寓言作家

基本解释 (translations)

allegorist

与寓言作家相关的网络例句 [注：此内容来源于网络，仅供参考]

Allegoric prose is classified by the three kinds of types such as allegoric tale, allegoric miscellany and general miscellany type.

再者，凡是主要以比喻的手段，借用寓言、故事或陈述类似的事情来对现实问题传达作家讽刺教导意义的文章就是讽谕文。

Aesop of ancient Greek allegorist is a slave.

导读：古希腊寓言作家伊索是个奴隶。

Aesop of ancient Greek allegorist (make an appointment with BC 6 centuries are alive), one day encounters a pedestrian to his ask the way.

古希腊寓言作家伊索（约公元前6世纪在世），一天遇见一个行人向他问路。

17Th century, the famous French writer of fables, La Fontaine used this saying in one of his fables—The Arbiter, the Almoner, and the Hermit.

在17世纪，法国寓言作家拉·封丹（1621－1695），把这句话写进了他的寓言故事《仲裁人，慈善团教士和隐士》中。

The explainers of the religions school regard Kafka's novels as religious fables. Their first ancestor is Kafka's good friend, an Austrian writer named Max Brod.

宗教学派的阐释者将卡夫卡的作品视为宗教寓言，其始作俑者当属卡夫卡的生前好友、奥地利作家马克斯·布罗德。

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性，可以分为三种不同的类型："两个世界的构建"是早期新现实主义和童话寓言创作阶段的主要方法，二分和弥合是其艺术特点，标志作家世界感和创作观念开始形成；"共时并置"和"晶体模式"则是后现代主义小说创作时期的突出特征，作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

Zunun Kadir, the famous writer, playwright and fabulist, was the founder and the pioneer of the contemporary Uighur literature.

祖农·哈迪尔是维吾尔现当代文学旗手和奠基人之一作家，剧作家和寓言家。

This text goes on and describes from three respects,defmes feuilleton and recommends late social background and resume of Pi Ri xiu,Lu Gui meng,Luo Yin at first,have traced back to its literature origin on this basis-China Tang ancient Chinese Prose continuation of sport,Han Yu political criticism essay and essay fabal of Liu Zong yuan influence to late Tang essay extremely far-reaching espeeially.

本文从三个方面进行论述，首先界定了小品文并介绍晚唐小品文的背景和皮日休、陆龟蒙、罗隐三位作家的生平。在此基础上追溯了其文学渊源—中唐古文运动的继续，尤其是韩愈政论杂文和柳宗元的杂文寓言小品对它的影响极为深远。

First of all , it is seen in Zhang Wei"s long writing that continuous changes occurs with the following era contexts which is shown. First, the gradual desalinization of " earth image " on the space," earth " is not only a creation in Zhang Wei"s novel, but the main source of the poesy of its works. It declines after " September fable ", not only indicating Zhang Wei "s decay of poesy of the novel, but also reflecting the disobeyed pross of light appear contemporary China social urbanization and common customs to . Second, the change of " writing subject projection " in the spiritual meaning, Its characteristic displayed by the reduction of image of spokesman as write thought representation .and on the other side represent" person who want more that resist actively " which also shows contemporary intellectual predicament and adjustment of value. Third, in " changeable and separate characteristics in the stylistics ",It changes " epic body " of" Ancient ship "," body not mythical " to " September fable "," pour out body " of" Bai Hui "" Family "," the discipline spreads the body "of Book of other provinces"," lie body " of" Can not recall the hollyhock ". Its constant changes persuing of recreation and sports, has entered into the different book mode and narration of different class gradually too.

首先，张炜的长篇写作中可以看出一种跟随时代语境而不断发生的变化，这表现在：一是空间上的"大地意象"的渐趋淡化，"大地"不但是张炜小说中的一个创造，而且也是其作品的诗意的主要源泉，它在《九月寓言》之后的衰退，不但表明了张炜小说中诗意的衰减，而同时也反照出当代中国社会城市化和世俗化进程的不可违拗；二是精神意义上的"写作主体投影"的变化，其特征主要表现为作为作家思想代言者的"正面的知识者"形象的弱化，代表其另一面的"积极反抗的多欲者"的凸显，这也显示了当代知识分子价值的困境与调整；三是在"文体上的多变与另类化"，由《古船》的"史诗体"，到《九月寓言》的"神话体"，再到《柏慧》、《家族》的"倾诉体"，《外省书》的"纪传体"，《能不忆蜀葵》的"诳语体"，其文体不断求变，也逐渐走入了异书模式和另类叙述。

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性，可以分为三种不同的类型：&两个世界的构建&是早期新现实主义和童话寓言创作阶段的主要方法，二分和弥合是其艺术特点，标志作家世界感和创作观念开始形成；&共时并置&和&晶体模式&则是后现代主义小说创作时期的突出特征，作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

与寓言作家相关的网络解释 [注：此内容来源于网络，仅供参考]

allegorist：寓言作家

allegorically 寓言地 | allegorist 寓言作家 | allegorize 寓言化

allegorist：寓言作家, 讽喻家

theorist 理论家,空想家 | allegorist 寓言作家,讽喻家 | meliorist 社会向善论者

allegorization：讽喻手法,讽喻方式的叙述(或阐明)

allegorist | 寓言作家, 讽喻家 | allegorization | 讽喻手法,讽喻方式的叙述(或阐明) | allegorize | 寓言化, 以寓言诠释

Fabricius：赘言作家

fabricator 捏造者 | Fabricius 赘言作家 | fabular 寓言的

meliorist：社会向善论者

allegorist 寓言作家,讽喻家 | meliorist 社会向善论者 | florist花匠,种花人,花卉研究者

allegorically：寓言地

allegorical 寓言的 | allegorically 寓言地 | allegorist 寓言作家

allegorically：寓言地, 比喻地

allegorical | 寓言的, 讽喻的 | allegorically | 寓言地, 比喻地 | allegorist | 寓言作家, 讽喻家

allegorically：寓言地/譬喻地

allegorical /寓言的/寓意的/讽喻/ | allegorically /寓言地/譬喻地/ | allegorist /寓言作家/讽喻家/

expressionistic：表现主义的,表现主义作家的

expressionist 表现主义作家 | expressionistic 表现主义的,表现主义作家的 | fable 寓言

fabular：寓言的

Fabricius 赘言作家 | fabular 寓言的 | fabulist 寓言家