宫观

词组短语

Taoist temple

与宫观相关的网络例句 [注：此内容来源于网络，仅供参考]

According to the direct or indirect method of being influenced, Taoistic poems can be divided into two categories correspondingly. Those poems influenced directly by Taoism includes intercourse eulogy between poets and priests, and depressed Taoist landscape poems. Those poems influenced indirectly by Taoism includes poems imitating placid style and autarkic reclusion of Tao Yuanming, poems imitating unrestricted style and fairyism of Li Bai and Li He, and poems admiring Taoist inclusion and deity's immortality.

这些诗从影响方式可分为受道教直接影响的诗歌与受道教间接影响的诗歌，前一类型包括两种：一为诗人与道士之间的赞美式的酬唱赠答诗，二为带有沉重思绪的游宫观山水诗；后一类型包括三种，一为学陶渊明的冲淡诗风和躬耕隐居的诗歌，二为学李白、李贺的自由张扬与具有神仙思想的诗歌，三为羡慕道徒隐居和飞升成仙的慕道诗。

Located at the west end of Ligong Dike in Gantang Lake, Jiujiang, Tianhua Palace, covering an area of 1100 square meters, is a palace to offer sacrifice to the goddess who is responsible for pregnancy and procreation.

天花宫位于九江市区甘棠湖李公堤西端，是奉祀送子娘娘的宫观，占地面积1100平方米；回廊高阁，邻水而建，是一组集宫观与画阁于一体的园林建筑。

All of these fabrications have long been criticized by historians. Besides the collations of many historical references, the dissertation has done much painstaking textual research on Taoism figures and Taoist temples records scattered in the original accounts, such as regular historical descriptions, collections, poetry, notes, epitaphs and classical works of Taoism and Buddhism, etc.

因此，本文在爬梳了大量文献资料的基础上，对散见于史籍、诗文笔记、金石、方志、类书以及道藏、佛藏等原始文献中有关唐代道教人物传记及宫观沿革资料，进行了大量细致的考证，然后，按照一定的体例，编撰了唐代道教人物传略及道教宫观录。

Dian floor of the distribution of symmetry in the changes, scattered in the contact and tortuous loop, the actual situation of health, Xiaoqiaolinglong, space rich, varied levels, see in the small, unknowingly for such a small place, is compact and Cuola dependencies, and its layout Pingchuan temple is different from the axis prominent, symmetrical, but also different from the mountain Temple mountain gradually increase the pattern, Junyi cliffs convex, the shape of the potential trial,by zhe naturally , air and structure, look, Stack Cuola, subtle changes to the composition and physical space to contrast the orderly performance art.

殿楼的分布都对称中有变化，分散中有联络，曲折回环，虚实相生，小巧玲珑，空间丰富，层次多变，小中见大，不觉为弹丸之地，布局紧凑，错落相依，其布局既不同于平川寺院的中轴突出，左右对称，也不同于山地宫观依山势逐步升高的格局，均依崖壁凹凸，审形度势，顺其自然，凌空而构，看上去，层叠错落，变化微妙，使形体的组合和空间对比达到了井然有序的艺术效果。