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romanticism相关的网络例句

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This text passes the writing background of divertimento and analysis of the works of"""""""" tour in winter"""""""" to romanticism composer Schubert, Propose that this structure is huge, and has all achieved the artistic characteristics of the divertimento of very high achievement in characterization and psychology portrayed: Expressing the deep thought with the tactics that suggest, development music and ideal of the literature poesy are combined ; The creative development piano accompanies on the functional function of art, the artistic conception of making every effort to portray the musical image and playing up the song from many aspects; The song is tuneful and smooth naturally, has folk song and succinct and simple; It is quiet and symmetrical that the whole divertimento has dramaticism but a magnum opus of a romanticism remains classicism throughout.

本文通过对十九世纪奥地利浪漫主义作曲家舒伯特《冬之旅》套曲之写作背景与作品分析的研究,总结出这部结构庞大、而且在人物塑造和心理刻画上都达到极高艺术造诣的套曲的艺术特色,即:用暗喻的手法表达作品深刻的思想内含,并在很大程度上完成了音乐与文学诗词之间的理想结合;创造性地发展了钢琴伴奏艺术的功能性作用,力求从多方面刻画音乐艺术形象和渲染歌曲的意境;转调频繁,特别是同名大小调转调运用巧妙;歌曲的旋律优美、自然、流畅,有民歌的简洁和朴素;全套曲具有戏剧性,是一部浪漫主义力作,但仍始终保持着古典主义的静谧与对称。

This text pases the writing background of divertimento and analysis of the works of tour in winter to romanticism composer Schubert,Propose that this structure is huge,and has all achieved the artistic characteristics of the divertiment of very high achievement in characterizayion and psychology portrayed:Expressing the deep thought with the tactics that suggest,development music and ideal of the literature poesy are combined;The creayive development piano accompanies on the functional funcyion of art,the artisitic conception of making every effort to portray the musical image and smooth naturally,has folk song and succinct and simple;It is quiet and symmetrical that the whole divertimento has dramaticism but a magnum opus of a romanticism remains classicism throughout.

本文通过对19世纪奥地利浪漫主义作曲家舒伯特《冬之旅》套曲之写作背景与作品分析的研究,总结出这部结构庞大、而且在人物塑造和心理刻画上都达到极高艺术造诣的套曲的艺术特色,即:用暗喻的手法表达作品深刻的思想内含,并在很大程度上完成了音乐与文学诗词之间的理想结合;创作性的发展了钢琴伴奏艺术的功能性作用,力求从多方面刻画音乐艺术形象和渲染歌曲的意境;转调频繁,特别是同名大小调转调运用巧妙;歌曲的旋律优美、自然、流畅,有民歌的简洁和朴素;全套曲具有戏剧性,是一部浪漫主义力作,但仍始终保持着古典主义的静谧与对称。

The following year Marx's father sent him to the more serious University of Berlin where he remained four years, at which time he abandoned his romanticism for the Hegelianism which ruled in Berlin at the time.

接下来的年份里,马克思的父亲送他到了思想更为严肃的柏林大学学习了四年,这段光阴里他抛弃了自己的romanticism,接受了当时在柏林处主导地位的黑格尔思想。

As the aim of romanticism, Lipps'"empathy" was to solve the opposition of human and nature, ego and others, then let them be together harmoniously. On the contrary, the effort of romanticism was so ineffectively that it even deteriorated the opposition by the way of canceling one side of the two.

与浪漫主义思潮的意向一致,利普斯想以"移情"化解人与自然、自我与他人的对立并使对立双方有效和解,但其在实质上却以取消一方的方式推进甚至僵化了二者的关系。

In the introduction, the condition of the importation and research of romanticism in Chinese in the first 50 years of the 20th century is reviewed, and there exist two main evils: On one hand, Chinese theorists tend to have some priori knowledge before their study, they always compare the so-called"original state"of romanticism in the western with the modern Chinese romanticism, thus they deny the possibility of Chinese romanticism. Under such condition, no-theoretical system of romanticism appeared in China, we have neither broken away from the hegemony of the western literature, nor have we grasped the modern Chinese romanticism in a whole. On the other hand, we hold a mechanical idea that romanticism develops itself from the conflict with the classicism、the realism、the modernism, so the essence of the romanticism is subjectively and lopsidedly established, that makes the concept of romanticism lose its function as a symbol.

在绪论中,主要回顾了20世纪前50年我国理论界对浪漫主义的引进与研究状况,引出了我们面前对浪漫主义研究中出现的两大弊端:一是理念的先验性,以所谓西方"原汁原味"的浪漫主义理念来比照、言说中国现代浪漫主义文学,从而形成了一种否定现代中国浪漫主义存在的理论倾向,既没有形成象勃兰兑斯对欧洲十九世纪浪漫主义的"本土式"的言说,没有真正摆脱西方文学霸权话语的阴影,形成自己的浪漫主义理论体系,也没有完成对现代中国浪漫主义的整体把握;二是以一种"意图伦理"的姿态,机械地认定浪漫主义是从与古典主义、现实主义和现代主义的冲突中建立起来的,主观而片面地确认中国现代浪漫主义的内涵,使浪漫主义概念越来越混乱而空泛,已经停止履行一个词语符号的功能。

In part five, it mainly discusses the romanticism historiography of "History is resurrection", put forward by Jules Michelet. Through observing his personal experience, and closely-knitted relations between his times and the forming of his historical ideology, it states his political democracy tendency of romanticism historiography ideology, and meanwhile analyzes his unique angle of view on history from nature.

第五章主要论述米什莱的"历史即复活"的浪漫主义史学思想,通过对他的个人经历、他所处的时代与他的史学思想的形成之间的密切关系的探讨,阐明他的浪漫主义史学思想的政治民主倾向,同时分析他通过自然来反观历史的独特的视角。

In addition, Tu Fu has been influenced by the fact that create the technique in Qu Yuan"s romanticism. His some creation and Qu Yuan"s romanticism come down in a continuous line.

另外,杜甫受到了屈原浪漫主义创作方法的影响,他的一些创作和屈原的浪漫主义一脉相承。

In the creation troop of Chinese literature romanticism poetry,it may be said that Li Bai is the uncrowned king,by his superb romanticism poetry art,he has fully unfolded the energetic style during that period.

在中国文学浪漫主义诗歌创作队伍中,李白可谓是无冕之王,他以其出神入化的浪漫主义诗歌艺术,充分地展现了那个时代的精神风貌。

To be brief, the English romanticism on the one hand further pushes ahead the project of modernity in the artistic or aesthetic field, but on the other hand it also launches a vehement aesthetic critique of modernity, thus resulting in the birth of aesthetic modernity; the Chinese romantic movement represented by the Creation Society is characterized by a different Janus'face: like English romanticism, it is a significant artistic articulation of the principle of subjectivity (which is the kernel of modernity) in its initial stage, yet influenced by the interaction of individual enlightenment and the national salvation, a pair of conflicting themes typical of China's modernity project, the Creation Society gradually turns to the left and consequently not only radically politicizes its romantic spirit but also ironically suppresses the search of modernity.

简言之,英国浪漫主义思潮一方面在艺术和审美领域内进一步推进了现代性工程,而另一方面又反戈一击,对现代性工程进行了猛烈的审美批判,从而催生了现代性之另一对立性形态——审美现代性的最早萌芽,并因此而造成了现代性的分裂;以创造社为代表性个案的五四新文学中的浪漫主义思潮在中国的现代性语境下则又呈现出另一种两面性:一方面,创造社的初期也象英国浪漫派一样,通过在艺术和审美领域内竭力弘扬现代性的主体性原则,从而积极地推进了新文化运动所致力构建的现代性工程,但另一方面,个体启蒙和民族救亡两大中国现代性主题的纠结使得创造社在后期逐渐将其前期的启蒙浪漫主义进行了民族主义化和意识形态化,从而放弃了对现代性作更深入的追求。本文在结构上总共分为八章三部分。

Whenever he was mentioned, people can remember the mysterious chord and color-light music which is on the basis of mysticism philosophy and idealism thoughts. As a matter of fact, Scriabin was also a successor of romanticism, his adoration to romanticism composer and inherit of romanticism style can be found from his earlier works.

提到斯克里亚宾,就会联系到他所建立在神秘主义哲学和唯心主义思想基础上的神秘和弦、色光音乐等,殊不知斯克里亚宾也是一位浪漫主义的继承者,在他早期的作品中透露出了一种对浪漫主义作曲家的崇拜和对浪漫主义风格的继承。

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