欧布鲁斯

基本解释 (translations)

obolus

与欧布鲁斯相关的网络例句 [注：此内容来源于网络，仅供参考]

But they now took no part in the war, inasmuch as there was no one to marshal them; for Achilles stayed by his ships, furious about the loss of the girl Briseis, whom he had taken from Lyrnessus at his own great peril, when he had sacked Lyrnessus and Thebe, and had overthrown Mynes and Epistrophus, sons of king Evenor, son of Selepus.

捷足的壮勇、卓越的阿基琉斯其时正盛怒不息，躺在他的海船旁，为了美发的布里塞伊丝，苦战得手的战礼，从鲁耳奈索斯城堡——他曾荡劫那个地方，捣烂了塞贝的城墙，击倒了厄丕斯特罗福斯和慕奈斯，两位凶狠的枪手，塞勒丕俄斯之子、国王欧厄诺斯的儿郎。为了那位姑娘，他心情悲悒，躺在船边——但他马上即会直立起身。

The Yeniseian languages have highly elaborate verbal morphology, to an extreme found elsewhere in Eurasia only in Burushaski and, to a lesser extent, in Basque and the Languages of the Caucasus. All of these languages are ergative as well.

叶尼塞语系有高度复杂的动词形态，在这一点上在欧亚大陆严格讲仅与布鲁刹斯基语一样，稍次严格讲与巴斯克语和高加索语系一样。

This idea of "corporate identity architecture" was called into question, however, by the 1984 erection of the sculpture "Balancing Tools" by Claes Oldenburg and Coosje van Bruggen.

可惜的是，在1984年克勒斯·欧尔登堡与布鲁根共同创作的"平衡的工具"的雕像落成之后，尼可拉斯所提出的这个"公司的标志性建筑"的想法遭到了质疑。

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose,four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle,thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska,ne block from where Marceline used to clown on the boards of the Hippodrome,thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public,thirteen blocks from where Harry Thaw shot Stanford White,five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany(I could continue this list indefinitely);and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in,some of them on hot,breathless afternoons,lonely and private and full of their own sense of emanations from without.

我是二十二个区段从哪里 Rudolph Valentino 以隆重的仪礼放置，八个区段从哪里内森猛拉被运行，来自欧内斯特海明威打击在鼻子上的最大依斯曼，四里的出版者的办公室的五个区段从哪里沃尔特惠特曼为布鲁克林鹰坐着出汗出社论，当她来了纽约有关内布拉斯加写书的时候，来自街道 Willa Cather 的三十四个区段住在，旧姓的区段从哪里用到在竞技场的董事会上的小丑的 Marceline，来自地点的三十六个区段哪里历史学家乔 Gould 踢了对民众的充足视野的块一个收音机，十三个区段从哪里哈利融解射击史丹福白色的，来自我过去一直在来自克拉伦马车日子年长者在主显节的教堂中被他的罪洗的地点的大都市的歌剧和只有 112个区段引导的地方的五个区段；(我可以不确定继续这一本目录)而且就那件事而论我正在或许占领最房间一些尊贵的和 somewise 值得纪念的个性坐在，他们其中的一些在热又喘不过气来的午后，孤单而私人而充满的他们自己散发感从没有。

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle , thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二个街区远的地方，鲁道夫·瓦伦蒂诺在安眠；八个街区远的地方，内森·黑尔被绞死；五个街区远的地方，是出版人办公室，欧内斯特·海明威在那里挥拳击中了马克斯·伊斯门的鼻子；四英里远的地方，沃尔特。惠特曼曾挥汗如雨为《布鲁克林之鹰》写社论；三十四个街区以外，是威拉。卡瑟初到纽约的旧居，她当时正准备写作有关内布拉斯加州的著作；一个街区远的街道，马士莱在竞技场舞台上扮演过小丑；三十六个街区以外，历史学家乔。古尔德在众目睽睽之下踢碎了一台收音机；十三个街区以外，哈里。肖拔枪射击斯坦福。怀特；五个街区以外，是我过去做带位员的大都市剧场；而距离老克拉伦斯。戴举行葬礼的主显节教堂，仅有一百一十二个街区（我不确定还能再想起点儿什么）。就此而言，我正置身其中的房间，或许曾经呆过一些高贵而令人难忘的大人物，他们中一些人，在闷热的下午，坐在这里，孤独而隐秘，发散出异于外界的特有气息。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二条街外，鲁道夫·瓦伦蒂诺的遗体曾供人吊唁；八条街外，内森·海尔被处决；五条街外的出版社办公室里，欧内斯特·海明威一拳打中马科斯·伊斯特曼的鼻子；四英里外沃尔特·惠特曼曾汗流浃背地为《布鲁克林鹰报》社论主笔；三十四条街外是威拉·卡瑟在纽约写内布拉斯加故事时的住所；一条街外的西波佐恩剧院台，西班牙小丑玛瑟林上台演出，三十六条街外，历史学家乔·古尔德当众将一台收音机踢得粉碎；十三条街外，哈利·绍枪杀斯坦福·怀特；五条街外的大都会歌剧院我当过引座员；一百一十二条街外，老克拉伦斯·岱于主显节教堂洗净了罪孽（这个单子可以无穷无尽地列下去）；而且说起来，我呆着的这个房间，或许就有不少尊贵的、各有其难忘之处的人物坐过，也曾有人在热得喘不过气来的下午，寂寞而私密，满心感受着外来之力。

This idea of "corporate identity architecture" was called into question, however, by the 1984 erection of the sculpture "Balancing Tools" by Claes Oldenburg and Coosje van Bruggen.

可惜的是，在1984年克勒斯·欧尔登堡与布鲁根共同创作的&平衡的工具&的雕像落成之后，尼可拉斯所提出的这个&公司的标志性建筑&的想法遭到了质疑。

Last May, with United on the brink of a third successive Barclays Premier League title and still the European and world champions, he was asked to name his favourite team and he opted, as he has always does, for the 1993-94 vintage, going dewy-eyed at the thought of such fearsome characters as Peter Schmeichel, Steve Bruce, Roy Keane, Paul Ince, Mark Hughes and Eric Cantona in the same combustible dressing room.

去年5月，当曼联争夺自己的联赛3连冠、欧冠以及世界冠军的时候，弗格森爵士被要求列出自己的梦之队。毫无意外的，他还是选了93/94赛季的曼联。想想吧，舒梅切尔、布鲁斯、基恩、因斯、休斯和坎通纳这帮坏小子都在同一间更衣室里。

Galleries on the fifth floor display works from 1880 to 1940, beginning with such pioneers of modern art as Paul Cézanne and Vincent van Gogh and continuing with masterworks by Henri Matisse, Pablo Picasso, Giorgio de Chirico, Fernand Léger, Constantin Brancusi, Piet Mondrian, Salvador Dalí, and Joan Miró, among others.

位于第五层的美术馆展示的作品年代从1880年跨越至1940年，从现代美术的先锋人物开始，这些人如保罗·赛兹安里（Paul Cézanne）、文森特·梵高，继而是：亨里·马提斯、帕布鲁·毕加索、乔治欧·德·奇里卡、费尔南达·雷格（Fernand Léger）、康斯坦丁·布朗克斯、派特·蒙德里安、萨尔瓦多·达里（Salvador Dalí）、琼·米诺，他们创造了伟大的艺术作品。

Reginald Dyer, John Gielgud as Lord Irwin, Trevor Howard as Judge Broomfield, John Mills as Lord Chelmsford, Martin Sheen as Vince ..

雷吉纳德戴尔，欧文勋爵约翰吉尔古德，特雷弗霍华德作为法官布鲁姆菲尔德，约翰米尔斯作为主切姆斯福德，马丁西恩作为文斯。。。

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