叛逆的

Humbert is a selfish sexual hedonist, due to his imperfect first love in childhood, his sensitive nature and his suppression of childhood sexual experience, so he becomes a pedophilia. All these cause his destruct life by the way of pursuit the nymphet Lolita. Lolita is a rebellious girl, after being seduced by Humbert, her life is obstructed the tragedy color, but the family life and the social environment influence also directly or indirectly push the girl toward the tragedy fate.

亨伯特是一个自私的性享乐者，敏感的天性和压抑的童年性经验造就了亨伯特的恋童癖，以至于在后来生活中，不顾一切的去追寻梦幻中的洛丽塔，最终毁灭了自己，同时也毁灭了他人；洛丽塔是一个青春期的叛逆女孩，遭到了亨伯特的引诱，从此她的人生遮上了悲剧的色彩，而家庭生活与社会环境的影响也不无直接或间接将这个女孩推往悲剧的人生道路。

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视，还有少数俄罗斯作曲家，比如Shostakovich，（他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力，这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响，那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。）Prokofiev（他格外出色天才一般的旋律影响了我，但是Sting肯定也获益匪浅，因为他也在自己的热门单曲"Russians"俄罗斯人中借用了Prokofiev 的"Lieutenant Kijé"三驾马车[4]），和Mosolov[5]（他创作于1920年中期的作品"Iron Foundry"是纯粹的前卫摇滚à la Magma，Art Zoyd，Univers Zero）。

The opening-up vision angle of this paper is to embark on the track of mentality and life of LiZhi at first, then pose the treacherous character of LiZhi"s, which is the intrinsic gene ,the traditions of be in business ,all sorts of belief in the group of LiZhi"s and was born in the OuanZhou -which is border on the sea, the above cause make LiZhi have the habit of not being bind up by the orthodox of the Confucianism. In his anchorless experience, we play emphasise on the four city桻uanZhou, Beijing, NangJing and HuangAn of the HuBei province, which have an important effect upon LiZhi"s life, then thread the place (homeplace and the place where he act as an offical) the character JiaoHong and the brothers of the Gen ,the incident(the dispute between of GenDingXiang and LiZhi together, by which we can lay out the full life of LiZhi and the process of his heresy idealistic ,we can draw a conclusion that LiZhi"s suicide is a deep consideration, that the pertinacious will of the pursuit for the truth and the fearless of the fighting spirit are the history achievements of LiZhis life .

全文论述的展开视角是先从李贽的心理轨迹和人生轨迹着手，揭示出李贽叛逆性格的内在因子、经商家世的传统和家族信仰多样化的优势以及地处泉州这个开放地域的大环境影响使他过早地就栽下了不为正统儒学束缚的根基：在他的一生漂泊经历中，又重点截取泉州、北京、南京及湖北黄安四个对李贽一生有重大影响的地理位置，通过综合地点、人物、事件的铺叙，立体面地展示李贽的活动内容及其&异端&思想成型扩张轨迹；李贽的最后自刎是其经过理智选择后所做出的最佳告别人世方式，其追求真理的顽强意志和大无畏的战斗精神即是他的人生价值之所在。

Forthwith from every Squadron and each Band The Heads and Leaders thither hast where stood Thir great Commander; Godlike shapes and forms Excelling human, Princely Dignities, And Powers that earst in Heaven sat on Thrones; [ 360 ] Though of thir Names in heav'nly Records now Be no memorial blotted out and ras'd By thir Rebellion, from the Books of Life. Nor had they yet among the Sons of Eve Got them new Names, till wandring ore the Earth, [ 365 ] Through Gods high sufferance for the tryal of man, By falsities and lyes the greatest part Of Mankind they corrupted to forsake God thir Creator, and th' invisible Glory of him that made them, to transform [ 370 ] Oft to the Image of a Brute, adorn'd With gay Religions full of Pomp and Gold, And Devils to adore for Deities: Then were they known to men by various Names, And various Idols through the Heathen World.

各队的队长，各班的班长，都匆匆地奔向他们的大司令站立的地方；一个个雄姿英发，形貌非凡人能比，有王者的威严，都是天上有座位的诸掌权者；虽然由于叛逆，他们的名号已从生命册上被删除了，在天上群生的记忆中，如今已渐渐被淡忘，在夏娃的子孙中也没有得到过新的名号，一直到后来，在天神的允许下，得以游历人间来试探世人，用各种的诡计、谎言去腐蚀他们，使他们背叛天神，他们的创造者，并且把创造主无形的光彩，转化做兽类的形像，用浮华的装饰，打扮得金碧辉煌，用淫乐的仪式，把魔鬼尊为神明。

It begins with innocent childhood, followed by awkward and adolescent trying awkwardly to adapt itself to mature society, with its young passions and follies, its ideals and ambitions; then it reaches a manhood of intense activities, profiting from experience and learning more about society and human nature; at middle age, there is a slight easing of tension, a mellowing of character like the ripening of fruit or the mellowing of good wine, and the gradual acquiring of a more tolerant, more cynical and at the same time a kindlier view of life; then in the sunset of our life, the endocrine glands decrease their activity, and if we have a true philosophy of old age and have ordered our life pattern according to it, it is for us the age of peace and security and leisure and contentment; finally, life flickers out and one goes into eternal sleep, never to wake up again.

人生始于天真无邪的童年，紧跟着笨拙的少年，我们用用青春的激情和叛逆，用青春的理想和抱负，笨拙的让自己适应这个成熟的社会。接着进入精力旺盛的成年，我们在经验中收获，知道了更多的人性和这个社会。人到中年，我们稍有机会放松，我们的性格的沉淀就像水果的成熟抑或老酒的发酵，我们逐渐的学会忍受，更加愤世嫉俗，同时我们用更加温和的眼观看待人生。

The paper commences with the analysis of personal identification of the autobiographers, points out that they mostly put emphasis on reflection and discovery of self-value, which are abundant in pursuit of value and show the birth of modern personality witha modern connotation consciousness and the spirit of science.Chapter III, how to write about I, analyzes two representative aspectsselected from many characteristics shown in artistic expression of the autobiographies, one of which is that its method of representation is not limited the single way of classic Chinese autobiographies, i.e, the mixture of representation and argumentation , and thus gives birth to psychologized representation; the second of which is that its surrounding description shows great mobility, which is different from stiffness and other literary forms.

本文首先从现代作家自传表现出的传主们各异的身份自认的分析中，指出他们的自传大多侧重于对自我存在价值的反思与发现，并且在他们的诸种反思中不仅蕴涵着丰富厚重的价值追求，而且也昭示了现代人格的诞生，其人格的现代性内涵主要包括叛逆精神、忏悔意识和科学精神。

His understanding was adorned with a true and saving knowledge of his Creator, and of spiritual things; his heart and will were upright; all his affections pure; and the whole man was holy; but revolting from God by the instigation of the devil, and abusing the freedom of his own will, he forfeited these excellent gifts; and on the contrary entailed on himself blindness of mind, horrible darkness, vanity and perverseness of judgment, became wicked, rebellious, and obdurate in heart and will, and impure in his affections.

他的理解是，贴着一个真实和储蓄知识的他的创造者，精神文明的东西，他的心，并会被正派；所有他的情纯，以及完整的人是神圣的，但厌恶来自上帝的唆使魔鬼，滥用新闻自由是他个人的意愿，他被没收的这些出色的礼品；反过来导致对自己失明的心态，可怕的黑暗，虚荣和perverseness的判断，成了十恶不赦，叛逆，执拗的心，并会与不纯，在他的情意。

The thesis think Tie Ning female identity experience poem ego, female ego, reasonableness ego of continuously mature development process,Tie Ning molded to take"fragrant snow" as to represent by poem of beautiful and artistic young girls, remeding the defent of female narration. After mid–80s, Tie Ning with mightiness of the female consciousness carried out to cross and surmount of the female's rightness by the female's review of ugly and appreciate beauty by duble variation. Which is the make–up of what Zhang Jie and Zhang Xin Xins novels neglect to female's essence life, It is also the watchful to Lin Bai and Chen Rans which excessively sinked in a female. In the new century, Tie Ning's stupid flower embody the tendency of the female return to the spirit of new time and great words, Indicate new century female literature is a important change of appreciate attitude.

论文认为，铁凝女性身份的认同经历了诗性自我、女性自我、理性自我的不断成熟的发展过程：铁凝以诗性自我塑造了以&香雪&为代表的美仑美奂的少女群像，弥补了新时期初期深陷男权文化中心的女性写作的匮乏；80年代中期以后，铁凝以强烈的女性自我意识在审丑与审美的双重变奏中实现了对女性自我的超越，既是对张洁、张辛欣们忽视女性本体生命欲求的弥补，也是对林白、陈染们过度陷于女性偏执的警醒；在新世纪，铁凝的《笨花》体现了女性意识叛逆后回归新的时代精神和宏大话语的趋向，预示了新世纪女性文学审美态度上的重大转变。

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视，还有少数俄罗斯作曲家，比如Shostakovich，（他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力，这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响，那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。）Prokofiev（他格外出色天才一般的旋律影响了我，但是Sting肯定也获益匪浅，因为他也在自己的热门单曲&Russians&俄罗斯人中借用了Prokofiev 的&Lieutenant Kijé&三驾马车[4]），和Mosolov[5]（他创作于1920年中期的作品&Iron Foundry&是纯粹的前卫摇滚à la Magma，Art Zoyd，Univers Zero）。

I will endeavour to find you some assistance.

我尽力帮你找人帮忙。

At first I only know bruck is the idol of American younglings, afterwards I returned back to Taiwan ,even in Beijing last year ,I saw her poster everywhere, I was so surprised at her charm.

起初我只晓得布鲁克雷德丝是美国少男少女崇拜的偶像，后来回台湾，甚至去年在北京，居然也四处看见她的海报，才惊讶她的魅力之大。