在观众中

Amony his films,he starred as a lot of personalities from city slicker to count,vagabond,banker,murderer and adventruer-these roles are branded on the menory of his audience.Poor people who were abandoned by society looked onward and sought bravely for happiness and took care of the others he was full of humor in those films.

他饰演过的人物中，从都市中的老油条到伯爵先生，从市井小人到银行家，从杀人凶手到冒险家，深深的烙印在观众的记忆中，影片中的他，有时贫穷但勇敢地追求幸福，有时富有却百无聊赖，处于社会的最代层却执著地向往光明和爱情，被社会所抛弃时时刻开爱著他人，他所演饰的人物，亲切而真实，在轻松，幽默中展示出人生的光辉。

Spectators weep in the darkness of the cinema and patients in the safe, enclosed space of the consulting room, but people control themselves to the point of self-strangulation in their everyday lives, especially in the workplace.

电影院里的观众会在黑暗中流泪，心理咨询室内的病人会在安全封闭的空间里哭泣，但日常生活中的人们却会对自己严加管控，直至到达自我扼杀的境地。这在工作场合中尤其如此。

Indians 5 days before the New Year holiday, to be performed around the Indian epic "Ramayana",(meaning Rama's procession), playing epic hero and a giant paper-made sacrificial "combat","Hero" trigger point on fire Arrow, giant paper models will be in the audience cheering in a fire burned down before New Year's Eve, every household in front of a variety of exquisite pictures were posted on.

印度人在过年的前5天，各地都要演出印度史诗《罗摩衍那》，意为罗摩的游行），扮演史诗中的英雄与纸扎巨人"作战"，"英雄"引发点着火的箭，纸扎巨人便在观众的欢呼声中着火烧毁，除夕前，家家户户门前都张贴上各种精美图画。

John Fiske pays attention to using the Semiology method to study the hegemony forming relations in ideology for TV text,televiewer and TV culture.

菲斯克在自己的电视研究中注重运用符号学方法研究电视文本、电视观众以及电视文化在意识形态中的霸权建构关系。

A survey conducted by WPP-owned research firm Millward Brown for Unilever at the end of the show's first season found that unaided awareness of Dove rose 44% among target consumers generally and more than tripled among those who watched the show.

由WPP旗下调研公司Millward Brown在《丑女无敌》首个播出季结束时为联合利华进行的一项调查发现，在多芬产品目标客户中未经提醒就能想起该品牌的人增加了44%，而在看过《丑女无敌》的电视观众中，知晓多芬品牌的人比原来增加了两倍多。

When Griffis eagerly anticipates the narrative montage after Hollywood the mainstream, the Chaplin accident in is also emphasizing the single lens' expressive force, although he has also utilized some similar "Modern Time" begins the sheep and worker's two lens such performance montage technique, but more time he in faithful with panoram lens performance movement experience time,"Modern Time" mid summer Luo river the scene which sings in the dining room, the fixed positive panoram angle of view, the similar play's onlooking way, the audience can only see Xia the Luo one-man show, can obtain in merely the dining room from lens' laughter people's response,This is certainly for the more comprehensive clear performance its comedy movement and the scene, but actually unavoidably has "adheres to traitors" suspicion of the stage show.

当格里菲斯在好莱坞引领起叙事蒙太奇的主流之后，卓别林意外的还在强调著单个镜头的表现力，虽然他也运用了一些类似《摩登时代》开头绵羊和工人的两个镜头那样的表现蒙太奇手法，但更多的时候他还是在忠实的用全景镜头表现动作的经验时间，《摩登时代》中夏洛尔在餐厅中唱歌的场面，固定的正面全景视角，类似戏剧的观看方式，观众只能看到夏尔洛的独角戏，仅仅能从镜头之外的笑声中得到餐厅里人们的反应，这当然是为了更全面清楚的表现其喜剧动作和场景，但却难免有&附逆&舞台表演之嫌。

It's more gothic than Victorian and slightly tinctured with danger, but fully equipped with the sort of exuberant action that sits well in movie theaters and better still in the great theme-park hereafter.

相比原着中维多利亚时代的背景，影片设定更具中世纪色彩，略带一丝危险的气息，同时充满丰富多彩的场景和动作，不仅让观众在影院中为之赞叹，而且日后在迪斯尼主题公园中更将成为引人入胜的娱乐体验。

But I still want to say hello and give my best wishes to C-Star.I hope all of you enjoy it and have a happy christmas.Singing is Believing, C-Star!

不过，还是要向所有C-Star的选手、各位观众朋友们送上祝福，我希望选手们在比赛中都能有所收获和进步，并祝所有歌手、观众朋友们圣诞快乐！

One Sunday morning. during an all-Berlioz program at the Sallae Pleyel, Antoine falls madly in love with a girl in the audience. He will see her again at other concerts organized hy the Jeunesses Musicales de France.

一个星期天的早晨，在皮欧大厅举行的柏辽兹节目上，安托万疯狂的爱上了观众中的一个女孩，他会在另一场由法国青年人音乐会组织的音乐会中在见到那个女孩。

One woman's epic", the audience will not only be able to see the Tian Zhao Weiinterpret this为爱痴狂Sufi woman, can also be spoiled for choice to enjoy his Zhao Wei in the movie drama, drama TianSophie's identity is love drama performances madman drama, often active in the drama of the stage, in order to allow thefeeling at the time Zhao Wei performances, directed in particular Repertory Theater from Anhui province invited to a sixtiesand seventies-year-old performance artist, she personally arranged drama, guidance Zhao Wei ,"to the name of revolution,""ADoll's House","White-Haired Girl","cuckoo and other 19 classic drama in the play perfect reproduction, this drama also 19Zhao Wei had enough drama Addiction.

在《一个女人的史诗》中，观众不但能够看到赵薇演绎的田苏菲这个为爱痴狂的女人，还可以一饱眼福欣赏赵薇在戏中演话剧，剧中田苏菲的身份是热爱话剧表演的戏疯子，时常活跃在话剧的舞台上，为了让赵薇演出当时的感觉，导演特别从安徽省话剧团邀请到了一位六七十岁的老表演艺术家，让她亲自编排话剧，指导赵薇，《以革命的名义》、《玩偶之家》、《白毛女》、《布谷鸟》等十九部经典话剧都在剧中完美再现，这十九部话剧也让赵薇过足了戏瘾。

Do not gum up the work by telling mother what we are going to do .

别告诉母亲我们要干的事，那会把事情搞糟的。

In recent years, application of the partial prestressed concrete beam s is developed.

近年来，随着部分预应力砼梁应用的推广，发现我国规范所采用的名义拉应力法的计算结果不稳定。