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Finding pleasure in the fragrance of a back-yard garden, the crayoned picture of a six-year-old, the enchanting beauty of a rainbow.

在后花园的芬芳中'在六岁小孩的蜡笔画中'在彩虹醉人的美中找到快乐。

If the legislative, or any part of it, be made up of representatives chosen for that time by the people, which afterwards return into the ordinary state of subjects, and have no share in the legislature but upon a new choice, this power of chusing must also be exercised by the people, either at certain appointed seasons, or else when they are summoned to it; and in this latter case the power of convoking the legislative is ordinarily placed in the executive, and has one of these two limitations in respect of time: that either the original constitution requires their assembling and acting at certain intervals, and then the executive power does nothing but ministerially issue directions for their electing and assembling, according to due forms; or else it is left to his prudence to call them by new elections, when the occasions or exigencies of the public require the amendment of old, or making of new laws, or the redress or prevention of any inconveniencies, that lie on, or threaten the people.

如果立法权力或它的任何部分,由人们选举的代表组成,在需要立法的时候集会,法律制定之后仍回归臣民的普通状态,除非重新当选,不再享有任何立法权力,那么选举的权力也应由人们在一确定的时间或当他们被召集时行使;在后一种情况下,召集立法的权力通常交给执行权力,在时间上受以下二者限制:或由最初的宪法规定的每隔一段时间之后就集会并制定法律,执行权力仅仅以政府的名义发布依据正当的形式进行议员选举和集会的指令;或当公共领域出现紧急情况,要求修订旧法律,或制定新法律,或矫正和预防任何存在和将威胁人们的不便干扰,这留给执行权力的审慎来决定,通过新的选举来召集立法议员。

This book resembles the Acts of the Apostles in the number and variety of historical incidents it records, and in its many references to persons and places; and as in the latter case the epistles of Paul (see Paley's Horce Paul.) confirm its historical accuracy by their incidental allusions and "undesigned coincidences," so in the former modern discoveries confirm its historicity.

这本书类似于使徒行传在数量和种类的历史事件记录,并在其许多参考者和名额;作为在后一种情况下该书信保罗(见帕雷的horce保罗)确认其历史的准确性其附带的典故和" undesigned巧合,"因此,在现代的发现,前确认其历史性。

Bout three months ago my cousin Bud, fourteen year old, was riding through the woods on t'other side of the river, and didn't have no weapon with him, which was blame' foolishness, and in a lonesome place he hears a horse a-coming behind him, and sees old Baldy Shepherdson a-linkin' after him with his gun in his hand and his white hair a-flying in the wind; and 'stead of jumping off and taking to the brush, Bud 'lowed he could outrun him; so they had it, nip and tuck, for five mile or more, the old man a-gaining all the time; so at last Bud seen it warn't any use, so he stopped and faced around so as to have the bullet holes in front, you know, and the old man he rode up and shot him down.

大概三个月前,我的堂兄弟、十四岁的勃特骑着马,穿过河对面的林子。他身边没有带武器,这真是他妈的再傻也没有了。在一处偏僻的地方,他听得身后有马声。一看,是巴第·歇佛逊老头儿,手里拿着枪正飞快赶来,一头白发迎风乱飘。勃特并没有跳下马来,躲到树丛里,反倒让对方赶上来。于是,两人赛开了,一个在前飞奔,一个在后紧追,足足奔了五英里多路,老头儿越追越近。到最后,勃特眼见自己没有希望了,便勒住了马,转过身来,正面朝着人家,于是一枪打进了胸膛。你知道吧,老头儿赶上前来,把他打倒在地。

Democratic lawmaking procedure is the only resource of legitimacy in a post- metaphysical time. But there was a struggle between two resource of legitimacy which are human right and popular sovereignty. In resent several decades, the claim advocated by liberalism prevails and insists that human right is prior to popular sovereignty. As a west Marxism, Habermas anxious about how the core idea of radical democracy, legitimate law can only be endowed by its addressers, can be realized in a complex modern society. His effort embodied in his discursive interpretation of popular sovereignty and two-track deliberative democracy.

在后形而上学时代,民主的立法程序是合法性的唯一资源,但人权和人民主权这两种合法化资源在政治思想史上一直相互竞争,在近几十年中,自由主义的主张——人权优先于人民主权一直占有压倒性优势,作为西方马克思主义代表人物的哈贝马斯所关心的问题是,激进民主的核心理想——法律的合法性只能由服从它的公民来赋予——如何才能在复杂而多元的现代社会中继续保持其活力?

For every man has come from the first-created, and therefore they are first judged here by his son, and at the second coming they shall be judged by the twelve tribes of Israel, every breath and every creature.

&行政长官会同上尉说,&あな,最圣洁的亚伯拉罕,可怕的男子坐在后宝座,这又是儿子的第一次创造了亚当,谁是所谓的阿贝尔,其中恶人该隐杀死了,他坐在从而判断所有创作,并审查了正义的男子和罪人,因为真主说,我不会在审判你的,但每个人出生的男子,应判断,所以他给他的判断,判断世界,直到他的伟大和光荣的未来,那么,澳正义亚伯拉罕,是一个完美的判断和补偿,永恒的和不可改变的,这是任何人都无法改变,因为每个人都已经从最初创建的,因此,他们是第一次来判断这里,他的儿子,并在第二次来他们应当由大家来评判, 12个部落以色列,每呼气,每头动物,但第三次他们应当由大家来评判上帝的一切,然后,事实上,去年底即判断是近,和判刑的可怕,有没有交付,而且现在由三个法庭的判决世界和赔偿的话,基于这个原因,事情并非最终确定由一名或两名证人,但三名证人应一切待确定。

For every man has come from the first-created, and therefore they are first judged here by his son, and at the second coming they shall be judged by the twelve tribes of Israel, every breath and every creature.

&行政长官会同上尉说,&あな,最圣洁的亚伯拉罕,可怕的男子坐在后宝座,这又是儿子的第一次创造了亚当,谁是所谓的阿贝尔,其中恶人该隐杀死了,他坐在从而判断所有创作,并审查了正义的男子和罪人,因为真主说,我不会在审判你的,但每个人出生的男子,应判断,所以他给他的判断,判断世界,直到他的伟大和光荣的未来,那麼,澳正义亚伯拉罕,是一个完美的判断和补偿,永恒的和不可改变的,这是任何人都无法改变,因为每个人都已经从最初创建的,因此,他们是第一次来判断这里,他的儿子,并在第二次来他们应当由大家来评判, 12个部落以色列,每呼气,每头动物,但第三次他们应当由大家来评判上帝的一切,然后,事实上,去年底即判断是近,和判刑的可怕,有没有交付,而且现在由三个法庭的判决世界和赔偿的话,基於这个原因,事情并非最终确定由一名或两名证人,但三名证人应一切待确定。

The meridians running through the ventral aspect from the medial to the lateral are, in turn, termed Foot-Shaoyin, Foot-yangming, Foot-Taiyin and Foot-Jueyinnote: as regards the medial sides of the two lower limbs, at 8cun (24cm above the medial malleoli, Jueyin is located in theanterior, Taiyin in the middle and Shaoyin in the posterior part.

沿腹部循行的经脉由内至外的顺序是:足少阴经、足阳明经、足太阴经和足厥阴经。(注释:在双下肢,踝上8寸(24厘米)以下为厥阴在前,太阴在中,少阴在后。

The meridians running through the entral aspect from the medial to the lateral are, in turn, termed Foot-Shaoyin, Foot-yangming, Foot-Taiyin and Foot-Jueyinnote: as regards the medial sides of the two lower limbs, at 8cun (24cm aboe the medial malleoli, Jueyin is located in theanterior, Taiyin in the middle and Shaoyin in the posterior part.

沿腹部循行的经脉由内至外的顺序是:足少阴经、足阳明经、足太阴经和足厥阴经。(注释:在双下肢,踝上8寸(24厘米)以下为厥阴在前,太阴在中,少阴在后。

The emotional relationship with Mao envisioned in Yin Zhaoyang's painting reflects the ideological influence of his portrait during the childhoods of the post-revolutionary generation. This influence was strongest in visual impact after 1949 when Mao's portrait saturated the media and was seen everywhere.. The portrait visually invaded the self image of a generation and formed an emotional aesthetics that is also one of the roots of modern youth.

在尹朝阳的绘画中,和毛的想象性的情感关系,体现为肖像在后革命一代成长初期的一种意识形态影响,在这种影响中,肖像的视觉影响即毛在1949年之后大量肖像的扩散所产生的形象无处不在的大众传播,一种肖像对于一代人自我想象的视觉侵入所产生的情感美学,实际上构成了一种青春的现代性根源。

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