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The primary members were Hermarchus, the financier Idomeneus, Leonteus and his wife Themista, the satirist Colotes, the mathematician Polyaenus of Lampsacus, and Metrodorus of Lampsacus, the most famous popularizer of Epicureanism.

主要成员是赫尔马库斯、金融家伊多梅纽斯、里昂特斯及夫人希米斯、讽刺作家克洛蒂斯、数学家拉姆普撒科斯的波利尼斯、拉姆普撒科斯的美特洛多罗司--最著名的享乐主义普及者。

A cartoon in the Philadelphia Inquirer, reprinted in The Post, showed the pope somewhat ghoulishly praising a throng of sick and dying Africans:"Blessed are the sick, for they have not used condoms."

许多非天主教国家高度批判教宗,在〈费城追究者〉刊物中,讽刺地印制教宗食尸鬼似地赞扬一群非洲病厌厌而几近於死亡的群众,写著「生病的人是有福的,因为他/她们使用了保险套。

After launching the New Yorker in 1834, and then the New York Tribune in 1841, Greeley found his groove as he fought for the underclass and emancipation.

他所写的社论热情讴歌了废奴运动,对那些支持奴隶制度者的讽刺可谓是尖锐犀利,一针见血。

The Communist Party does not tolerate satire and there are precious few outlets for the humourist via official channels because the government keeps a close eye on the internet for signs of subversion.

Party对讽刺作品放得不是很宽,搞笑者们很少能通过正规的途径宣泄才华,因为government对互联网盯得很紧。

To be honest, despite his self appointed role of "great moralizer" and his intention to "clean" Italian football (by the way, ironically enough, he owns a big cleaners company), Lotito got involved in the Calciopoli scandal.

老实说,不说他将自己定位为"伟大的说教者",他的目的是"净化"意大利足球(顺便说一句,具有讽刺意味的是,他拥有一家很大的清洁公司),洛蒂托也被卷入了意大利丑闻中。

As an acute observer of contemporary Western life, he is well known as a satirist of the postmodern culture.

他是当代西方生活的敏锐观察者,其小说以对后现代文化的讽刺而著称。

Let the sycophant or the buffoon, the satirist or the good companion, consider with himself, when his body shall be laid in the grave, and his soul pass into another state of existence, how much it will rebound to his praise to have it said of him, that no man in England ate better, that he had an admirable talent at turning his friends into ridicule, that nobody outdid him at an ill-natured jest, or that he never went to bed before he had dispatched his third bottle.

简而言之,该想想我们的所作所为在今生是否是一种荣耀,在来世是否是一种优势。让那些阿谀奉承者、混混小丑们、讽刺专家和酒肉之交们都好好地反思一下:当他的躯体躺进坟墓时,当他的灵魂飘进另一世界时,他以前的所为只会让别人提起他时说:全英格兰没人比他更贪吃、没人比他更会挖苦人、没人比他更会开恶毒的玩笑、没人像他那样每天晚上开完三个酒瓶后才上床。

From wore authorial angle to speak, although they don't be engaged in and the art realm of clothing, can also comprehend the connotation of some"art", even it is to study for higher degree difficult solution of or have to ironize to stab a property.

从穿着者的角度来讲,虽然他们并不从事与服装的艺术领域,但也能够理解某&艺术&的涵义,即使它是深造难解的或是具有反讽刺性质的。

Children in famine, victims tortured by oppressors, helpless old people a burden to their sons, and the whole world of loneliness, poverty,and paon make a mockery of what human life should be.

饥饿中的孩子,被压迫被折磨者,给子女造成重担的孤苦无依的老人,以及全球性的孤独、贫穷和痛苦的存在,是对人类生活理想的无视和讽刺。

Their differences in form make this effect a complicated process of intersecting and dissociating, attracting and resisting.

日常叙事的风行是对曾经一统天下的宏伟叙事的偏执性反拔,是启蒙神话破裂之后的幻灭叙事,写物主义倾向和日常生活本身的封闭性与重复性使小说的主体性呈现为碎片状态;模糊审美作为叙事风格主要表现为内心光照逐渐黯淡的黑夜主题夺走了叙事者的存在基础,欲望化叙事和表象化叙事闪现着一种遗忘意志,作家相对主义式的犹豫表达模糊了必要的价值分野;小说的新闻化倾向作为一种文体现象,是对快速推进的信息时代和全球性的非虚构化潮流的文化回应,但它所标榜的真实性因为只能停留在表浅层次而显得暖昧和可疑;自我重复是反修辞和反诗学的命题,是指相同的叙事成分在同一作家的不同作品中的机械重复,自我重复有细节重复、情节与结构重复、扩写与改写等表现形式,媒体时代的强制性文化法则、作家的内在缺陷和叙事模式的局限性是其文化根源;反讽与讽刺相比,是一种相对温和却又更具普遍性的文化反抗形式,但九十年代小说的言语反讽、情境反讽和总体反讽都因为主体缺乏内在的价值支撑而陷入虚无,虚伪的反抗成为一种遮蔽现实的屏障;九十年代小说的叙事视角从传统的全知视角转向限知视角,具体表现为旁观视角和窥视视角,这种强调局部性和差异性的视角本来可以成为扩展个人话语空间的正当途径,但由于它们被过分地利用于渲染感官刺激和心理刺激,与大众趣味不谋而合。

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Since historical times,England ,where the early inhabitants were Celts, has been conquered three times .

从有历史以来,英国,在此地早期居住的是凯尔特人,已经被征服了三次。

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The almost sure central limit theorem is a pop topic of the probability research in recent years,because it has many actual applications in the random analogue.

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