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There was not much to see - several tapestry-covered chairs piled up, a few other broken chairs, a mirror, and two more paintings, both still lifes, leaning against the wall.

没什么东西可看--几张铺着织锦椅垫的椅子堆在一起,另外有一些破椅子、一面镜子,以及两幅靠在墙边的静物画。

On Wednesday, Sotheby's will try to sell Paul Cezanne's smoky-colored still life,'Pichet et fruits sur une table,' for at least $16.1 million.

周三,苏富比以至少1610万美元的价格拍卖塞尚的烟灰色静物画《Pichet et fruits sur une table》。

On Wednesday, Sotheby's will try to sell Paul Cezanne's smoky-colored still life,'Pichet et fruits sur une table,' for at least $16.1 million.

周三(2月3日),苏富比以至少1610万美元的价格拍卖塞尚的烟灰色静物画《Pichet et fruits sur une table》。

The picture which reaches which the geyl to use the silver salt law photographs also only is mostly the still life and the similar sketch photograph.

达盖尔用的银盐法拍摄出的照片多半也仅是静物和类似写生的人像。

Confronted by such iconic subjects as Mont St Victoire near Cézanne's home in Aix-en-Provence and his magisterial still lifes of apples, they could no longer simply reproduce nature, they had to deconstruct it.

面对此些标志性的主题,如靠近塞尚在普罗旺斯地区艾克斯的家的圣维克多,他专宠的静物苹果,他们不是简单的再现自然,而必须进行解构。

Confronted by such iconic subjects as Mont St Victoire near Cézanne's home in Aix-en-Provence and his magisterial still lifes of apples, they could no longer simply reproduce nature, they had to deconstruct it.

面对这样的绘画题材,象在普罗旺斯地区塞尚家乡附近的《圣维克托瓦尔山》和他的重要静物画《苹果》,艺术家们不可能再简单地临摹自然,他们必须拆分解析它。

This is the first show devoted solely to Bonnard's late still-lifes and interiors, and it is a thought-provoking exhibition.

本次展览将在4月19日结束,是首次博纳尔晚期的静物和室内作品的专门陈列,也是一次发人深省的展出。

This is the first show devoted solely to Bonnard's late still-lifes and interiors, and it is a thought-provoking exhibition.

纽约大都市艺术博物馆里展出了他的80幅作品,这是首次博纳尔近代静物和室内画的个人专场,发人深省,将在4月19日落下帷幕。

The first part presents a comprehensive scene of the art environment in which Soutine was involved, the influences he received and his opinions on the problems he confronted. This is achieved by analyzing the relationships between his paintings and those of his contemporary as well as between his paintings and the classical art works in museums. The second part will, through his landscape, still life and portrait paintings, explore the forming of Soutine\'s characteristically expressive art language and the development of his art style, which integrated the modernism paintings with classical art elements. The third part will discuss the culture background of his art, the psychology of his creation and his techniques in order to point out" the intuitively expressionist nature "of his art. This part will also analyze the achievement of Soutine\'s art and its contribution to art history through critics\' opinions of him and his influences on other artists.

第一部分分析了苏丁绘画与同时代的艺术家的创作及博物馆中的经典作品的关系,尽力全面地描述苏丁在当时所面对的艺术环境,对其所受到的影响及面对的问题有所认识;第二部分分别从风景、静物、人物三个方面,从苏丁艺术自身的形成、发展来论述他在现代艺术的框架下,借助古典艺术以形成其独特的表现性语言的过程;第三部分从苏丁绘画的文化、心理以及艺术技巧等多个方面进行分析,指明其&富于直觉的表现主义&的特质,并通过批评家的评论与他对后来艺术家的影响来认识苏丁艺术的成就及在美术史上的作用。

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