Strad [stræd]

Strad的基本解释

n.

<口> = Stradivarius

与Strad相关的网络例句 [注：此内容来源于网络，仅供参考]

An article about this work published in The Strad magazine in 1999 is available on the website www.rebeccaclarke.org .

在1999年发表在史特拉杂志上关于这个作品的文章也可以在 www.rebeccaclarke.org 上看到。

In 1930 Adams was so impressed by the US photographer Paul Strand, whose photographs emphasized beauty of tone and sharp detail, that he adopted Strad's approach, called "straight photography".

在1930年亚当斯是如此深刻的印象，美国摄影师保罗钢绞线，其照片，强调美丽的语气和敏锐的细节，他通过strad的做法，所谓的"直摄影"。

Further fuelling demand is the need for talented players to distinguish themselves from the pack, says Ariane Todes, editor of The Strad.

The Strad的编辑Ariane Todes称有才华的琴师为使自己脱颖而出，需要上乘的提琴，这也进一步造成了需求紧张。

To most ears there is little difference between a Strad and a good modern maker, admits Ruggiero Ricci, a master violinist.

大师级小提琴家Ruggiero Ricci承认，一把斯特拉底和一把制作精良的现代提琴之间的差别，大多数人是听不出来的。

For centuries, musicians and music lovers have often attributed a Strad's magnificent, other-worldly tone--it has been likened to the voice of the human soul--to a secret-formula varnish used by Antonio Stradivarius three centuries ago in his stringed-instrument workshop in Cremona, Italy.

几个世纪以来，音乐家及爱好者们都把这归结于——一把斯琴的华丽、不属人间的音色——被造得与人类灵魂的声音相像，这条秘密处方3世纪前被安东尼奥斯特拉地瓦里在意大利Cremona的工作坊注入了他的弦乐器。