魅

Liu Xin's works contain flavor of metropolitan fashion and however not reduction of reality but decrease of material trace. He goes beyond a popular expression of life sentiment. The beauty gradually varies towards as a metropolitan mirage that is fictitiousness, plane and patterning. The man is abstracted as merely an outer form floating like a dissociating shadow.

刘欣的作品带有都市时尚的气息，但并非还原现实，而是尽量消减物质的痕迹，审美上也超越了满足一般化的生活情趣的表述，使美逐渐变异，直至发展为虚拟的、平面化、图案化的都市蜃景，人被抽空了本质，剩下符号的躯壳魅影漂浮游离于纠缠不清的心灵困局。

As for the paragraph spreads Chen, the fortuity that is like to come from far-away place meets, by order the form sets out, the part ／ breaks of literary piece, gather and become a kind of structure that belongs to personal characteristic and thoughts-fan Mei.

至於段落的铺陈，就像来自远方的偶然相遇，由点状的出发、片段／断的篇章，集结而成一种属於个人特质及思想的结构－「迷魅E漂浮」。

More often than not, the students devoted part of their works to the discussion of Benjamin or discussed him together with others in their works. The former practice includes the French scholar. R. Rochlitz, who wrote a chapter, the Price of Modernity in his monograph the Disenchantment of Art: the philosophy of Walter Benjamin, dealing with chidhood and memory, the end of the Art of story-telling, lyric poetry at the epoch of capitalism allegory and the evaporation of the Aura, etc. The latter practice includes D. Frisby who placed Benjamin on a par with Simmel, Kracauer in his work Fragments of Modernity, claiming that Benjamin, similar to the others, focused on the trans ie nce of the e XP er ie nce of modernity.

前者如法国学者R·洛希里兹的专著《艺术的去魅——本雅明的哲学》中有一章名："现代性的代价"，内容涉及儿童和记忆、讲故事艺术的终结、资本主义抒情诗歌、寓言、灵韵的消失等；后者如D·弗瑞斯比在其著作《现代性的碎片》中将本雅明与齐美尔、克拉考尔相提并论，强调本雅明同他们一样，关注的核心在于对现代性体验的短暂易逝的特性。

More often than not, the students devoted part of their works to the discussion of Benjamin or discussed him together with others in their works. The former practice includes the French scholar. R. Rochlitz, who wrote a chapter, the Price of Modernity in his monograph the Disenchantment of Art: the philosophy of Walter Benjamin, dealing with chidhood and memory, the end of the Art of story-telling, lyric poetry at the epoch of capitalism allegory and the evaporation of the Aura, etc. The latter practice includes D. Frisby who placed Benjamin on a par with Simmel, Kracauer in his work Fragments of Modernity, claiming that Benjamin, similar to the others, focused on the transience of the experience of modernity.

前者如法国学者R·洛希里兹的专著《艺术的去魅——本雅明的哲学》中有一章名："现代性的代价"，内容涉及儿童和记忆、讲故事艺术的终结、资本主义抒情诗歌、寓言、灵韵的消失等；后者如D·弗瑞斯比在其著作《现代性的碎片》中将本雅明与齐美尔、克拉考尔相提并论，强调本雅明同他们一样，关注的核心在于对现代性体验的短暂易逝的特性。

Notes of velvety musk, floral lily and sensual ylang ylang with hints of fresh galbanum and basil - combine to create the sensual top notes, provide the initial scent of the fragrance and awaken and stimulate the senses.

细致的麝香、魅惑的依兰、淡雅的百合、清新的白松香和罗勒-混合为诱人的初调，散发香味，唤醒及振奋感官神经。

Explores brand-new Diao to attract to limit the quantity the version perfume flesh color (the galley proof 5ml pink bottled) the joyful subtle fresh flower to be fragrant radiantly, before the fresh active citrus fruits moves, percolation sunlight grapefruit, horsewhip grass's fine style, but also has the bergamot and the orange warm breath.

探索全新的迪奥粉红魅惑璀璨限量版香水（小样 5ml 粉红色瓶装）快乐微妙的鲜花芬芳，清新活跃的柑橘前调，浸透阳光的葡萄柚、马鞭草的精致格调，还有香柠檬和橙子热情的气息。

Black is the eyes of soul, the magnifying glass of space , making shadow more ghosty.

项目介绍：黑色是灵魂的眼睛，黑色是空间的放大镜，黑色让光影充满魅影。

This is a real glamour evening, isn't it?

这是个真正的魅惑之夜，对吗？

A pretty poison, woolly locoweed, flowering during autumn, can make cattle that eat its toxic leaves go berserk and die.

黄芪是魅惑的毒药，在秋季开花。牲口吃了它那有毒的花瓣会变得狂暴并会因此死亡。

Before it became a place that movies like GoldenEye and Star Wars: Episode I The Phantom Menace called home during production, Leavesden was originally a site where aircrafts were made during World War II.

在成为《007之黄金眼》和《星战前传之魅影危机》等影片的拍摄场所之前，这个地方最初是在二战期间建成的飞机制造厂旧址。

I think he's learned how to approach hitters....

Johhny Damon说，『他已是最好的了，再没有人能够比他做的更好，我想他的球技已经完全成熟了，而且他也已经学会了如何去对付和压迫各种打击者。。。。。。

In effect, an 18 foot King Cobra could actually look down onto the average human being.

际上，一个18尺眼镜蛇王其实可以俯视到的平均人。