旋律的

Expo 2010 Shanghai China will be centered on innovation and interaction.

中国2010年上海世博会将是一曲以"创新"和"融合"为主旋律的交响乐。

Instead of using the oriental melodies in the traditional way most western composers do, Kreisler adopts a rapid flamboyant melody and a clipping rhythm, not only making full use of the violin techniques, but also depicting the happy scene of Chinese folk art. In the composer's visit to China in 1923, this Tambourin Chinois was such a pleasure to hear on his recitals.

克莱斯勒突破了一般西方作曲家运用东方旋律的传统模式，采用急速、华丽的细腻旋律，以及快速的节奏，既充分发挥小提琴的演奏技巧，又描绘出中国民俗中热闹、喧嚣的欢乐气氛。1923 年克莱斯勒曾访问我国，在华期间他的个人演奏会上《中国花鼓》成为重点演奏曲目。

The emphasis on percussion and Cuban rhythms make the style quite danceable and accessible.

原因很简单：它对于打击乐器和古巴旋律的偏重，使得这一音乐形式相当合适跳舞，且易于理解。

The melody of the work is reformed on thebasis of the traditional music melody, whose characteristic can summarize as: thehorizontal polytonality, asymmetric phrase, often using the jumped interval, and theexpanded melodic range.

作品的旋律是在传统的基础上加以创新，其特点可以概括为：多调性横向进行、乐句的不对称、广泛使用大跳音程、旋律的上限与下限之间音域的扩展等。

As a pianistic genre the nocturne, a night-piece', was the invention of john field, an irishman whose career in the early 19th century eventually transplanted him to eastern europe, geographically almost the reverse of chopin's move.

作为一种钢琴流派的夜曲，&night-piece&是由john field发明的。john field是爱尔兰人，于19世纪早期移民到了东欧，从地理角度来说，他的路线刚好和肖邦相反。john field于1812和1839发表的作品都是基于演唱旋律的模式，华丽而并非用低音模式来使旋律协调——这显然就是肖邦的起点。

It is polyrhythmic.

它是多重旋律的。

The immanent quality of musicality in poem is expressed as an object in time by language, so lapse of time can be apperceived just as melody in music, when dynamic images in poem form the rhythm.

只有当诗歌语言被用于呈现生命时间本身，诗歌才达到旋律的境界，声韵一变而为神韵。动态意象成就了诗歌的内在节奏，它使得体验者当下的时间音乐化了。律化时间片断的延续构成了生命过程本身，由此抵达诗歌的内在旋律。

Field's Nocturnes, publishe d under that title between 1812 and 1836, were based on a format of singing melody, much ornamented, over accompanying bass patterns to fill in the harmony ---- obviously Chopin's departure point.

JOHN FIELD 于1812和1839发表的作品都是基于演唱旋律的模式，华丽而并非用低音模式来使旋律协调——这显然就是肖邦的起点。

Bassline 也可以写作Bass line 根据维基百科的解释是:A bassline is the term used in many styles of popular music, such as jazz, blues, funk, and electronic music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass or keyboard (piano, Hammond organ, electric organ, or synthesizer).

翻译成中文及既是：是一个在流行乐中比如：爵士、蓝调、Funk和电子音乐中经常用到的单词，它是由节奏乐器比如电Bass、低音提琴、或者键盘乐器（钢琴、击杆风琴、电风琴、合成器）来演奏的低音高的器乐部分。Bassline是音乐中低音高的部分，比其他的音乐部分（比如和弦、器乐旋律、人声旋律）要低

Its third movement, the Nocturne, is one of Borodin's best-known compositions; his own instrument, the cello, takes the leading role in presenting this lovely tune, imbued with characteristics familiar in his lyric melodies.

其第三乐章，夜曲，是鲍罗丁最知名的作品之一。他自己的乐器，大提琴，在这优美的旋律的演奏中起主要作用，乐曲渗透着他抒情旋律中熟悉的风格。

Do not gum up the work by telling mother what we are going to do .

别告诉母亲我们要干的事，那会把事情搞糟的。

In recent years, application of the partial prestressed concrete beam s is developed.

近年来，随着部分预应力砼梁应用的推广，发现我国规范所采用的名义拉应力法的计算结果不稳定。