge food, indulge the desires, drink excessively to release the pressure. But in the SPA, you can experience a kind of healthy way of releasing the pressure and feel the rapid circulation of the qi or chi, energy

在高压力的生活步调中，我们往往会不自学地愤怒、伤害他人、暴饮暴食、纵欲、酗酒等来释放压力，但是在SPA中会体验到一种健康的解压方式，感觉身体的气血正在迅速循环，肌肤柔嫩的触感，体内的废物毒素被排出体外，重新享受生命的喜悦和美好。

The company is mainly engaged in production of small sized precision CNC lathe, which have been widely used in communication, refrigeration, optical instrument, household appliances, auto, motorcycle, electronics, special electric machine, clockwork etc.

XKNC系列排刀式CNC车床、TX系列回转刀塔式CNC车床、SL系列纵切式CNC车床、加工中心，自动钻铣机，高速自动冲切裁断机六大类共计50多种规格。西安北村精密机械有限公司成立于2000年4月，是国内率先引进国外先进技术及生产经验的生产小型精密数控机床的中外合资企业。

The volume of the omasum is the largest in the goats grazed ,the second in the goats fed on hay,the smallest in the goats fed on green grass.

在网瓣口处均有10排纵行的高而锐的乳头，每一排乳头延续形成一个大瓣叶。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Anti-earthquake research is done on various type of flat metallurgical buildings of reinforced concrete,the affecting factors are analyzed such as: working space,shift and twist,column shape,roof rigidity,side-way stress resistance of gable and longitudinal wall and so on,the adjusting index for space effect and twist influence in flat truss calculation proposed.

针对各种类型的钢筋混凝土单层冶金厂房进行抗震研究，考虑到厂房的空间工作、平移和扭转、柱子形式、屋盖刚度、山墙和纵墙的抗侧力作用等因素，提出了平面排架计算的空间作用和扭转影响的调整系数。

With the finite element method this *** analyzes influence factors of Lateral rigidity including layout and spacing of faade bracing, horizontal bracing and unusual arrangement of faade bracing firstly, revealing the change discipline of lateral rigidity. Then, on this basis, this *** further researches on frame Stability capacity and its influence factors such as semi-rigid node, bracing spacing, base transom height, distance between top transom and the supported matter, structure height, longitudinal distance between adjacent standards, distance between adjacent transoms, horizontal load, in order to find out the law of stability capacity, guiding the design and construction.

借助有限元本文首先分析立面斜杆的布置方式、布置间距、水平斜杆以及立面斜杆不正常布置等因素对架体抗侧刚度的影响，揭示抗侧刚度的变化规律；在此基础上，进一步考查了节点半刚性、斜杆间距、底排横杆高度、顶杆伸出长度、架体高度、立杆纵距、横杆步距、水平荷载大小等对架体稳定承载力的影响，以期得到承载力的变化规律，用来更好地指导设计和施工。

It provids a basis for the further research on the rheologic theory of CWR track.

本文将在过去对轨排道床系统流变理论研究的基础上，从沿线路的纵、横两个方面就无缝线路中的一些问题进行探讨。

与纵排的相关的网络解释 [注：此内容来源于网络，仅供参考]

significant digit：有效数字

不过,一些新建的邮政局内的邮政信箱,已改成从外面看时,会以从上到下、由左至右的次序排列 (先纵排后横排),并以有效数字 (Significant Digit)来识别邮政信箱的位置.

talk-back audio/data link：对讲音频/数据链路

频带间隙裁制 tailoring bandgap | 对讲音频/数据链路 talk-back audio/data link | 汇接(的),前后直排,纵列,串接,直通连接 tandem

wale：经圈

Tcw 经圈(Wale):织物中线圈呈直排,亦为纵式,称为经圈. 纬圈(Course):织物中线圈呈横排,称为纬圈. I0X}:F y4}"^5o4a%? 经密(Wales Per Inch):经圈每吋的密度亦叫经密. v%'k/GB xD 纬密(Course Per Inch):线圈每吋的密度叫纬密.

warp beam：经轴

种独属经编针编针织类;其纱线是由经轴( Warp Beam )拉出,经给纱器(导纱器 Yarn Feeders )循经线或直线方向,绕入针钩编织. (2)织物结构 (a)织物密度针织物的一般专用名词,在此应先作以介绍:经圈(Wale):织物中线圈呈直排的,亦为纵式,

ended：结束的

end-user 最终用户 | ended 结束的 | endhaul marine railway 纵拖船排

Dircular saw bench：简单圆平面或者物体表面的大锯机

Dircular gang-saw 圆排锯 | Dircular saw bench 简单圆平面或者物体表面的大锯机 | Dircular saw bench for band feed ripping 手工送料纵切圆锯机