查询词典 spectatorship

It is what architect Michael Sorkin has described as "an armature for spectatorship."

这就是建筑师索肯所描述的『观察盔甲』。

Cinema apparatus functions relatively like a mirror, during a film we recognize ourselves through the on screen 'Other' and we project our egos onto that 'Other' - we superimpose ourselves onto them, going through events as they do. Film spectatorship involves the engagement of our entire body – our bodies react to the films, for example our heart rate would go up when sitting through an intense car chase scene, and we feel the natural reflex to throw up when seeing some grotesque zombies with intestines gushing out their abdomen on screen.

住："镜像阶段"是法国心理学家Jacques Lacan所推崇的一个概念，他认为新生儿在刚出生是没有自我意识，它认为自己是和母体连在一起的，又或是不知道自己已经离开子宫；而它将在第一次照镜子时，也就是看见自己的镜像时认识到自己是独立的一个个体）相似的，电影这个视觉机构也有类似镜子一样的功能，在观看电影的同时，我们通过对比银幕上和我们不同的其他人，进而肯定和巩固我们的自主形象和意识。

In order to see these videos, the viewer has to assume a position foreign to much art spectatorship.

为了观看这些录影作品，观众的身体必须形成一种特殊的观看姿势。

No more can we think of mediaconsumers merely as "viewers". Even if we refer to active spectatorship, the act of viewing

即便我们指的是积极的观者关系，看的行为也不能令人满意地描述用户与新媒介之间的关系。

In this late age of emulsion, a call of the cinematic gaze to a state of crisis and a deconstruction of spectatorship and authorship in the moving image

在后感光乳剂时代，一个关注电影的呼唤，在移动的画面中进行关於观众关系和作者关系的解构。

For Counter-Strike to continue to grow in eSports, the game needs additional such custom features, designed to improve competition and spectatorship.

为了CS能在电子竞技中继续发展，需要添加额外的功能，旨在提高竞争力与电视转播。

That goes far beyond the "spectatorship" position.

我们再也不能把媒介消费者视为"看客"。

In preparing its ritual, the Chorus would instruct the audience on proper spectatorship.

在编写仪式，合唱团将指示观众正确的观众。

This performative video addresses a conflict of spectatorship – a dialectical relationship between memory, interpretation and reality.

这部表演性的电影讲述了观看的矛盾——记忆，诠释和现实之间的辩证关系。7分钟，DV，彩色，有声，2003

I trace the terms by which my examples of visual imagery can be implicated in discursive processes of stereotyping and demonstrate the multiple levels on which meaning can operate through context and questions of desire, race and spectatorship.

我探讨了我选择的视觉形象的相关术语，分析它们在刻板印象形成的话语过程中的发展。这些词语论证了：意义是在一个复杂的水平面上进行运作，也涉及到语境、对欲望的疑问、种族以及观众资格。

It's not quite as simple as that.

并没有那么容易。

It debuted in 1992 in Japan and the United Kingdom, and 1993 in the United States.

它首次亮相于1992年在日本和英国，在美国1993年。