- 更多网络例句与神话艺术相关的网络例句 [注：此内容来源于网络，仅供参考]
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The essence of a mythology was that art produced evolution in the acceptable process. This is due to logic evolution in west art history,the relationship change between accepter and creator in the painting market,the artists art thoughts' orientation difference of the...
这神话的本质正是艺术在接受过程中发生了性质嬗变，它是由西方艺术史自身逻辑的演进、美术市场中接受者与创作者之间关系的变化、艺术家本人的艺术思想在不同时代接受者定位差异等方面的原因而产生的。
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Myth and art are interknit from their birth. The first, myth and art all are fictions. The second, myth has double structures of conception and sensibility, theory and art. The third, be related to the characters of mythical thought, myth had unified intuitive images and feelings, but feelings of myth is different from that of art. The forth, feelings of art have a character of associability.
神话和艺术从生成始就是有着密切的联系的：首先，神话和艺术一样都是一种虚构；其次，神话具有概念和感性、理论和艺术的双重结构；再次，与神话思维的特征相关，神话具有直感性与情感的统一性，但是神话中的情感不同与艺术中的情感；第四，神话情感有交感性的特点。
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The young critics favor critical explore relates to the artistic form and the old critics make a good success of the practice in folkloric criticism, anthropologic criticism, mythic archetypes criticism, psychoanalytic criticism, new criticism, book reviewing, etc.
沈从文、李健吾的创作式批评张扬批评的想象性，重视读者的地位；朱光潜、李长之的知识型批评讲究各艺术品类的通约性，是新文学话语产生的理论源泉；梁宗岱、叶功超的对话型批评引进了一些"新批评"，也将中国文学精华译介到西方，创造了新的文学生态环境，一定程度上改变了人们看现代文学的方式；林徽因的批评张扬了批评的"女性"意识：新老京派都在新批评方面有所探索：前者侧重于与艺术形式有关的批评探索：后者则在民俗学批评、人类学批评、"神话一原型"批评、精神分析学批评、英美新批评、书评等的实践方面成绩显著。
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The reason for us to say that Shu Yong's oil painting is innovative and fresh is that other artists used to represent themes like Eight Immortals Crossing the Sea, A Bumper Harvest, Happy Marriage, and Wish My Son Succeed in Life directly in the form of painting including colour ink, woodcut and New Year painting, or sculpture including porcelain, wood and bamboo; while SHU Yong does not use his skilled language techniques of oil painting to represent these traditional mythologies and prayer stories, but turns these mythological figures into folk colour carving on porcelain and located on the water surface seemingly visionary as the abode of Fairy Mother Goddess.
之所以说舒勇的油画有新意是因为，以往表现诸如"八仙过海"、"五谷丰登"、"喜结良缘"、"望子成龙"等等题材时，都是直接用某种艺术形式，比如彩墨、木版、扑灰年画等绘画形式，或者陶瓷、木头、竹子等雕塑形式。到了舒勇这里，他并没有直接用油画自身所擅长的语言技巧去表现这些传统神话和祈福故事，而是将这些神话和故事的人物形象转换成民间彩色刻瓷的形式，被安置在一种类似瑶池一般虚幻神秘的水面上。
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Strong Practicalism and high view of beauty in Greek mythology agreed with his "half rapscallion". Expression of Entirely and abstract beauty in Greek mythology develop his "Art of Life" great.
希腊神话强烈的现世主义精神，对于生的热烈追求，迎合了他"半流氓"的思想特点；而希腊神话中完全的、纯粹的美的表达，对于的他"生活之艺术"有很大推动作用。
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But what is the origin of this enigmatic trait that the suffering and the fate of the hero, the most painful triumphs, the most agonizing oppositions of motives, in short, the exemplification of this wisdom of Silenus, or, to put it aesthetically, that which is ugly and disharmonic, is represented ever anew in such countless forms and with such a distinct preference--and precisely in the most fruitful and youthful period of a people?
真正的审美观众会证实我的话；我认为，在悲剧的特殊效果中，只有这种并存现象最值得注意。现在，如果把观众的审美现象转化为悲剧艺术家的审美过程，您不难明白悲剧神话的起源了。悲剧神话，具有梦境艺术那种对假象和静观的快感。但同时它又否定这快感，而在这鲜明的假象世界之毁灭中，得到更高的满足。悲剧神话的内容，首先是歌颂战斗英雄的史诗事件。
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Strong Practicalism and high view of beauty in Greek mythology agreed with his "half rapscallion". Expression of Entirely and abstract beauty in Greek mythology develop his "Art of Life" great.
希腊神话强烈的现世主义精神，对于生的热烈追求，迎合了他&半流氓&的思想特点；而希腊神话中完全的、纯粹的美的表达，对于的他&生活之艺术&有很大推动作用。
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The flood myth among the ethnic group of Yi-Language is large in amount and great in importance of the Tibeto-Burman languages, especially the flood myth among the ethnic group of Yi-Language kept in their Genesis epic that not only has great literary and artistic value but also contains large amount ancient historical and cultural information.
在藏缅语族中，彝语支民族的洪水神话数量最多，也最为重要，特别是保存在创世史诗中的彝语支民族洪水神话，不仅具有较高的文学艺术价值，而且还蕴涵着大量古代的历史文化信息。
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The Greek mythology is the myth literature arts domain treasure, this research has comprehensively is discussed literature nature in the ancient Greece myth manifestation and the special characteristic , in to the ancient Greece myth artistic contour ,the creation content ,subjective ideology ,the rationality is energetic ,in the esthetic value cognition integrity understanding ,comprehensively understood the ancient Greece myth literature nature unique charm and it's the origin ,have the significant to the European and American later generation literature cognition .
希腊神话是神话文学艺术领域的瑰宝，本研究全面探讨了文学性在古希腊神话中的表现形式及特质，在对古希腊神话的艺术外形、创作内容、人本精神、主体意识、理性精神、审美价值认知的完整认识上，全面理解古希腊神话文学性的独特魅力及其成因，对欧美后世文学的认知具有重大的意义。
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In particular, black white flower, the five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting, traditional Chinese painting, calligraphy, ceramics and art combine to create a new integrated arts, opened up the aesthetics of ancient ceramics a new realm, and for the future and colorful blue and white porcelain million development opened the way.ci zhou yao decorative themes are rich and varied, unique, very cool artist who adopted the tactics and superb skill of the art technology, willyu chong people loved flowers and birds, rare birds andrui shou , landscape character, drama, stories, myths and legends, poetry Qu Fu, epigram proverbs, such as painting children at play acrobatics on top of the porcelain to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang artistic style, rich color and a distinctive non-governmental national characteristics , on the domestic and the world of ceramic and have had an enormous impact on a far-reaching, becoming old and sonic booms, renowned Chinese and foreignming yao generation.
尤其是白地黑花，突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果，把中国的传统绘画、书法技艺与陶瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界，并为以后元青花及五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们采用极其潇洒的手法和高超精湛的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏剧故事、神话传说、诗词曲赋、警句谚语、婴戏杂技等绘于瓷器之上，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格、浓郁的民间色彩和鲜明的民族特色，对国内及世界陶瓷产生了深远而巨大的影响，成为声震古今、享誉中外的一代名窑。
- 更多网络解释与神话艺术相关的网络解释 [注：此内容来源于网络，仅供参考]
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Hades：哈德斯
也是希腊神话中被称为长老的神.泰坦神受到克洛诺斯所普罗米修斯 (Promethus)造人,教人观察天体运行,发明数字,艺术,又教人驾不难找到英雄救美(英雄柏修斯(Perseus)从大海蛇手中救出少女安德美妲),拐婚(哈德斯(Hades)与佩儿西凤(Persephone))等故事,
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Icarus：伊卡洛斯
这不是个"伊卡洛斯"(Icarus)式的故事(伊卡洛斯是希腊神话中的一个人物,艺术之神代达罗斯的儿子,他们被囚禁于克里特岛上. 为了逃走,代达罗斯以鸟的羽毛和蜡做成了翅膀,和儿子一起飞上天空. 但伊卡洛斯因飞得太高太靠近太阳,
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MINERVA：美耐华
智慧女神雅典娜,也被称为美耐华(Minerva),是希腊神话中的十二主神之一,也是知识、艺术、手工艺之神. 与智慧女神同名的美耐华表厂,于1858年在祖拿山区的制表重镇维莱尔(Villeret)成立. 近150年的手工制表传统,
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monogram：字母组合
2000年,他与村上隆合作,将小花、蘑菇、樱桃等绚烂多彩的图案用在字母组合(Monogram)系列上,变换出33种颜色. 而2003年推出的樱桃包更是引发抢购潮,一个关于流行、时尚、消费文化与现代艺术的新神话即被全新触动. 同时此举也引爆时尚与艺术家合作的风潮.
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mythography：(绘画、雕刻等的)神话艺术
microradiography n. X射线显微照相术 | mythography (绘画、雕刻等的)神话艺术 | nomography n. 列线图解法,法律制定论
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Personal：个人
特别是它们对于"个人"(personal)这一概念的不断中介化和重构,逼迫我们去重新认识创作主体、文本与客体的关系. 在一个数码复制与生物控制论复制(biocybernetic reproduction)的时代,我们应该怎样解构和重构艺术作品(work of art)和艺术大师(master of art) 的神话?
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Pygmalion：比哥马利恩
英国艺术双人组合纳莎西比与丝克尔(Rosalind Nashashibi and Lucy Skaer)的装置作品>(Pygmalion),题材源自于希腊神话一位雕刻家情不自禁爱上了他所创造的对象,展览作品中所使用的素材包含新与旧的融合,
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work of art：艺术作品
在一个数码复制与生物控制论复制(biocybernetic reproduction)时代,我们应该怎样解构和重构艺术作品(work of art)和艺术大师(master of art) 的神话?图像和技术的民主化,如何影响观察者的身体、视觉感(visuality)、时间和空间意识?
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reforge：再造
弗莱在<批评的解剖>结论部分赋予批评家的职能--重构或再造(reforge)被历史遗忘的 些原始联系,如在创造和知识、艺术和科学、神话和概念之间的联系(7),我们可以利用汉字的活化石作用去更有效的完成.
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The Muses：缪斯
如小爱神厄洛斯(Eros),青春女神兼诸神斟酒官 赫拍(He be),主管社会娱乐的惠三女神(the Graces),负责文学,艺术和科学的九位缪斯(the Muses),纺人类命运之纱,控制人的生死的命运三女神(the Fates)等.希腊神话世界中的阴曹在大洋河彼岸,