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复调音乐

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In the most general terms Ars Nova is used as a synonym for'14 th-century polyphony'just as Ars Antiqua stands for'13 th-century polyphony'.

一般而言,"新艺术"被认为是十四世纪复调音乐的同义词,正如"古艺术"代表"十三世纪复调"一样。

This practice shaped western music into the harmonically dominated music that we know today.

复调音乐对于西方音乐朝着我们今天所了解的主调和声音乐的发展有着重要的影响。

Beginning in Florence, there was an attempt to revive the dramatic and musical forms of Ancient Greece, through the means of monody, a form of declaimed music over a simple accompaniment; a more extreme contrast with the preceding polyphonic style woule be hard to find; this was also ,at least at the outset, a secular trend.

向巴洛克时期的过渡最初发生在佛罗伦萨对一种对复兴戏剧和古希腊音乐形式的尝试,它是使用monody--一种建立在简单伴奏基础上朗诵音乐的形式。这种与之前的复调音乐形式形成鲜明的对比的形式很难再找到了。

Of equal important to the overall history of western music theory were the textural change that came with the advent of polyphony.

与整个西方音乐理论同等重要的是复调音乐的出现所带来的音乐结构上的变化。

As a major genre of polyphonic music, invention is short in composition.

创意曲是复调音乐的体裁之一,它是一种小型的复调乐曲。

The sacred music gestates the technique of composing the polyphony, but the innovation of the technique of writing polyphony music also promotes the development of the sacred music.

可以说,复调音乐复调音乐创作手法,在西方宗教音乐能够更为美感、更为广泛地传播中起着至关重要的作用。

As well known, Bachs works is the peak of Polyphony works with DSFBA becomes the main topic of this thesis.

众所周知,复调音乐的顶峰是巴赫,因而,如何用自由低音手风琴演奏巴赫的复调键盘作品就成为我们要研究的对象。

Because there are many specific researches on the relationship between polyphony tuning and sacred music before 19th century,but there are less on the relationship between the polyphony music and the sacred music a-fter 19th century.especially some researches on representative work,for example Bruck-kner's "Mass in f minor"on which never has the monograph elaboration in domestic till now.

虽然国内关于十九世纪之前的复调音乐和宗教音乐之关系的专题研究成果已有不少,但研究十九世纪之后复调音乐与宗教音乐之间关系却不多,特别是对一些具有代表性的作品的研究,例如布鲁克纳 f 小调弥撒曲,至今尚未见到国内有相关的专著论述。

The increasing reliance on the interval of the third as a consonance is one of the most pronounced features of early Renaissance European art music( in the Middle Ages, third had been considered dissonances), in use since the 12th century, became increasingly elaborate with highly independent voices throughout the 14th century: the beginning of the 15th century showed simplification, with the voices often striving for smoothness.

对于被当作协和音程的三度音程越来越多的依赖,是文艺复兴早期欧洲音乐艺术最为显著的特征之一(在中世纪,三度曾被当作不协和音程)。从12世纪之后使用的复调音乐,随着整个14世纪各声部的高度独立变得越来越复杂:15世纪初期的复调音乐的各声部常常趋于平滑,因而显示出其单一性。

This essay consists of three chapters, introduction, polyphony techniques in the Shostakovich' s String Quartets and the continuation, development, creativity in the polyphony by Shotakovich.

本文由以下三章组成:绪论、肖斯塔科维奇弦乐四重奏复调写作技术的研究分析以及肖斯塔科维奇对复调音乐的继承、发展与创新。

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