表现主义的

Merleau Pondy, representative of Fench phenomenology and existentialism, differs from Croce, founder of expessionist aesthetics, in his interpretation of expression. In his late work "The Eye and Mind", Pondy regards expression as a form of bodily action, whose theory links expression to man's practical activity and bestows an ontological meaning on the traditional expressionsim.

与表现主义美学的创始人克罗齐的表现说不同的是，法国现象学及存在主义哲学的代表人物梅洛·庞蒂在他的后期著作《眼与心》中将表现视为身体活动的一种方式，从而使表现和人的实践活动联系起来，使传统的表现说具有了个体的意义。

Whereas classic Picasso collectors tended to turn up their nose at the late works, collectors of Abstract Expressionists and even 1980s expressionists like Jean-Michel Basquiat are attracted to both the aesthetics and relatively reasonable prices of these big, bold, colourful pictures.

尽管毕加索经典作品的收藏者看不上他晚期的作品，但抽象表现主义作品的收藏者却被这些大幅的、风格大胆的、色彩丰富的画作所带来美感以及相对合理的价格所吸引，甚至像 Jean-Michel Basquiat 这样的 20世纪80年代的表现派画家也不例外。

I think he's learned how to approach hitters....

Johhny Damon说，『他已是最好的了，再没有人能够比他做的更好，我想他的球技已经完全成熟了，而且他也已经学会了如何去对付和压迫各种打击者。。。。。。

In effect, an 18 foot King Cobra could actually look down onto the average human being.

际上，一个18尺眼镜蛇王其实可以俯视到的平均人。