英语人>词典>汉英 : 现实主义 的英文翻译,例句
现实主义 的英文翻译、例句

现实主义

基本解释 (translations)
actualism

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Above of all, the paper briefly introduces the developing sequence of the realism, including classic realism, neorealism or structural realism, and neoclassic realism, offensive realism, and defensive realism.

文章首先综述了现实主义的发展脉络,包括:传统现实主义(或古典现实主义、经典现实主义)、新现实主义以及新古典现实主义、防御性现实主义和进攻性现实主义

The early writings of Jia Pingwa, which created along the road of realistic and have evident trace of imitation, are considered to be conventional and realistic. Afterward, as the writer penetrated with folk, and with the change of times and the format of language, the author dug out the mysterious connotation in Taoist, Fucianism, Buddhism and even civilian culture more far. And create a series of writings with deep mystery. After this, Jia create a series of saga novel again such as "The Ruined Capital" on the basic of combination of mysticism and realism. But in his near writings, such as saga novel "QinQiang Opera", the character of realism was aggravated while the character of mysticism was faded.

贾平凹沿着前辈作家的现实主义创作道路前进,前期的作品具有明显的模仿痕迹,属于传统现实主义作品;后来更加深入民间,随着时代的变迁和话语形式的改变,挖掘出道家、佛家、儒家以至更为久远的民间文化的神秘内蕴,创作出一批具有浓烈神秘色彩的作品;其后,把神秘主义与现实主义相糅合,创作出《废都》等一批长篇小说;而到了近作——长篇小说《秦腔》,又淡出神秘主义,现实主义的色彩得到了加重。

Although realism is the most practical and most complete interpretive theory under the anarchic condition, but it becomes tenuity in explaining cause and effect after Waltz's structural realism came into existence, and this mainly because of the absence of Waltz 's structural realism in domestic political study.

本文讨论的是沃尔兹结构现实主义在国内政治研究上的缺失。作者认为现实主义作为无政府状态下最实用、最全面的解释性理论发展到沃尔兹结构现实主义理论后,之所以出现因果解释上的贫乏,主要因为该理论在国内政治研究上的缺失。

In this thesis, the author compared Bi Feiyu with those traditional realistic writers form three aspects: the intimate extent between the writer and the readers; the recognition to the authenticity and typicalness of the details; the similarities and differences about the world outlook. Therefore, the author claims that perhaps it is more suitable to define Bi Feiyu as "Psychological Realism" or "Spontaneous Realism".

本文从作者与人物的疏离程度、对细节真实与典型的不同认识、世界观的异同等方面区分了毕飞宇与传统现实主义作家,认为如果以发展的眼光来看待现实主义,那么将他定义为"心理的现实主义"或"写意的现实主义"或许更为恰当。

Over a rather long time, the concept generally accepted by us meant the human art history witnessed the conflict between realism and antirealism, while our traditional Chinese "wenrenhua (painting of man-of-letters)" was judged by principles of popular Western realism.

采用别的方法,如用象征寓意的或抽象、荒诞语言的艺术,即使有现实的品格和精神,常常被归入到别的主义里去。20世纪以来,我们先后提倡过现实主义、革命的现实主义、&革命现实主义与革命浪漫主义相结合&的方法。

His political thought is a kind of realism that benefits the realization of political value and political ideal, not a kind of immoralism that throws them out of the door.

韩非子的现实主义政治思想是有利于政治价值、政治理想实现的现实主义,而不是抛弃政治理想、政治价值的&非道德主义&的现实主义

Much as Gao's analysis is used to critique the problems arising from the West's selection of contemporary Chinese art, the application of this realist reflectionist approach on contemporary art is also remarkably popular among critics in China today.

高名潞的这段论述虽然是用来批评西方在选择中国艺术时出现的问题,但用这种现实主义反映论来论证当代艺术的方法在中国当下的评论界也随处可见,他们把前卫艺术的介入社会,理解成反映社会,然后把反映社会现实的作品当作当代艺术,所谓的现在是数码时代,艺术要反映数码,现在是卡通时代,艺术要反映卡通,还有就是高名潞所批评的,只要在艺术中反映了一点中国的变化就是当代艺术,而其实它只是现实主义反映论的一种表现,鲁虹等人的文章都属于这一类,我称为&改革开放现实主义艺术&模式,我们看到今天的中国艺术和评论都是在这种模式中制造当代艺术的假象。

First, to take ideology as a weapon was the starting point of the revolutionary drama-"the Left Drama"while to pay attention to human and the conflict between human and the society, which led to the probation of the connotation of the conflict consciously was the core of sub-current realism. Second, the main current realism had a strong revolutionary"proletariat"aim and political sense-objective sense while the sub-current realism focused on people and setting up characters. Third the main current realism laid too much emphasis on the sense of mission of its time which led to the tendency of formulizing and generalizing while the sub-current realism paid attention to the firm objectivity and to imitate life as their aesthetic ideal, and as a result the sub-current realism produced vigorous works. CHAPTER 4 Realistic Chinese modern drama experienced a hard and winding way of development. It was even worse after the People Republic of China was established.

本章还从三个基本方面入手,论述了主流的现实主义与非主流的现实主义内质的差异与不同的发展趋向,即作为一种武器的思想是主流的革命现实主义中&左翼戏剧&的出发点,与注重人与命运、人与现实的冲突,从而自觉追求冲突内涵的挖掘是非主流现实主义的核心;主流的革命现实主义中&普罗列塔利亚式&强烈的革命目的&目的意识论&与非主流现实主义的倾心于人物、注重人物塑造的审美原则;主流的革命现实主义所强调的时代使命感而产生的公式化、概念化倾向与非主流的现实主义所注重的客观性、以摹仿生活真实为审美理想而产生的具有生命力的话剧剧作。

Is a natural evolution from realism, from development, which has the features of realism and realism, realism, it is further than reality; naturalist on the environment, scenery, the people, the psychological aspects of the activities described in a more objective than reality and, more specifically, more nuanced, as Zola answered some of his critics, said:"I say the things I saw, I put it down, so it…… my work is not political parties and advocacy works, it is true performance works."

自然主义是从现实主义演变、发展而来,它具备现实主义的写实特征,就写实而言,它比现实主义更进一步;自然主义对环境、景物、人物的心理活动等方面的描写比现实主义更客观、更具体、更细腻,正如左拉回答一些人对他的批评时所说的那样:&我说出我看见过的东西,我把它记录下来,如此而已……我的作品不是党派和宣传的作品,它是表现真实的作品。&

It is not difficult to find that three ways of artistic creation coexisted in the tradition of western modern art during the past one hundred years: the first was the traditional realism, including the "radical realism" proposed by intellectuals and middle class in capitalist societies, the "neutral natural realism" and the "critical realism" in socialist countries.

在西方过去一百年的现代艺术的传统中,不难看到有三种艺术创作方式同时在发展:一种是传统的现实主义,包括资本主义社会中知识分子和中产阶级所主张的&激进的现实主义&和&中立的、自然的现实主义&,也包括社会主义国家的&批判现实主义&。

更多网络解释与现实主义相关的网络解释 [注:此内容来源于网络,仅供参考]

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neorealism:新现实主义

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post-classical realist:后古典现实主义

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