查询词典 celadon

Longquan kiln glaze in powder blue and green plums, known use of lime alkali glaze, glazing thick, so that objects appear plump appearance, and to appear or soft elegant device surface, like a sapphire in pink green glazed color, or color appears comparable with emerald green glazed plum color, celadon glaze color and texture, they become the pinnacle of the United States.

龙泉窑釉色以粉青和梅子青著称，采用石灰碱釉，施釉较厚，使器物外观显得饱满，并使器面出现或柔和淡雅，有如青玉的粉青釉色，或出现色调可与翡翠媲美的梅子青釉色，它们成为青瓷釉色与质地美的顶峰。

Clear from the foregoing, Ru Yue Kiln of the glaze used in the South, while absorbing Ding printing technology, has created a special style of printing celadon, the Southern Song Hui Zhou "Shiba magazine," says:"Ru palace Jin Shao, inner agate the end of the glaze,"Ru soil delicate products, Taigu hard, moist glaze, glaze containing agate at the end, resulting in a special color, colored albumen, Azure, powder blue, green beans, shrimp and blue, astaxanthin, often microstrip yellow, light green or blue, and so there.

由上可知，汝窑采用了南方越窑的釉色，同时又吸收定窑的印花技术，创造了印花青瓷的特殊风格，南宋周辉《清波杂志》云：&汝窑宫中禁烧，内有玛瑙末为釉，&汝窑产品土质细腻，胎骨坚硬，釉色润泽，釉中含玛瑙末，产生特殊色泽，其色有卵白、天青、粉青、豆青、虾青、虾青中往往微带黄色，还有葱绿和天蓝等。

Green-glazed pottery is also abundant in the south, the fire high, hard enamel, but also was the beginning of the development of celadon.

在南方也盛产青釉陶，火度高，釉质较硬，也是後来发展青瓷的开端。

Among the donated items, there are also artworks of artist friends such as Arnaud d'Hauterives, Wu Guan Zhong, and Pratuang Emjaroen; calligraphy by Fan Zeng Xiang, Qi Bai Shi, and Li Ke Ran; a photo by Chin-San Long; three seals by Master Hong Yi; a Song Yue-Ware celadon Avalokitesvara figurine; a Tang ink-slab and an extra large ink-stick made by the greatest ink maker of the Ming Dynasty, Cheng Jun Fang.

在捐赠的藏品中，也有艺术家朋友如奥得里夫、吴冠中和柏拉衷的画作。有樊增祥、齐白石和李可染的书法；一张朗静山的摄影；三方弘一大师的印章；一尊宋越窑青瓷观音像；一方唐砚以及一方由明代最伟大的制墨家程君房特制的御墨。

Major celadon kiln firing, Daguan years, the glaze in order to moonlight, powder blue, big green three colors of the most popular.

官窑主要烧制青瓷，大观年间，釉色以月色、粉青、大绿三种颜色最为流行。

Other cultures have other canons of classics, however, and a recurring strain of neoclassicism appears to be a natural expression of a culture at a certain moment in its career, a culture that is highly self-aware, that is also confident of its own high mainstream tradition, but at the same time feels the need to regain something that has slipped away: Apollonius of Rhodes is a neoclassic writer; Ming ceramics pay homage to Sung celadon porcelains; Italian 15th century humanists learn to write a "Roman" hand we call italic; Neo-Babylonian culture is a neoclassical revival, and in Persia the "classic" religion of Zoroaster, Zoroastrianism, is revived after centuries, to "re-Persianize" a culture that had fallen away from its own classic Achaemenean past.

其他文化有其他经典的经典，然而，周期性应变的新古典主义似乎是一种自然表达的文化在某一时刻在其职业生涯中，文化是非常自我意识，这也是它自己的信心高主流传统，但同时认为有必要恢复这一组织已溜走了：阿波罗纽斯的罗德是一个新古典主义的作家；明陶瓷顶礼膜拜宋青瓷瓷器；意大利15世纪人文主义学习写&罗马&一方面，我们呼吁斜体；新巴比伦文化是一个新古典主义复苏，并在波斯的&经典&的宗教Zoroaster ，拜火教，是恢复后，百年来，&重新Persianize &的文化，已经下降远离自己的经典Achaemenean过去。

" Celadon: Chinese, Korean, Siamese, and Japanese stoneware decorated with glazes the colour range of which includes greens of various shades, olive, blue, and gray."

青瓷：中国人、朝鲜人、暹罗人和日本人的石陶器，加釉，其色调有各种绿、橄榄色、青和灰。

" Celadon: Chinese, Korean, Siamese, and Japanese stoneware decorate d with glazes the colour range of which includes greens of various shades, olive, blue, and gray."

青瓷：中国人、朝鲜人、暹罗人和日本人的石陶器，加釉，其色调有各种绿、橄榄色、青和灰。

" Celadon: Chinese, Korean, Siamese, and Japanese stoneware decorated with glaze s the colour range of which includes greens of various shades, olive, blue, and gray."

青瓷：中国人、朝鲜人、暹罗人和日本人的石陶器，加釉，其色调有各种绿、橄榄色、青和灰。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a profound impact.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远的影响。

It was just a normal day of school

那只是上学的普通一天

Which is a very good reference in this issue.

这是一个在这个问题上很好的参考。