使暂留

The twenteenth-century's dominant art form was born out of the nineteenth-century predilection for machiner, movement, optical illusion and public entertainment.

二十世纪的主导艺术形式是从十九世纪对机械、运动、光学幻觉巨大众娱乐的偏好中诞生的。（原来认为是&视觉暂留&的作用使人能看见银幕上所没有的运动。

Persistnece of vision or flicker fusion prevents us fom seeing the lines between each frame, while the phi-phenomenon or stroboscopic effect, analysed betwen 1912 and 1916 by the psychologists Max Wertheimer and Hugo Munsterberg, provides a mental bridge between the frames to permit us to see a seires of static images as a single coninouous movement.

视觉暂留和频闪效果防止我们看到画格之间的黑格，而PHI 现象或间隙效果（在1912年和1916年之间由心理学家M。韦特麦尔和H。蒙斯特堡分析出来的，则提供了画格之间的一个思想桥梁，从而使我们把一系列静态的视觉形象看成是单一的连续运动。

I can't say anything hurtful about anyone.

我不能说任何伤害人左右。

She was a short fat woman , garbed in a very tight , very gaudy red dress .

大冬天的，我们穿两件毛衣她却穿件短袖，不停地扇扇子，一个劲叫热。