查询词典 creation

During the second ten years of Chinese new literature (19281937), novelette grew up due to epochal needs and self-improvement. Not only did the amount of creation increase and a lot of influential fiction appear, but the fiction became mature in ideological content and artistry, and was perfected in its norms of aesthetics. So the novelette saw its first period of prosperity in modem Chinese literature, and laid a solid foundation for later continuous development of novelette creation.

中国新文学发展的第二个十年（1928—1937），中篇小说在时代需要和自身发展中趋于成熟，不仅创作数量明显增多，出现了一批有影响的好作品；而且在思想内容和艺术技巧上都显示出趋于成熟的实绩，并在自身的美学规范上逐步完善；由此就形成了现代文学史上中篇小说创作的第一次繁荣期，并为此后中篇小说创作的持续发展奠定了坚实的基础。

Though everyone is of different economic creation, but the creation of environment should be able to satisfy the requirements of public, in order to be cherished and valued by each one in the community.

每个人的经济创造力是不同的，但环境的创造应该符合大众的需求，社区每个人才会珍惜关怀它。

A formless void is a prevalent cognition when people think of the creation of universe. Furthermore, it offers a philosophical ontic conception. The idea of the origination not only affects the shape of universal conception, but also becomes a pattern of creation. The means of origination that Pangus body becomes universe directly reveals the syncretism of nature and human and the continuity of existence which is one of the characteristics in Chinese thinking.

其中的"混沌"是人类对宇宙万物之初的一种普遍认识，并且提供了一个哲学中宇宙观的本体概念；"开辟"观念不仅影响了宇宙观的生成过程，且成为创世的一个开端模式；尸化万物的创世方式则直接体现了天人合一的思想和中国思维中存有的连续性的特点。

Depending on the music noumenon analysis - the main clue, the thesis makes a carefully thorough research on these two Partita. From this, the creation characteristics, music style as well as the creation technique in the two works are induced. The corresponding prompt is also made for the performance technique involved in the works.

本文主要以音乐本体分析为主线，对祖宾斯基的这两首帕蒂塔进行深入细致的研究，由此归纳出这两首作品的创作特征、音乐风格以及创作手法，并对作品中所涉及的演奏技法做出相应提示。

They are:1 Max-Reger's biography and creation synopsis2 A summary of the structure of Partita and Fuga3 Synopsis of Chromatische Polyphonie4 Creation background of(op 132)5 Linearity writing technique of(op 132)6 Partita inheriting with innovation and Parts analysis7 Fuga melody analysis

本文将分七个部分予以陈述，分别为：一马克思-雷格尔生平及创作简介二简述变奏曲与赋格及其它赋格音乐套曲结构三半音复音音乐简介四《莫扎特主题变奏与赋格》(op 132)的创作背景五《莫扎特主题变奏与赋格》(op 132)线性写作技巧六变奏手法的继承与创新及各变奏乐章分析七赋格曲分析

The western world is used to looking at Chinese contemporary art as a peep show, a revealing of a dictatorial country's dark scenes. As a matter of fact, the political scene of China today is not comparable to its past; China is more and more integrated to the world, and Chinese artists have already changed from passive creation to initiative-driven creation. The art works by Chinese artists no longer convey the government's will, but, at the same time, don't necessarily convey the intention of the nation or the intellectuals, either.

西方世界对中国当代文化一直是采用偷窥的视角，认为是在揭露一个专制国家的黑幕，其实中国的政治已经今非昔比，中国正在融入国际大家庭，中国的艺术家也早就从被动写作变成主动写作了，艺术家笔下的中国现实是艺术家的个人观点，不再代表官方意志，同时也未必代表整个民众或者进步的知识界。

Taking the Chinese films development course of time as the longitudinal axle, this essay discuss the characteristics and varieties of the photoplay view and its creation practice of Chinese Films in different age. The discussion focused on the characteristics and development countermeasure of photoplay view and its creation practice of Chinese films in new age by analyzing the classic cases. This essay used such methors like historical materials arrangement, induction and comparison during the discussion. Thus conclusions are drawn as follows: In order to guide the Chinese films towards the world, we must carry forward national films vigorously. So the traditional photoplay views, which pay attention to audiences and meeting the aesthetic habits and appreciating ways, should not be abandoned.

本文运用史料整理、归纳、比较等方法，以时间上的电影发展历程为纵轴，探讨不同时期中国电影影戏观及其创作实践的特点及变化，重点通过经典案例探讨新时期中国电影影戏观创作实践的特点与发展对策，从而得出以下结论：要让中国电影走向世界，必须弘扬民族电影，因而重视观众、适应中国观众审美习惯与欣赏方式的传统影戏观在电影实践中仍不能丢弃。

In the creation of artistic and literary beauty, especially in the creation of the beauty of narrative literature and plastic art, the unification of the law of tupos and law of beauty is truthful.

在艺术美与文学美的创造中，特别是在叙事文学与造型艺术美的创造中，典型的规律与美的规律的统一是具有真理性的。

The discourse summarizes Playgame Spirit into three points on the base of the theory of Zhou Zuo ren and Ban Ma: happy, liberty and fantasy which constitutes the whole and demonstrates strong vitality. This can be shown in image,plot,situation and language dispose of the creation, which leads to the prosper of the children literature creation.

这三大原则相辅相成，从而构成一个有机的整体，并在具体的作品中昭示出强劲的生命力，主要表现在人物形象、情节设计、情境氛围、语符排列等方面，从而使儿童文学作品充满生气与活力，给儿童撑起一片真正属于他们的天空。

The thesis is written on the theme of the nationalized accordion creation characteristic of Li Yuqiu, taking several of his representative works as the point of tangency. The thesis also integrates its creating background, analysis and inducts the special creating methods of Li Yuqiu and his individual art philosophy view point expressed during his creation, and exposes the special contribution Li Yuqiu made to the constructing of the accordion music system of Chinese national characteristic. The thesis has the aim of guide the coming generations to make efforts for opening the expressing method of accordion national style and creating the accordion music with Chinese aesthetic ethos.

本文以李遇秋的民族化手风琴音乐创作特色为主线，以他具有代表性的几部作品为切入点，并结合其创作背景，分析归纳出李遇秋独特的创作手法及其在创作中表现出来的独具个性的艺术哲学观，揭示李遇秋为建立具有中国民族特色的手风琴音乐体系所做出的特殊贡献，旨在引导后人为开拓手风琴民族风格的表现手法，创建具有中国审美格调的手风琴音乐而努力奋斗。

If you were not , and OS X just booted normally, have no fear.

如果你没有，和OS X刚刚启动通常，没有恐惧。

I only want to preserve our all .

我只想保存好我们的一切