知觉的对象

基本解释 (translations)

percept

与知觉的对象相关的网络例句 [注：此内容来源于网络，仅供参考]

Therefore there must be in the objects perceived the substratum which represents time in general.

因此，在知觉的对象中，即在显象中，必须有表现一般而言的时间的基底，借着这个基底，一切变易或者同时存在都能够通过显象与它的关系而在把握中被知觉。

In a word, being realistic or non-realistic, being self-displined or being heteronomous are the prominent differences of "pure intent object" and "pure aesthesia object".

杜夫海纳就是立足于此展开对茵加登的批评的。概而言之，现实性与非现实性、自律与他律成为&纯粹知觉对象&与&纯粹意向性对象&的最显著区别。

He wrote his own worries calmly, although there is the limited of the cognition to society and the culture in the age, which cannot avoid the sentimental and the simple, anyway, already entering the most pleasant stage steadily.

于是，在观者的视知觉补偿心理的作用下，这些在普罗大众心中遥不可及的大人物们，近距离地扑面而至，由惯于&凝视&民众换位为被民众&凝视&的对象，让观者可以细致缜密地对其进行审视与检阅。

Ingarden brings forward that literature works is a "pure intent object" when he reviews the existing manner of literature works, while Dufrenne regards the taste object as a "pure aesthesia object".

茵加登在考察文学作品的存在方式时，明确提出文学作品是一个&纯粹意向性对象&，杜夫海纳则把审美对象看作是一个&纯粹知觉对象&。

The fundamental cause of the differences is that Ingarden is deeply influenced by Husserl who views the conscious activities as the intelligent ones, so the "pure intent object" is equal to intelligent object in Husserl's eyes; while Dufrenne is greatly affected by Merleau-Ponty who amends Husserl's pure consciousness and conseders it as pure aesthesia, so the so-called "pure aesthesia object" is a sensible object, Dufrenne commences criticizing against Ingarden and on the basis of that.

造成这种差异的根本原因在于，茵加登更深地受到胡塞尔纯粹理性意识的影响，把意识活动看作是智性活动，因而其所说的纯粹意向性对象就被杜夫海纳看作是智力对象；而杜夫海纳则更深地受到梅洛一庞蒂的影响，把胡塞尔的纯粹意识修正为纯粹知觉意识，因而其所说的纯粹知觉对象就是一个感性对象。

The 1920 saw the emergence of a new psychological school called Gestalt psychology.it was founded by a group of German psychologists such ad Max Wertheimet,Kurt Koffka,and Kurt Lewin.most of their early research was focused on the area of perception,aiming at the exploration of the relationship between parts and whole in people's petceptual experience.from their experiment,they found that people perceived objects and scenes as organized wholes beforethey noticed their component parts.For example,when people catch sight of a desk,they will recognize the desk asa whole before noticing its legs and other parts.that is why they use the word Gestalt,which means roughly"organized shape"or "whoe form" in English,to name their school of psychology

在1920年看到了一个新的心理称为塔psychology.it学校的出现，是由德国心理学家等广告最大Wertheimet，科特考夫卡和库尔特其早期研究Lewin.most成立于知觉的领域集中，瞄准之间的部分和整个人民的关系探索单曲petceptual 经验。from他们的实验中，他们发现，人们认为的对象和有组织的整体，场面beforethey发现自己的组件部分。F例如，当人们捕捉，桌上看到，他们将承认前注意到它的腿和其他parts.that桌子阿萨整体他们为什么用这个词塔，这意味着约&组织型&或&所有形式&的英文，说出他们的心理学校。

Just as one object can give rise to multiple percepts, so an object may fail to give rise to any percept at all: if the percept has no grounding in a person's experience, the person may literally not perceive it.

正如一个对象可以引起多种percepts ，所以一个对象可能无法产生任何知觉在所有：如果没有接地知觉在一个人的经验，该人可能确实不认为它。

Also, it is substrate for temporal integration of informations from which unitary and coherent percepts are established. The range of perceived present represented a basic temporal organization of humans\' motion behaviors, as well as providing a temporal window for the activities of conscious information processing.

时间知觉即&知觉到的现在&，其约3秒钟的时间范围是产生&现在感&的基础，同时也是信息得以进行时间整合并形成统一的知觉对象的基础。

Perceivers and targets' personality characteristics had moderate effect on both accuracy and meta-accuracy; Participants whose content of internet chatting was more true were judged more accuratly, and had more accurate metaperception; Unlike researches using face to face interaction, traits' observability had negative effect on accuacy and meta-accuracy;Traits' desirability tended to reduce the accuracy and had no significant effect on meta-accuracy; Though gender had no significant effect on accuracy and meta-accuracy, there were noteworthy sex differences in the content of interpersonal perception.

知觉者和知觉对象的人格特点对人际知觉的精确性和元精确性都有一定的影响；网上聊天内容的真实程度越高，判断的精确性和元精确性也越高；与面对面的交流不同的是，特质的可观察性越高，人际知觉的精确性和元精确性反而越低；特质的社会期望值对精确性有一定的影响，但对元精确性没有明显的影响；虽然精确性和元精确性并没有表现出明显的性别效应，但与性别相关的刻板印象在网上聊天的人际知觉中仍然存在。

To avoid this ambiguity, it has been proposed to remove the physical rarity of the target stimuli by using as sensory input a series of equiprobable first names among which is included the subject's own name.

为了要避免这一个不明确，当知觉的被输入的一系列的 equiprobable 在哪一个被包括主题的自己名字之中最初命名的时候，它已经提议除去目标 stimuli 的实际稀奇的事使用研究对象自己的名字

与知觉的对象相关的网络解释 [注：此内容来源于网络，仅供参考]

apprehension：领会

既然时间不能被单独地知觉(wahrgenommen)到,那么在知觉的对象、即在诸现象中就必定可以遇到这个基底,它表象出一般时间(Zeit überhaupt),并且在它身上,一切变更或同时并存都可以通过诸现象在领会(Apprehension)中与它的关系而被知觉到.

artistic value：艺术价值

Ingarden)区分了"艺术价值"(artistic value)和"审美价值"(aesthetic value),前者是客观存在的,后者是在欣赏者的审美经验中突显的. 杜夫海纳(M. Dufrenne)区分了"艺术作品"(art work)和"审美对象"(aesthetic object),前者是非知觉对象,

artistic value：价值

Ingarden)区分了"艺术价值"(artistic value)和"审美价值"(aesthetic value),前者是客观存在的,后者是在欣赏者的审美经验中突显的. 杜夫海纳(M. Dufrenne)区分了"艺术作品"(art work)和"审美对象"(aesthetic object),前者是非知觉对象,

attention span：注意广度

注意广度(attention span)也叫注意范围. 这是非常重要的一项心理量,在学习、工作中都发挥着重要的作用. 人们在一瞬间的知觉活动,对某些对象产生清晰的视觉印象是可以的,但要把握落入视野的全部对象则是不可能的. 清晰地把握的对象的数量,

percept：知觉的对象

indigenous 本土的 | percept 知觉的对象 | intercept 中途阻止, 截取

percept：知觉对象

percentum 百分比 | percept 知觉对象 | perceptible 可察觉的

Perceptible：可察觉的

percept 知觉对象 | perceptible 可察觉的 | perceptibly 可察觉

Prolegomena：绪论

>和>(Prolegomena) 中都讲了它;后者的解说比较容易懂,但是不如>里的解说完全. 我想先来 介绍一下这个理论,尽可能讲得似乎言之成理;在解说之后我才试作批判. 康德认为,知觉的直接对象一半由于外界事物,

individual object space：个人的对象空间 个人的对象空间

individual need 个人需要 | individual object space 个人的对象空间 个人的对象空间 | individual perceptual space 个人知觉空间

objet：对象

然,noema不可混同于对象(objet). 吾有一有关树之知觉,其对象即此树,然其noema,则为相关之全部,树及树之述谓,如绿树、被感知的、被回忆的、被想像. 在noema之中,吾人区分出一核心(Kern, noyau),即某个X,一切述谓皆相关于此X. 此核心,