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essentialized相关的网络例句

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与 essentialized 相关的网络例句 [注:此内容来源于网络,仅供参考]

In recent years, it seems that the superficial Chinese transliteration "苗"(pronounced as "miao" in modern Mandarin Chinese, but as "mao" or "hmao" in medieval Chinese) and the English transliteration "Hmong" have been misleadingly essentialized by some anthropologists, and the differences associated with these externally referred ethnonyms were magnified to such an extent as if there had been two entirely different or unrelated ethnicities – one with the autonym "Hmong" and the other with "Miao"– in the world.

近年来,"苗"(现代汉语读音为'miao',但汉语古音读'mao'或带前鼻音的'hmao')这个表面上的汉文转写形式,与"Hmong"这个英文转写形式一道,被一些西方人类学家误导性地当成了实质;与这两种表面转写形式相关联的一些差异被放大到了如此无以复加的地步,以至于让人们也都误觉得,这世界上并存着两个不甚相干的民族,其中一个的族称是"Miao",而另一个的族称是"Hmong"。

The significance of portraying science as an essentialized representation will be missed if it is not seen in the context of the history of western expansionism.

如果不再西方的膨胀主义历史背景中看待的话,把科学刻划为一种本质化了的特征的重大意义将会消失。

An essentialized and remarkably delimited Indian theatre consisting of just one genre, namely, the ancient Sanskrit theatre, with no space for the Ram Lila or other flourishing vernacular genres;(2) Histories from the nationalist period portray Indian theatre as primarily, though not exclusively, madeup of India's Western-influenced "modern" theatre genre but relegate the Ram Lila to the realm of unsophisticated folk theatre; and (3) Postcolonial-era histories offer a broad-based and plural Indian theatre encompassing all major genres, including the Ram Lila, but valorize postcolonial theatre withuntenable and extravagant claims.

我会在结论论证这些研究的源起,并列举三个现代印度文化和历史的不同阶段作为例证:(1)东方主义时期的印度剧场史,呈现出一个本质主义、明显画地自限的印度剧场,当中只有一个剧种:古老的梵文剧场,毫无肚量容纳罗魔节戏或其他盛极一时的地方戏剧;(2)国家主义时期的剧场史,此时最主要由深受西方文化影响的印度「现代」剧场构成,罗魔节戏被贬抑为难登大雅的地方小戏;(3)后殖民时期的剧场史,提供了一个宽广、多元,兼容并蓄的印度剧场,罗魔节戏也在其中,但此时期过於夸大了后殖民剧场的资产。

This highly essentialized re-imaging of Chinese history explicitly bifurcates "Chineseness" into a sedentary/Han/sheep versus nomadic/Mongol/wolf dyad, rendering any notion of shared national identity highly problematic.

这个高度本质化重新明确中国历史的成像分叉&的华人&成为定居/韩/羊与游牧/蒙古/狼来了二分,使任何国家认同的共同的概念很成问题。

This highly essentialized re-imaging of Chinese history explicitly bifurcates "Chineseness" into a sedentary/Han/sheep versus nomadic/Mongol/wolf dyad, rendering any notion of shared national identity highly problematic.

这种对中国历史高度简约性的描述,明确地把&中华民族&分成了两类并加以对比:定居/汉族/羊来与游牧/蒙古/狼。这种泾渭分明的划分对所有民族认同都都提出质疑。。

At the center of the argument is that it is travel, not an essentialized notion of race, that informs the characters' understanding of who they are and who they can be.

本文的中心论点是,作品通过旅行而不是通过对种族概念的抽象化,传达出作品人物对自己身份和身份归宿的理解。

From data real time requirement, system flexibility, system reliability, maintainability, and information construction in water supply system, it essentialized the specialty of the modern intelligent RTU.

从供水系统的数据实时性、系统柔韧性、系统可靠性、可维护性以及系统信息化建设等五个方面的要求出发,扼要说明了新一代智能RTU的主要特点。

In this author's own essentialized reading of history, Song China is depicted as the mainstream of human development and the world's most advanced civilization, possessing 85% of global wealth and placing the Han on the doorstep of capitalism.

扪虱枭雄对历史的解读是,宋代中国代表着人类发展的主流,并拥有世界上最发达的文明:那时的中国社会享有全球85%财富并且已徘徊在资本主义社会的门口。

Essentialized representations or images of science and non-science are not constructed in vacuums, but in complex sociocultural contexts of power and inequalities.

科学地本质化了的形象以及非科学并非是在真空中建构地,而是在复杂的权力和不平等的社会文化背景下被建构的。

By constructing, creating, and defining science as absolutely different from and superior to other modes of inquiry and especially from non-western modes, the West has essentialized itself, science, and the non-western world.

通过将科学构造、创生以及限定为绝对不同于非西方世界的模式并超越那种模式,西方本质化了其自身的科学,本质化了非西方的世界。

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