喜剧

Bergson makes a thorough analysis to the comedy produce——"smile" and "farcicality" from the point of social activities and mental idea and etc. He thinks that leading a life to machine appearance is the basic reason of "smile" or "farcicality"——the purpose of "smile" is rectification, and as a the kind of social means it still has the function in castigation,"farcicality" is attributed to man, who lacks go-aheadism is similar to things and it can constituted the main factor comedy result. So, in Bergsons view, the essence of comedic taste can comprehend a consciousness which the true estate of life falls into mechanize appearance in the space by chance.

柏氏主要从社会生活和心理表象等方面对喜剧所产生的效果——"笑"和"滑稽"作了细致深入的分析，他认为把生活导引到机械状态是"笑"或"滑稽"的根本原因，"笑"的目的是纠正，作为一种社会手段它还具有制裁作用，"滑稽"是属人的，人的缺乏能动性和主动性的僵硬与物类似的性质构成了喜剧效果的要素，所以，在柏格森看来，喜剧的审美本质可以理解为人的生命本真状态对偶然落入的空间化或机械化状态的意识。

Shakespeare's early classical and Italianate comedies, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his greatest comedies.

莎士比亚早期的古典和意大利风格的喜剧，包含了紧凑复杂的情节和精确的喜剧顺序，于1590年代中期转型为他最成功的充满浪漫气息的喜剧风格。

Yet die advantage of the satire comedy against die low comedy originates from the fact diat it elevates the overall quality of comedy, indicated by its exposure of darkness and criticism of reality by means of portraying negative comic figures.

讽刺喜剧超越滑稽喜剧的地方在于，它提升了喜剧的整体格调，标志是它通过塑造否定性喜剧人物来揭示黑暗，批判现实。

This section describes various forms of comedy through cinematic history, including slapstick, screwball, spoofs and parodies, romantic comedies, black comedy, and more.

本节描述了通过电影的历史，包括闹剧，怪僻，还会伪装和模仿，浪漫喜剧，黑色喜剧各种形式的喜剧，等等。

China Situation Comedy theme through China Situation Comedy formation of several major elements of the main aspects to analyze.

浅谈中国的情景喜剧摘要本文以中国情景喜剧为主题，通过中国情景喜剧的几大形成要素为主要方面来分析。

The absurd comedy is an ultra-morphology that makes the base on the tragicomedy and ironic comedy, it merges the feelings stimulating function of the two theatricals that results in the feelings tending to bereavement for their colliding with each other.

荒诞喜剧也可以说集悲剧和喜剧于一体的喜剧，它把这两种戏剧类型的情感激发功能加以融和，最终致使情感因素互相抵触而趋于丧失。

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics.

由香港著名影星周星驰创造的无厘头影片，是后现代文化语境下中国当代喜剧电影的重要代表，其喜剧性与传统喜剧电影有着很大的区别。

To the end of the second century B.C., a period dominated by three playwrights of New Comedy and Roman Comedy, that is, Menan-der, Plautus and Terence.

第二章所探讨的内容是公元前4世纪末至公元前2世纪末长达两百年的喜剧历史，涉及到了新喜剧和古罗马喜剧的三位代表性的作家米南德、普劳图斯和泰伦斯。

Comedy expression shows a combination of happiness, wisdom and thought, and enriches and turns present arts expression.6. As value identity sign in temporal society, sublime in China's teleplay is endowed uncopied modern meaning by consumed background.

喜剧的表现方法呈现了乐感与机智、反思相结合的超越方式，并以喜剧范式中的闯入式结构和肯定性的喜剧人物的塑造，丰富和扭转了崇高既有的艺术表现方式。6、中国电视剧中崇高，作为世俗社会的价值认同符号，消费语境也赋予了崇高不可复制的当代意义：首先，在商品社会中，崇高是因为缺席，成为了消费的内容，并以仪式化的方式构成了一种具有召唤能指的文化符号。

In this thesis, the comic art of David Ives, one of the most famous contemporary American playwrights, is looked into with reference to the development of comedy and universal comic devices, and a comparison and contrast between Ives" artistic creation and Chinese comedies is made in a hope that Ives" one-act plays may be of use for reference to Chinese comic drama. The thesis concludes that Ives can be of advice to Chinese playwrights in their understanding of the nature of comedy as an artistic genre and their selection and treatment of the subject matters in their comedies.

本文以喜剧作为一种话剧类型的发展变化为大环境，介绍了当代美国最负盛名的喜剧作家之一的David Ives及其最受欢迎的几部作品；依据喜剧令人感到滑稽，容易发笑的机制，分析了喜剧创作中常用的幽默设计，笑料制造的手法；在Ives的几个代表独幕剧剧作的基础上探讨了其喜剧艺术，并将此与中国大陆的喜剧创作进行比较对照，以期国内的喜剧作家们能从中受到某些启发，最终对中国喜剧创作的繁荣和进展起一定的借鉴作用。

It is also known as one of the most poisonous naturally occurring substances.

它也被称为一个最自然发生的有毒物质。

The greatest stress is found at the location on the cross section where V is the largest.

最大应力出现在横截面上V为最大的地方。