查询词典 touching

However, online shopping can't completely replace traditional shopping methods because of some inevitable deficiencies, e.g. the lack of touching real objects, the lack of optionality. Several seller's credit may not be so good and after-sale service is hard to operate sometimes. We are also difficult to imagine selecting such products like cars and heavy machinery in the network.

当然，网络购书的一些先天不足又决定了它不可能完全取代传统的购物方式，比如因无法触及实物而缺乏可选性、店家信誉良莠不齐而使售后服务有时难以操作等，我们也很难想象通过网络挑选诸如小轿车和重型机械之类的产品。

The so-called miracle, the so-called continuous此恨never, my dear, is now different in ancient times, not so touching earnestness, the world is changing day by day, love can also be updated from time to time, no longer deceive ourselves what is truly can not outrightly ruled out the possibility that as long as you are willing to should not the future牵绊emotion, on the believe that have been severed, the only way to be able to forge ahead in exchange for new students.

所谓奇迹，所谓此恨绵绵无绝期，亲爱的，现在不同古时，没有那么缠绵深长，天地天天在变，爱情也可时时更新，不必再骗自己有什么是真正决绝不了的，只要你愿意，不该牵绊未来的情感，就该相信已经断绝，唯有这样，才能跨步向前，换取新生。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The first, do not let them kiss your lip, your lip is as petaline as the rose, after was being kissed perishable; The 2nd, do not let them touch your breast, your bosom resembles crystal containers esp. for use in the house, touch easily broken; The 3rd, do not let them touch your private parts, your private parts resembles an oven, meeting all touching its east east bake moustache.

第一，不要让他们吻你的嘴唇，你的嘴唇象玫瑰花瓣，吻了以后会枯萎的；第二，不要让他们摸你的胸部，你的胸部象水晶器皿，容易碰碎；第三，不要让他们碰你的私处，你的私处象个烤炉，会把所有碰它的东东都烤胡的。

The play was written by a playwriter in Philadelphia, and the actors and actress were community residents and also ex-inmates, the vivid performance and touching art creation had gained rounds and rounds of applauds of all attenders.

剧本由费城一剧作家创作，表演者为社区居民，其中也有刑释人员。生动的表演，深情的艺术感染，赢得了与会人员阵阵掌声。

The prehistorical sculpture-a woman touching herself on her breasts and belly shows that our prohistorical ancestors' idea of sculpture was closely associated with the instinctive human nature;The encient Egyption human sculptures have hardly ever changed,and remained the same for almost 3000 years,which reflects that the encient people believed their belief would last as long as forever,and the distinctive taste of their works;The Buddist sculptures are the tool for the religion to express it's idea. While,the encient Geece artist were seeking the hamoney and balance of human movement,which can be found easily in their works.

从史前女体雕刻的姿势多为抚腹或抱胸可以看出原始人雕塑的观念直接与生命的本能联系在一起；古埃及漫长的三千年历史中人像雕刻的姿势都没有明显变化，反映了当时人们坚持自己的信仰永恒的态度，及其艺术法则的独特风格；佛教造像把人物姿势做为传达教义的解说词；古希腊的人物雕塑的姿势体现了他们对和谐。

In Book Five, we see several examples of Hermione touching Harry and Ron either bossily or protectively.

第五部里就有很多赫敏或专横或保护地拉扯哈利和罗恩的例子。这里我们举两个例子：&到这边来。&

Sometimes with his hands before touching fontanelle, will be pulsating, but also can be seen beating, which is before the fontanelle caused by subcutaneous vascular pulsatility, if not larger subcutaneous arteries after, do not see beating, this is normal.

有时用手触摸前囟门，会感到悸动，也可看到跳动，这是前囟门皮下血管搏动引起的，如果皮下没有较大的动脉血管经过，就看不到跳动，这是正常的。

Touching the moonstone altar spawns a goblin Rizzle Sprysprocket who flees down the river with your moonstone.

随后一个地精盗贼明目张胆的出现偷走你的月亮石并跳进河里逃之夭夭。变身成海豹吧！

When I am in the state of Samadhi, I can reach the emptiness which however, is sensed with touching.

当我在三昧状态中时，我也能做到空。可是这种空，还是经由感觉查知的。

"The operators will suffer a temporary decrease in the number of consumers and short message services as people may not like having to provide their ID cards for a phone number," Xu Junqi, vice-dean with the Policy-Making Institute of the Telecommunications Research Centre under MII, said yesterday.

信息产业部下属的通信决策研究院副主任徐俊其昨天说：&实行手机实名制后，人们可能不太情愿用身份证注册手机号，所以通信运营商会暂时面临用户减少和短信用户减少的问题。&

I don't believe in make-believe!

我不相信这些虚构的故事。