查询词典 pattern

While in Ass.haloxy persicum-H.ammodendron communities, either Haloxylon ammodendron population or Haloxylon persicum population, the spatial pattern was also congregative in 0~50m scales.While sometimes there was a transition from congregative pattern to regular pattern between them. There was a negative or positive, no relation and negative relation change series between Haloxylon ammodendron and Haloxylon persicum. In Ass.

梭梭-白梭梭群落的梭梭种群和白梭梭种群的空间格局比较复杂，但在所研究的尺度(0～50m)上，种群空间格局呈聚集分布或由聚集分布向均匀分布转变；梭梭与白梭梭的种间关系在空间上呈负相关或正相关、不相关和负相关变化序列。

Rethinking historical culture pattern and women desireful words with history narrative pattern. The former one deems typical history as an environment of investigating humanity and culture, also this pattern reflect on the humanity and retrospect history with sober attitude and aesthetic ways. The latter regards history as a writing environment for women. The historical narrative stories of HY are based on women' s personalized feelings. This kinds of feelings also reflected the writer' s imagination and thoughts on native history.

前者侧重将特定历史作为透视人性和文化的场域，注重以冷静的态度、审美的方式张扬人性、反思历史；后者将历史作为女性话语书写的背景，虹影对于历史的叙事是借助女性私人化的情感经验写就的，女性意识的流露中也呈现着作家对民族历史的想象和思考。

Rethinking historical culture pattern and women desireful words with history narrative pattern. The former one deems typical history as an environment of investigating humanity and culture, also this pattern reflect on the humanity and retrospect history with sober attitude and aesthetic ways. The latter regards history as a writing environment for women.

前者侧重将特定历史作为透视人性和文化的场域，注重以冷静的态度、审美的方式张扬人性、反思历史；后者将历史作为女性话语书写的背景，虹影对于历史的叙事是借助女性私人化的情感经验写就的，女性意识的流露中也呈现着作家对(来源：Ad7a7BC论文网www.abclunwen.com)民族历史的想象和思考。

In order to analyze aberrations qualitatively, a diffract model of centro-symmetrical optical system has been constituted to simulate the diffract pattern of primary aberrations and second aberrations. Then diffract pattern\'s character of each aberration has been analyzed, and the typical pattern with the value\'s change is given.

为了进行定性分析，文中首先建立了一个共轴旋转对称系统的光学衍射模型，模拟了初级像差和二级像差的衍射图像，并逐个分析了初级像差和二级像差的成像特征，给出了伴随波像差数值变化的典型(来源：8ebeAebBC论文网www.abclunwen.com)图像。

Cheng, Y. Mean-shift, Mode Seeking and Clustering. IEEE Trans. on Pattern Analysis and Machine Intelligence, Vol. 17, pp. 790, 1995.[2] Comaniciu D, Ramesh V, Meer P. Kernel-based Object Tracking. IEEE Trans. on Pattern Analysis and Machine Intelligence, Vol. 25, pp. 564-577, 2003.[3] Collins R, Liu Y and Leordeanu M. Online Selection of Discriminative Tracking Features. IEEE Trans. on Pattern Analysis and Machine Intelligence, Vol. 27, pp. 1631-1643, 2005.[4] Nummiaro K, Koller-Meier E and Gool L.V. An Adaptive Color-based Particle Filter.

本文针对MS跟踪和粒子滤波跟踪各自的优缺点，将其两者进行了很好地结合，提出了两步跟踪算法，其特点有：保留了MS跟踪实时性的优点的同时，也具有粒子滤波在遮挡情况下的鲁棒性等特点；在所需的每步粒子跟踪中，以上一步的跟踪结果与模板的相似度为先验知识，自适应地选取粒子个数和传播半径，缓解了粒子缺乏多样性的缺点，也根据这个相似度来判断是否需要对目标模板的更新，保证了更新的有效性。

Noumenal Study of The pattern means to conclude the objective regulation and the spring of the pattern by studying all sides about the pattern.

图案的本体研究是指围绕图案本身的诸多特征，寻找其客观规律和根源的研究。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Photopic map is used to obtain local patterns, and a three-grade representation structure (dot pattern, line pattern and surface pattern) is proposed to memorize and match local patterns.

文中提出通过明视变换来得到局部模式，并提出了局部模式的三级表象结构（点模式、线模式和面模式）以及它们的记忆、匹配方法。

Results Traumatic moist lung mostly occurred in bilateral pulmonary middle-inferior field of traumatic side or opposite side ,of them ,interstitial pattern was found in 18 cases,segmentary consolidation pattern in 9 cases,diffuse consolidation pattern in 7 cases,and cloud pat...

结果创伤性湿肺多出现于伤侧或双侧中下肺野，表现为间质型18例，节段实变型9例，弥漫实变型7例，云雾型9例。

With the aid of the experiment, crack formation and its expand pattern of ZTA ceramics under ultrasonic vibration were analyzed, its fracture criterion was established and the experiment results showed that intercrystalline fracture is the main fracture pattern of ZTA ceramics under common grinding, and transcrystalline fracture is the main fracture pattern of ZTA ceramics under TDUVAG, and the finding add to evidence showing that TDUVAG has better material removal property.

基于该方法分析具有预制裂纹的ZTA纳米复相陶瓷材料在超声振动条件下裂纹扩展方式，确立其断裂判据，通过该断裂模拟试验得出：沿晶断裂是普通磨削主要的断裂模式，而穿晶断裂是二维磨削主要的断裂模式，进一步证明二维磨削具有较好的材料去除特性。

It also analyzes the feature and development of semi-finish grinding and finish grinding by roller press.

同时进行了辊压机半终粉磨和终粉磨系统的特点和发展分析。

When I got there, water was dripping slowly from the ceiling and forming a pool on the floor.

当我到那里的时候，水是慢慢地从天花板滴而且形成在地板上的一个池。