感觉出的

基本解释 (translations)

sensile

与感觉出的相关的网络例句 [注：此内容来源于网络，仅供参考]

The terror had at long intervals given place to a feeling of an almost ineffable sweetness.

这种胆战心惊的感觉就偶尔让位给一种简直说不出的甜蜜的感觉了。

"Palpitation" song good, lets the human feel that own heart are receiving the environment, the mood, and so on different situation feeling not to be dissimilar the healthy situation, this slow song displayed host's helpless and moved.

心跳》歌名不错，让人感觉自己的心在受环境、受心情、受健康情况等不同的情况感觉不不一样，这首慢歌表现出了主人翁的无奈和伤感。

Not directly Health drink, but also for Zuotang, cooking, food more fragrant, pure health system out of ice; From the use of water barrels of water, such as water inconvenience, not outsiders water, not only to protect the security and privacy of home, and avoid the secondary contamination; cleared encrustation, bathing not only skin feeling Shuanghua and showers, nozzle no longer block; wash out feeling fluffy soft clothing, colours more brilliant; bathroom facilities no longer difficult to clean up the White saturate and Xiuban; In the absence of encrustation not only to guarantee an independent heating or heat boiler or Bigualu safe operation and high thermal efficiency, saving energy.

答：不仅仅可以直接生喝，而且用于做汤、做饭，饭菜更香，制出的冰块纯净卫生；免去了使用桶装水订水、等水的不便，不用外人送水，不仅保护了家居的安全和隐私，而且避免了二次污染；清除了水碱，洗澡不仅皮肤感觉爽滑，而且花洒、喷头再也不堵了；洗出的衣物感觉蓬松柔软，颜色更亮丽；卫浴设施再也没有难以清理的白渍和锈斑；由于没有了水碱不仅能保证独立供暖或洗浴用锅炉或壁挂炉安全运行，而且热效率高，节省能源等。问：选择桶装水还是纯水机？

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

A woman can attract attention and allow a woman on the likes Man, he must be a very charismatic man, one of with a "swelling of the liver Qi" Man, are the most characteristic of a Man, he not only has charisma, but also very sexy, at his body emitting a kind of a Man's atmosphere, attracting a woman, women enjoy the kind of "riffraff" and his bones are decent, kind and affectionate intention, and is a confident, capable and full of connotation a person, but his language and actions, from time to time showing the kind of cool,Supercilious characteristics, giving a "bad" feeling, the kind of "lump in the abdomen gas" is not a bad thing to do at him, and are a feeling, a spirit likeness, are confident the performance of a man with "swelling of the liver Qi" Men are most attractive to women and the destruction of a Man.

能够吸引女人目光，并让女人喜欢上的男人，他一定是个很有魅力的男人，其中，带有"痞气"的男人，是最具男人特质的，他不但有魅力，而且很性感，在他身上散发出的那种男人的气息，吸引着女人，女人喜欢那种"痞气"，他的骨子里是正派的、善良的，有情有意的，而且是个自信的、有能力的，充满内涵的一个人，但从他的语言和行动上，时不时流露出的那种酷酷的、旁若无人的特质，给人一种"坏坏"的感觉，那种"痞气"不是他在做坏事，而是一种感觉，一种神似，是一个男人自信的表现，带"痞气"的男人是对女人最具吸引力和杀伤力的男人。

But naked, she was thin and somehow unappetizing, and for reasons I can't articulate, looking at her breasts six inches from the bread, I lost my appetite.

但是当她脱掉衣服，我虽然说不出原因在哪，但是感觉她又瘦又让人有种说不出的倒胃口。看着她的胸部离面包只有六英寸，我一下子没了食欲。

At the first glance, I was got into a harmonious, comfortable yet undescribable feeling.

看到她的第一眼就感觉那么的和谐、那么的舒服，有种说不出的感觉。

Their metabolism provides organoleptic qualities to several traditional FM and cheeses, and more recently, to new fermented milks.

它们的新陈代谢提供给许多传统的优酪乳及乳酪用感官感觉出的品质，更接近者是对新优酪乳而言。L。

Doc gave me a shot , a shot deep in my ass. Gosh! i never thought it would be this kind of strange pain! weird,odd, and had a strong desire to...to...poop! now i know how great the queers are,and always be the top if you are one of them.

亲朋好友都过来看望我，感觉乖乖的，然后整天吊着一瓶点滴，上个厕所都要说：&我要去厕所～&然后就有个人陪我去厕所小便了，天啊～还好水痘是出了一次就不会再出了！

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

与感觉出的相关的网络解释 [注：此内容来源于网络，仅供参考]

busy：忙碌的

你们把做生意叫做"business",不过是暗示这玩意实在太忙了,给我的感觉是,这个名词是从忙碌的(busy)中转化出来的. 我们把它叫做"买卖",也就是买进和卖出的对立统一,你承认不承认比你们深刻?汉语构词法,是不是有一点黑格尔哲学的深邃意味?

The Ineffable Emotion：说不出的感觉

心跳加快 My Heart Beat Accelerated | 说不出的感觉 The Ineffable Emotion | 在我心中徘徊 Hovered in My Heart

insurgency：叛乱

昨天一上,看见个新出的HL2的牛MOD------ 叛乱(Insurgency)!看了看那的介绍,就下载了下来玩了玩. (我算知道的晚点的了)感觉还是挺爽的. 玩多了带准心的FPS. 在玩玩这没准心的,感觉还不错!没准心,一下就躺. 感觉确实有点象美国陆军.

dysesthesia：感觉倒错

起强烈感觉感觉倒错(dysesthesia) 非疼痛刺激诱发出痛觉感觉过度(hyperpathia) 感觉的刺激阈增高感觉异常(paresthesia) 无外界刺激而发生的疼痛(pain) 任何过强的刺激均可引起疼痛瘫痪(paralysis)是指随意肌活动能力的减退或丧失,

imperceptive：无感觉的; 缺乏感知力的; 觉察不出的 (形)

imperception 无感觉; 无知觉 (名) | imperceptive 无感觉的; 缺乏感知力的; 觉察不出的 (形) | impercipient 无感觉的, 无知觉的; 缺乏感知力的 (形)

impercipient：无感觉的, 无知觉的; 缺乏感知力的 (形)

imperceptive 无感觉的; 缺乏感知力的; 觉察不出的 (形) | impercipient 无感觉的, 无知觉的; 缺乏感知力的 (形) | imperfection 不完美; 瑕疵; 缺点 (名)

lessive：洗滌液的

对酸的比例重、pH高、酸度低的酒,它会是咸的(sal e),碱性的(alcaline),洗涤液的(lessive)感觉. 在一个利口酒中,过剩的糖给出的腻的(doucereux)、淡而无味的(douceatre)、蜜甜的(mielleux)发腊pommad 等感觉. 香味的描述:酒的香味比滋味更难以把握和描述,

UNEXPRESSIBLE FEELINGS：说不出的感觉

07.艷陽天 SUNNY DAYS | 08.說不出的感覺 UNEXPRESSIBLE FEELINGS | 09.晚霞 EVENING GLOWS

conveys a loving touch：也传送出愛的感觉

Valentine heart to heart, 让我們传递著情人节的讯息, | conveys a loving touch.也传送出愛的感觉. | Over the sand. 我是那跨越你土地的影子

synaesthesia：复合感觉

(三)复合感觉(synaesthesia)包括皮肤定位感觉、两点辨别感觉、图形觉及实体觉. 这些感觉是大脑综合、分析、判断的结果,故也称皮质感觉. 1.皮肤定位觉(skin topethesia) 是测定触觉定位能力的检查,医师用手指轻触皮肤某处,让病人用手指出被触位置.