英语人>词典>汉英 : 多旋律 的英文翻译,例句
多旋律 的英文翻译、例句

多旋律

基本解释 (translations)
polyrhythm

更多网络例句与多旋律相关的网络例句 [注:此内容来源于网络,仅供参考]

There is usually a 3rd -key added in the opening of the second theme, and sometimes a new theme is composed. Then, the subordinate key is reached before the end of exposition. 5 Silence of one whole bar is frequently utilized, which not only brings profound expressive significance, but also is important to the architectonics of these sonatas. 6 The harmonization in the variation, which is the method of applying different keys to the same melody, is handled in those Andante movements. By this way, the same melody appears in variable colors of harmony, which can not only avoid dull repetition, but also keep the lyrical nature and the completeness of melody. 7 Chromatic method is applied in the periods of development, and chromatic深层线条becomes the provident feature in some periods of development. 8 Atlas motive is put to use in c minor and A major sonatas, and a lot of "sigh" tones and c sharp minor are both preferred in those three sonatas. 9 The emotional factor of "wanderer" is the roots of thoughts for the intense conflict of music.

他通常在副部的开始加入一个三度的调性,有时再加入一个新主题,最后在呈示部结束之前到达属调; 5、较多地运用整小节的休止,使其不仅具有深刻的表情意义,而且在结构乐曲中起到了不可或缺的作用; 6、舒伯特在慢板乐章中运用同一旋律异调配置的和声变奏方式来构成音乐的段落,使同一个旋律在不同的和声色彩里闪现,既避免了单调的重复,又保持了旋律的抒情性和完整性; 7、展开的段落中习惯运用半音化的发展手法,半音阶式的深层线条成为某些展开段落的显著特点; 8、c小调和A大调奏鸣曲中都运用了"阿特拉斯"动机,三首奏鸣曲中运用了大量叹息的音调,并倾向于~#c小调的运用; 9、"流浪者"的情感因素是音乐强烈冲突的深刻思想根源。

In the technique of composing music , changing the movie and TV music which has features of the original unitary accent and simple smooth melody into the symphony and the chamber music which has polytonality or atonality with numerous and diverse melody .

在作曲技法上,由原来的调性比较单一、旋律比较简朴流畅的影视音乐到多调性或无调性、旋律繁杂的交响乐、室内乐。

The full article divides into four parts. The first part is focusingon Shang De Yi, the composer's whole life and his achievementintroduction. The second part carries on the analytical research to hiswork's characteristics, including his work's theme choice characteristics,the cantus personality characteristics, several ...更多counterpoint skillmethods characteristics, the song type structure characteristics andthen several aspects of coloratura special features. The third partmainly investigates the esthetics values from analyses the work Thelast part summarizes the composer's creations experiences and theauthor's feelings and enlightens

全文共有四部分,第一部分,作曲家尚德义的生平及创作成就介绍,第二部分对他的作品特点进行分析研究包括他作品的题材选择特点、旋律性格特点、多声技法特点、曲式结构特点和作品的花腔特色几方面进行分析研究;第三部分主要是从分析其作品来考察其所体现的美学思想和原则,第四部分结语,总结作曲家的创作经验及写作本文的感受和启示。

Her composing style has evolved from TV music of simple and fluent melody to multi-melody, non-melody symphony and chamber music and those with complex melodies.

在作曲技法上,由原来的调性比较单一、旋律比较简朴流畅的影视音乐到多调性或无调性、旋律繁杂的交响乐、室内乐。

The work was popular with its deep emotion and created quite a sensation among the audience by its characteristics and power of poetic picture and fresh simplicity.Through the portrayal of the rise of the European romantic music and artistic songs and the introduction of Schumann's life and about the composer Cham...更多isso, this paper examines the background of the creation of the divertimento Frauenlieb und leben op.42. It give an analysis of the combination of music and poetry, full of the musical style of romanticism, stressing the expressiveness of piano and connection between music and daily life, bearing the air of German folk music and showing the bright artistic features.

论文通过阐述欧洲浪漫主义音乐的兴起与艺术歌曲的产生和舒曼生平简介以及对词作者沙米索的情况介绍,考察了声乐套曲《妇女的爱情与生活》创作背景;分析了这部声乐套曲与诗融为一体,充满浪漫主义的音乐风格,歌曲旋律与钢琴伴奏完美结合,突出丰富的钢琴表现力;重视音乐与生活的联系,而且具有德国民歌的气息,呈现出鲜明的艺术特色;在套曲的演唱研究方面,论文通过对演唱中德语元音的发音和辅音的发音分析,介绍了在演唱中发音的常见问题,并提出自。。。

More melodic but just as punishing, this is a must have!

多旋律但同样惩罚,这是一个必须有!

The writer takes Rubato as the targeted object, mainly applying the following theories, including musical analysis, musical performing, musical historiography, musical aesthetics, phonetics and something like to carry out researches and give an in-depth analysis from such three fronts as melody, rhythm, phonetic features in vocal music. In doing so, the writer concludes Rubato, as a flexible elements in the rhythm-organizing structure, is mainly used to bring out the balanced proportion of the musical works and finally to keep the balance of the mu...更多sical development, through filling up the missing parts of rhythm-organizing structures, on the basis of the logical dividing of the time on the musical part.

本文将以自由节奏Rubato为研究对象,主要运用音乐分析学、音乐表演理论、音乐史学、音乐美学、语音学等相关知识展开研究,从旋律、节奏、声乐语音几个方面进行全面而深入的剖析,从中认识到自由节奏作为节奏组织结构中的自由体,它的主要目的是:以音乐作品时间段的逻辑划分为基础,通过对节奏组织结构缺失部分的填补、塑造出音乐作品的匀称比例,从而达到音乐发展的平衡。

With the multi-genre melting-pot polyrhythms and dance-punk aggression of songs like "Warrior" and "We Know All About U," the singer harkened back to the aggressively proto-feminist dance music of Grace Jones and X Ray Spex.

通过多类型大熔炉似的多旋律编排以及Dance-Punk式的激进歌曲如《Warrior》以及《We Know All About U》等等,这位歌手带我们回到了如Grace Jones或X Ray Spex一般,激进元祖女性主义的Dance音乐中去。

But really, whether you label her as the New DIY Superstar, a Kate Bush for the iPod Generation, or simply the Next Big Thellong, it all amounts to the same thellong: she's a ruddy star.Last year she was one of the revelations of the South by Southwest Music Donference in Bustin, Texas.Thellos time she gave a performance that demonstrated that there was substance behellond the exotic surface. With the multi-genre melting-pot polyrhythms and dance-punk aggression of songs like "Warrior" and "We Know Bll Bbout U," the singer harkened back to the aggressively proto-feminist dance music of Grace Jones and X Ray Spex.

DIY超新星, iPod时代的Kate Bush,或是,简略地,下一个大人士,不管你怎样定义她,你都没有办法否定她是一个&该死&的名人上年,她成了德克萨斯州奥斯丁Southwest Music Donference的席上客这一次,她的表演证实,在她怪异的外表下,有着艰深的感情存在路程经过过程多类型大熔炉是的多旋律编排以及Dance-Punk式的急进歌曲如《Warrior》以及《We Know Bll Bbout U》等等,这位歌手带咱们回到了如Grace Jones或X Ray Spex一般,急进元祖女人主义的Dance音乐中去

Transcription, and analyzes Wangs inheritance, reproduction and development of Chinese ethical folk music. She also makes transverse comparisons between the musical forms of piano works by composers of both China and abroad, and illustrates that Wang uses for inference but not copies the western musical forms, that he attaches importance but not stickles to the framework of traditional Chinese music, and also that he demonstrates a characteristic of not sticking to one pattern. She makes contrastive comparisons as well of the melodies and harmonies of piano works by composers of both China and abroad, and indicates that in inquiries into the folk style of counterpoint, Wang is flexible and creative in harmonies by inheriting the character of a clear melody and the method of multi-voice in Chinese traditional music and also by absorbing the character of emphasizing the layers of texture in western piano music.

拿民族民间音乐与钢琴改编曲作纵向比较,分析其对中国民族民间音乐的继承再现与发展;拿中外钢琴作品的曲式原则作横向比较,说明他借鉴但不照搬西方音乐曲式规范,重视但不拘泥于传统中国音乐结构方法,在作品的结构上,呈现出不拘一格的特点;拿中外钢琴作品在旋律、和声等方面作相异比较,指出了在探索多声部音乐的民族风格过程中,王建中一方面继承了传统音乐中旋律线条十分突出的特点,另一方面又吸收了西方钢琴音乐注重织体的网状结构的特点,有意识地运用了我国民间多声手法,在和声的运用方面表现出灵活多样而又富于创新的特点。

更多网络解释与多旋律相关的网络解释 [注:此内容来源于网络,仅供参考]

Egyptian:埃及

法国作曲家,他的创作可根据他1871年创办的"民族音乐协会"划分为三个时期. 他的作品追求的是旋律美与旋律的线条感,是一位多产作曲家. 这首协奏曲作于1896年,有>(Egyptian)的标题,典型的埃及风味在第二乐章有明显的表现.

Indie Pop:独立流行 )

简简单单的木吉他奏出爽朗的民谣旋律,清新柔和的男声吟唱再配上简洁的和声,林一峰带来的是被称为独立流行(Indie Pop)的一类非主流流行作品,其实所谓非主流,除了绝对不够媚俗不够甜腻以外,找不出更多不能让大众喜欢它的成分--漂亮的旋律,

Melisma:单音节多音

medley 串烧曲 | melisma 单音节多音 | melodic instrument 旋律乐器

psalm:赞美诗

叙利亚赞美诗(Psalm)的歌唱方法和赞美歌(hymn)的运用,都是从拜占符,形成一个花唱的装饰性的歌调. 其中被称为固定旋律(tenor)的圣咏旋律已很难辨圣母院乐派(Notre DameSchool)在一个多世纪里影响了西欧音乐的发展. 其中两位有记这一时期另外两种复调音乐形式是孔杜克图斯(conduc- tus)和经文歌(motet)孔杜克

Sineno Me Mero:苏连多归来

12 夏日美酒 Summer Wine | 13 苏连多归来 Sineno Me Mero | 14 姆拉都旋律 Bie Mn Dan

Polyrhythm:多旋律

polypus 息肉 | polyrhythm 多旋律 | polysaccharid 多醣

Cats in the Cradle:旋律不佳,節奏太重

9. The Sound of Music 其中樂曲甚多,請指明曲名. | 10. The Cat Carol 兒童調,旋律不夠豐富. | 11. Cats In The Cradle, 旋律不佳,節奏太重.

Egyptian:埃及

法国作曲家,他的创作可根据他1871年创办的"民族音乐协会"划分为三个时期. 他的作品追求的是旋律美与旋律的线条感,是一位多产作曲家. 这首协奏曲作于1896年,有<<埃及>>(Egyptian)的标题,典型的埃及风味在第二乐章有明显的表现.

Granados:葛拉纳多斯

屠林纳是西班牙十九世纪末到二十世纪初四位最著名作曲家之一,另外三人是:阿尔班尼兹(Albeniz)、葛拉纳多斯(Granados)及法雅(de Falla) . 屠林纳这首第一号钢琴三重奏曲还曾赢得1926年国家音乐奖,它的旋律、节奏与调性皆充满著丰富的西班牙民族色彩,

GRANADOS:Andaluza:拉纳多斯:《安达鲁西亚风格>

03. 葛路克:旋律 GLUCK:Melody | 04. 拉纳多斯:<<安达鲁西亚风格>>GRANADOS:Andaluza | 05. 克莱斯勒:<<美丽的露丝玛莉>>KREISLER:Schon Rosmarin