油彩地

基本解释 (translations)

asarotum

与油彩地相关的网络例句 [注：此内容来源于网络，仅供参考]

To erect an expensive marmoreal god in lucky red as apotropaion at the gate or to oil paint the old wooden buildings to protect them from burning sun, acid rain, white ants and contrived destroy so that they could stand at the bank of the Yellow River for a longer time?

还是拿出一点点盘缠，涂上一层昔日的油彩，使附着在木制建筑中的祖国避开烈日、酸雨、白蚁、人为的侵蚀，更为长久地伫立在黄河之滨？

To erect an expensive marmoreal god in lucky red as apotropaionat the gate or to oil paint the old wooden buildings to protectthem from burning sun, acid rain, white ants and contrived destroyso that they could stand at the bank of the Yellow River for alonger time?

还是拿出一点点盘缠，涂上一层昔日的油彩，使附着在木制建筑中的祖国避开烈日、酸雨、白蚁、人为的侵蚀，更为长久地伫立在黄河之滨？

Qianlong period, the value of glass painting is even higher, because at this time not only because of oil as early as age and have a higher value, but also because it works fine oil painting portrait , wholesale oil painting with the most submanifold, and added color or silver color, the most to a few well-known painter of Guangdong Huang Dasheng, his rich and oil painting than the old Italian.

乾隆时期的玻璃油画价值还要高一些，因为此时的油画不仅是因为年代早而拥有较高价值，更因为其画工精细，油画的大部分都带地子，而且加金彩或者银彩，最有名的画家要数广东的黄达生，他的油彩较浓艳而有旧意。

Part of the Republic of China portrait painting smaller works, while the majority of thick glass, portrait oil painting works of rough, especially the characters open face is not very sophisticated, by Shi oil painting uneven, and often do not paint Shi submanifold, so save up to now a lot of injuries Cai , complete less.

民国时期的油画一部分画工较细，而大部分玻璃较厚，画工粗，尤其是人物的开脸不是很精细，所施油彩薄厚不均，常常油彩不施地子，所以保存到现在伤彩的很多，完整的较少。

I find there is a complementary relations between inkwash and grease paint and I find interest and passion from them, so I prefer to oil painting gradually.

我感到了水墨与油彩的互补关系，从中我寻找到了乐趣与激情，渐渐地，我更多选择了油画。

Just follow your intuitive feelings and let your mind stroll. These years, I witnessed the itinerary of an artist growing towards maturity. Wang Dongwei, locked in his small studio, at his home in Changping, has been painting all along, silent among the noisy tumult of artistic circles. Like an arduous ploughman, and also very much like a meditating hermit, he worked his way through experiments with oil colours, acrylic paint, paper, gauze and charcoal powder or hair. In all this quest, lies a deep passion for art, but no hurry, and refinement, but no triviality.

这些年来，我有幸见证了一个艺术家成长的轨迹，王冬维关在昌平家中十来平米的画室里，在艺术界一片喧腾骚动下沉默地画了好几年，像一个辛勤劳作的耕者，也像一个参禅悟道的隐士，从油彩、丙烯、纸、纱布，以至炭粉、头发，在不同媒介的摸索尝试中一路走来，这里面，有对艺术的激情，但不躁进；纯雅，却不媚俗。

Film Red Sorghum keys Zhang's passion for red and in his subsequent works, the phantom of red never fails to show up, becoming the most frequently seen color for Zhang expressing his feelings and emotions.

红高梁》奠定了张艺谋对于红色的热爱，在他以后的作品里，红色幽灵总是不期而至地频繁出现，成为张艺谋表达内心情感，任意倾洒和涂抹的最常见的油彩。

与油彩地相关的网络解释 [注：此内容来源于网络，仅供参考]

asarotum：油彩地(罗马建筑的彩色路面或桥面)

Asarinin | 细辛素 | asarotum | 油彩地(罗马建筑的彩色路面或桥面) | asarum | 细辛