查询词典 palace of culture

The National Palace of Culture is the largest multifunctional complex in Southeastern Europe.

故宫文化是世界上最大的多功能复杂，在欧洲东南部。

In short order, he invited outlawed dissidents and communists to see him at the palace; removed the ban against Chinese culture and language; talked to, and tried to make peace with, Aceh and West Papua, as part of a devolution of power away from "corrupt" Jakarta; dismantled Suharto's press-curbing Ministry of Information, and the extortionist Ministry of Welfare; sacked General Wiranto, who had overseen atrocities in East Timor, and apologised to the East Timorese.

在很短的时间内，他就在总统府内召见了那些被宣告非法的****和****，取消了中国文化和语言的禁令；与游离于"腐败的"雅加达统治的亚齐省和西巴布亚对话并试图与他们和平相处，分解了苏哈托封锁言论的信息部和巧取豪夺的社会福利部；免除了曾在东帝汶施下暴行维兰托将军的职务，并向东帝汶人民道歉。

Other various scenery are also many by the topic volume, the antithetical couplet, the prefatory remarks and so on each kind of form cast the Confucianist thought to among; But the nearly 30 scenic spots have directly manifested Taoism"s natural boundary or the deity boundary pursue; Chinese tradition esthetics manifested and the imperial authority unification and the formula development in Old Summer Palace; Old Summer Palace makes the scenery mostly is the famous poem celebrated work description ideal condition and the famous painter"s landscape painting reappearance; In Old Summer Palace enables the north and south culture to south botanical garden imitation and the anomalous form design to achieve the fusion and so on manifests the Old Summer Palace landscape all the profound cultural connotation, unfolds the Old Summer Palace landscape is the Qing Dynasty culture carrier characteristic.

其他各景也多以题额、对联、题记等各种形式熔铸儒家思想于其中；而近30处景点直接体现了道家的自然境界或神仙境界的追求；中国传统美学在圆明园中体现出了与皇权的统一和程式化的发展；圆明园造景大多是名诗名作描写的意境和著名画家的山水画的再现；圆明园中对南方园林的模仿和变体设计则使南北文化达到融合等等无不体现出圆明园景观的深刻文化内涵，展现圆明园景观是清代文化载体的特色。

Today, four of the East is not just one sole dominance of the National Health model village, and now you go to the East Village, take a look at the four-yi, straight streets, boring day Topol, beauty, flowers, three streets, and dozens of lanes, concrete paving, brick vallum, Farmer's Cultural Palace, peasant culture of building, residential peasant community is refreshing .......

今日的东四义已经不是一花独放的全国卫生模范村了，如今你到东四义村看一看，笔直的街道，钻天的白杨，湖光山色，鸟语花香，三条大街，十几条小巷，水泥铺地，青砖垒墙，农民文化宫、农民文化楼，农民住宅小区……令人心旷神怡。

A carved wooden wine decanter, a Troyan pottery set, a fleecy Rhodope rug, an original piece of silver jewellery, or a finely embroidered silk blouse… The National Palace of Culture is the largest multifunctional complex in Southeastern Europe.

木刻酒酒瓶， supre陶集，石河子罗地毯，原本一件银首饰，或精绣丝绸衬衫……故宫的文化是世界上最大的多功能复杂，在欧洲东南部。

Belly dance is divided into two styles, the first style originated from the ancient Egypt, it is characterized by more palace of dance, and the music is more melody-based. The other style is more based in Turkey culture, this Belly dance style is characterized by its changeable irregular moves. The music is mainly drums.

肚皮舞主要分为两大风格，第一种风格缘自于古埃及，它的特点是舞蹈更加宫廷化，音乐节奏多以埃及神秘旋律为主；另一种风格则更多地吸收了土耳其的文化营养，它的舞蹈特点是动作善变，不规则，音乐主要是以鼓点为主，突出点动练习，在跳舞的时候你会感觉到快速剧烈的动作组合，它有别于宫廷式柔美的风格。

The first is to the West Willow community Sihuan Xishan board along the fast, is very strong academic atmosphere of the region, both the transmission to the Summer Palace, Yuanmingyuan represented rhyme at the end of the millennium culture, but also compatible with the Beijing University, Qinghua humanistic spirit of the times ; Yizhuang The second is that the new industrial base, forming a kind of leisure real estate development mode, both the industrial layout, economic development, living environment, space, etc. all have the typical atmosphere of the post-industrial era residential cultural identity, a unique regional cultural competitiveness, also contributed to the Yizhuang real estate in recent years has remained very active, the vitality of this culture will continue; third CBD based commercial real estate for the center, forming a very modern color international business culture; article Four Olympic plate, surrounding the new concept of real estate are the Olympic Games, closely focusing on sports, culture and contemporary spirit of sport psychology to build a living space.

首先是西方柳树社会西山局四环沿线的速度快，是非常强大的学术氛围的区域，无论是传输到颐和园，圆明园代表韵结束时的千年文化，而且也符合北京工业大学，清华大学人文精神的时代；亦庄第二个问题是，新的工业基地，形成了一种休闲房地产的发展模式，无论是产业布局，经济发展，生活环境，空间等都有典型的气氛后工业时代住宅文化认同，一个独特的区域文化竞争力，也有助于亦庄房地产在最近几年一直是非常积极的，富有活力的这种文化将继续；第三次生物多样性公约的商业房地产为中心，形成了非常现代色彩的国际商业文化；第四条奥林匹克板，周围的新概念房地产是奥运会，紧紧围绕体育，文化和当代精神的运动心理学建立一个生活空间。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

In 1969 André Malraux, the Minister of Culture, declared the Palace as a cultural landmark and had it officially protected.

安德烈马尔罗在1969年，文化部长，宣布作为一种文化具有里程碑意义的皇宫，把它正式保护。

His death rites took place at the courtyard of the Louvre Palace on September 1 , 1965 under the direction of writer and thinker André Malraux , who was at the time France's Minister of Culture.

他的死亡仪式举行的庭院卢浮宫宫1965年 9月1日的指导下，作家和思想家安德烈·马尔罗，谁当时法国的文化部长。

I use an example quoted by Hu Jiaqi:"It is reported that America separates the DNA of a kind of virus by making use of genetic technology and combines it with another kind of DNA. Finally, they get a kind of virulent biological agent called a "pyrotoxin". Someone discloses in private that 20 grams of such a kind of biological agent could result in the global death of 6 billion people due to infection."

我在这里例举胡家奇所引用过的例子："据报道，美国利用转基因技术，将一种病毒的DNA分离出来，与另外一种DNA进行结合，拼结成一种剧毒的"热毒素"生物战剂，且私下有人透露，这种生物战剂只需20克，就可以导致全球60亿人全部感染死亡。"

Waiting, for the queers and the coons and the Reds and the Jews.

等待着疯子和黑人还有红色共产主义者还有犹太人