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textures相关的网络例句

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与 textures 相关的网络例句 [注:此内容来源于网络,仅供参考]

The deposition thickness of allylamine was increased with the treating time. The surface textures were changed following different procedures except allylamine groups and it means that the 30 min deposition thickness of allylamine is too thin to change the surface contours.

SEM-EDS的结果显示在未经任何处理及经氩气电浆清洁后的钛金属表面,侦测到主要为钛元素,丙烯胺电浆处理后,即可测到氮元素;戊二醛作用后表面有氧元素的出现;白蛋白处理后即可测得碳及氧元素。

The changing rocks are the embodiment of Lou Quanmu's art:seemingly carefree but intrinsically restrained. In a statement Lou said:"Mountain rocks possess forms that are both abstract and figurative, their shapes are paralleled to our mental topology, and their apertured, coarse textures are like our nerves."

罗荃木对山石的想法表现了对艺术的追求,作品既自由又抑郁,即同其述:「山石是介于抽象和具象之间的形象,可以按照内心的感觉自由行走,在任何地方多一点或少一点,不被形所限制,山石的型态有点像心灵的地图,布满奇怪的洞穴,它的肌里几乎是神经质的」。

The changing rocks are the embodiment of Luo Quanmu's art:seemingly carefree but intrinsically restrained. In a statement Luo said:"Mountain rocks possess forms that are both abstract and figurative, their shapes are paralleled to our mental topology, and their apertured, coarse textures are like our nerves."

罗荃木对山石的想法表现了对艺术的追求,作品既自由又抑郁,即同其述:「山石是介于抽象和具象之间的形象,可以按照内心的感觉自由行走,在任何地方多一点或少一点,不被形所限制,山石的型态有点像心灵的地图,布满奇怪的洞穴,它的肌里几乎是神经质的」。

The entire array of textures are created atomically.

整个纹理数组创建过程是不可分割的。

This study takes the reservoir of the Kela 2 gas field of the Tariam basin, the western China, as an example for understanding the relationship between the porosity and permeability and autogenetic minerals and textures of the clastic rocks on the vertical depth scale. The secondary pores are essential reservoir space in this gas field, moreover, their origin is closely related to dissolution of the frame grain of plagioclase and the cements of calcite.

本文以克拉2气田储层为研究对象,探讨了该区纵向深度上孔隙度、渗透率与矿物组合、结构上的变化,发现次生孔隙是本区储层的重要储集空间,并且与长石骨架颗粒和方解石胶结物的溶蚀密切相关。

In this dissertation, the author first reduces the amount of computation and improves the transform speed by ameliorating the geometric angle-direction search methods. According to HVS properties that human eyes are not sensitive to the change of image's textures and edges, the dissertation proposes a digital watermarking algorithm based on HVS in improved Bandelet domain.

本文首先通过改进变换中的几何角度方向搜索方法降低了变换运算量,提高了变换速度,并依据HVS关于人眼对图像的纹理和边缘变换不敏感的特性,设计了一种基于HVS的改进Bandelet变换域图像数字水印算法。

A total of 614 sediment samples at an interval of about 1.5 m from all 5 sites of the Integrated Ocean Drilling Program Expedition 311 on Cascadia Margin, northwestern Pacific were analyzed using a Beckman Coulter LS230 Particle Analyzer. The grainsize data were then plotted against depth and compared with other potential proxies of gas hydrateoccurrence such as soupy/mousselike fabrics in sedimentary textures, gas hydrate concentration derived from LWD data using Archie's relation, IR core images and the recovered samples of gas hydratebearing sediments.

对取自IODP 311航次(东北太平洋Cascadia大陆边缘)所有5个站位、采样间距约为1.5 m的614件沉积物样品,利用Beckman Coulter LS230激光粒度仪进行了沉积物粒度分析,获得了沉积物粒度随深度变化特征,进而与水合物层位的替代指标进行了位置对比,这些指标包括特殊沉积构造(soupy和mousselike构造)、测井数据推算出来的水合物饱和度、岩芯红外图像和实际钻取的含水合物沉积物等。

A total of 614 sediment samples at an interval of about 1.5m from all 5 sites of the Integrated Ocean Drilling Program Expedition 311 on Cascadia Margin, northwestern Pacific were analyzed using a Beckman Coulter LS-230 Particle Analyzer. The grain-size data were then plotted against depth and compared with other potential proxies of gas hydrate-occurrence such as soupy/mousse-like fabrics in sedimentary textures, gas hydrate concentration S(subscript h derived from LWD data using Archie's relation, IR core images and the recovered samples of gas hydrate-bearing sediments.

对取自IODP311航次(东北太平洋Cascadia大陆边缘)所有5个站位、采样间距约为1.5m的614件沉积物样品,利用Beckman Coulter LS-30激光粒度仪进行了沉积物粒度分析,获得了沉积物粒度随深度变化特征,进而与水合物层位的替代指标进行了位置对比,这些指标包括特珠沉积构造(soupy和mousse-like构造)、测井数据推算出来的水合物饱和度S(下标 h、岩芯红外图像和实际钻取的含水合物沉积物等。

The stunning interiors of Terra are made out of finest textures of modern canvasses of art using clay, bricks and bright colors. Let the smoothness of terrazzo and gentle roughness of clayish interiors, drift you towards calmness.

利用clayish水磨石本身的柔滑和温和粗糙纹路,明亮的将颜色艺术拓展,仔细挥洒在每块砖块空间;让旅客置身其中真正呼吸到空气中的谧静祥和。

Their conceptuality is manifest in the temporal and spatial criss-crossing and overlapping images. For instance, in his work, life means mundane everyday life while human characters embody today's sense of reality. Counter-intuitively, this sense of 'present' is expressed by ancient techniques and stylistic expressions. Moreover, the stylistic formulation of human characters in his works derives from the fresco painting of Yongle Temple in Shanxi. This is particularly manifest in the graphic forms of faces and hands. Meanwhile by utilizing various surface treatments, the artist has also managed to create a variegated effect of textures that resembles ancient fresco painting.

当代性在于他对于现实生活的关注、表现和当代艺术方法论意义上的个人语汇的形成;而观念性则体现在对于时空切换瞬间的交叉和影像的重叠,例如,生活是当代的世俗生活,人物体现了今天的现实感觉;但表现方法却是一千年前的,人物的造型手法是山西永乐宫壁画,脸和手的造型尤其接近;更为特殊的是,通过各种手法的肌理处理,艺术家甚至将画面制造成古代壁画的斑驳效果。

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