新现实主义的

The neorealism in France initiated in the 1960s, it was a new ideology developed with the industrial civilization.

法国新现实主义产生于20世纪60年代，是随着工业文明的发展而产生的一种新的意识形态。

Neorealism and neoliberal institutionalism are the two main schools in the 4 western international relations theory debate, in which international cooperation was one of the core issues.

新现实主义和新自由制度主义是西方国际关系理论第四次论战中的两大重要流派，国际合作问题则是双方在论战中争论的焦点问题之一。

The fourth part, in dynamic perspective, compares neorealism to neoliberal institutionism and mainstream constructivism in order to specify three theories' explanatory capabilities.

第四部分，从动态的角度比较新现实主义与新自由制度主义和主流建构主义，考察三者在解释经验事实上的能力大小。

This essay is a comparison of the international cooperation theories from the three main IR schools—neorealism, neoliberal institutionalism and constructionism,specifically,how they set their hypothesises and consequently define "national interest" and then deduce their explanations of international cooperation.

国际关系的三个主流学派——新现实主义、新自由制度主义和建构主义——基于对国际体系的不同假定而做出不同的国家利益界定，演绎出了不同的国际合作解释。

Films as diverse as Hiroshima, Mon Amour and Hatari, Breathless and Blow-Up, The Savage Innocents and Fahrenheit 451, 2001: A Space Odyssey and Playtime, Contempt and The Rise of Louis XIV were virtually defined by their multinational elements and sentiments; and for the first time since the 20s--barring perhaps only the impact of Italian neorealism in the 40s-Hollywood styles of filmmaking were fundamentally overturned by new developments from abroad.

电影五花八门：《广岛之恋》和《哈泰利》、《筋疲力尽》和《放大》、《雪海冰上人》和《华氏451》、《2001：太空漫游》和《玩乐时间》、《轻蔑》和《路易十四的崛起》，事实上都是依据它们所包含的多国元素和情感来进行阐释；就第一时期，从20年代起始--40年代所受到的可能也是唯一的意大利新现实主义影响除外--好莱坞电影制作形式基本上被国外的新发展所颠覆。

Also, the chapter discusses the internal relationships between "17-year" movies and the world movies, including the Hollywood pattern, New Realism movies in Italy, and Nouvelle Vague movies in France, aiming at placing the "17-year" movies in multiple foreign movie resources, in order to discover the actual effect of Soviet influence.

同时，还讨论了"十七年"电影与美国好莱坞、意大利新现实主义以及法国新浪潮等世界电影之间的联系，旨在将"十七年"电影置于多重外来电影资源中考察，以发现苏联影响的实际效果。

There is one kind of bepuzzlement after the impact and which envoke arouse our reflections of the neorealistic novel.

新现实主义小说的创生不是空穴来风，是中国社会转型期、变革期、阵痛期社会生活的折光映照，是新时期以后小说园地一种自然升华。

The deep going change of historical and cultural environment in the nineties has led to the disparity about writing pattern of life consciousness and the transformation of theme state, so has brought about the transformation of humanity writing. The new historism novels have begun writing many kinds of life form in made-up historical space, and have deducted complicated humanity sceneries, which include violence, evil, misery, degradation, etc; The private novels have paid attention to experience of female life itself, and has displayed particular life pattern of women; The new state novels have manifested revelry and anxiety of the 搉ew? human beings in metropolis, displaying objectified existing state; Novels in the realism shock have regarded heroes as ordinary people, revealing awkward life state.

九十车代历史文化语境的深刻变化导致了生命意识书写方式的差异和主题形态的嬗变，从而带来了人性书写的改观：新历史主义小说在虚构的历史空间中展开对多样生命形式的书写，演绎出暴力、罪恶、苦难、沉沦相交织的人性景观；私小说则关注女性生命本体的体验，展现了女性特有生命姿态；新状态小说注重表现都市新人类的生命狂欢与焦灼，展示了物化的生存状态；现实主义冲击波小说则完成了改革英雄到普通人的转换，揭示了尴尬的生命形态。

Based on the criticism of the western "economic man "theory from the two perspectives of economics and philosophy, the paper builds a new economic man hypothesis and theory, whose methodology is wholism, materialism and realism.Then, it puts forward the "new hypothesis of living labour value", which means that various productive living labour creates the value of commodities.

本文首先在从经济学和哲学两个视角批评西方经济人理论的基础上，确立了一种新经济人假说和理论，其方法论是整体主义、唯物主义和现实主义的；然后，提出各种生产性活劳动创造商品价值的&活劳动价值新假说&，并论证与此有关的&全要素财富说&和&按贡分配形质说&。

Also, the chapter discusses the internal relationships between "17-year" movies and the world movies, including the Hollywood pattern, New Realism movies in Italy, and Nouvelle Vague movies in France, aiming at placing the "17-year" movies in multiple foreign movie resources, in order to discover the actual effect of Soviet influence.

同时，还讨论了&十七年&电影与美国好莱坞、意大利新现实主义以及法国新浪潮等世界电影之间的联系，旨在将&十七年&电影置于多重外来电影资源中考察，以发现苏联影响的实际效果。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。