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brushwork相关的网络例句

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与 brushwork 相关的网络例句 [注:此内容来源于网络,仅供参考]

Compared to my previous exhibition Prayer Beads and Brushwork, his work are even less painting, less feeling from brushworks, and hard to enjoy. It is hard to find a single painting in traditional meaning.

与前几年我做的《念珠与笔触》中的作品相比较,关奉东的作品更没有绘画性,更不具有笔触意味,更难有观赏性,几乎不产生任何一件传统意义上的,耐人寻味的,被称为作品的独幅画。

His works,sculpt,color and process are so nonotone, even simply repeating the briefness. Compared to my previous exhibition Prayer Beads and Brushwork, his work are even less painting, less feeling from brushworks, and hard to enjoy. It is hard to find a single painting in traditional meaning.

与前几年我做的《念珠与笔触》中的作品相比较,关奉东的作品更没有绘画性,更不具有笔触意味,更难有观赏性,几乎不产生任何一件传统意义上的,耐人寻味的,被称为作品的独幅画。

It is a model of the combination of realistic painting and freehand brushwork in traditional Chinese painting, realism and romanticism, thus it has high research value.

是写实性与写意性、现实主义与浪漫主义相结合的典范,有着较高的研究价值。

The excellent visual impression is created by the brushwork of sweeping color block and the reduplicate mutual infiltration of colors.

作者采用大块拖扫的笔触,并让颜色一次次地相互渗透,直到最终形成满意的效果。

In this manner the reader is able to appreciate the fragmented and delicate brushwork that underlies Rodger's grandes machines, which remains invisible to the distant eye.

通过这种方式,读者可以欣赏到分散的和微妙的笔法的基础罗杰的格兰德斯机器,仍然看不到的遥远的眼睛。

Short distance mostly stems from self-contemplation and a sense of being. Wang Nanfei's creations, from the very beginning, express this kind of theme and expression, from her self-portraits and representations of people around her everyday to her ordinary behavior—self-observed. All involve a dense private space, revealed in her exaggerated modelling and rough brushwork.

这种"近距离"大多从自我观照和自我态度出发,王南飞的创作从一开始也与这种题材和表达方式有关,从她的个人自画像、她周围的人和她的日常行为,包括私密空间都在她的夸张的造型和粗犷的笔触中呈现。

Short distance mostly stems from self-contemplation and a sense of being. Wang Nanfei's creations, from the very beginning, express this kind of theme and expression_r, from her self-portraits and representations of people around her everyday to her ordinary behavior—self-observed. All involve a dense private space, revealed in her exaggerated modelling and rough brushwork.

这种"近距离"大多从自我观照和自我态度出发,王南飞的创作从一开始也与这种题材和表达方式有关,从她的个人自画像、她周围的人和她的日常行为,包括私密空间都在她的夸张的造型和粗犷的笔触中呈现。

Literature ; art science ; conception of brushwork ; art image ; subject ; typification ; inspiration

文学;文艺学;艺术构思;艺术形象;主题;典型化;灵感

Under his father's influence, Chung Hai's wash drawing and landscape painting with confident painting style and steady brushwork that among the mixed water and ink, he continuously seeks the flowing feeling of change to have the dancing aroma in the work, even with the angle of active feeling.

水墨山水画在其父之影响下,下笔大胆、用笔沉穏,水墨相溶之中,不断追求流动变化之感,使作品中含有舞蹈的韵味,更带有动感的视角。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中,谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识,为中国画的现代性提供了一种方案;以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索,一直是中国画连绵的努力,在80年代后期汇聚成"现代水墨"(又或曰"抽象水墨"、"实验水墨"),是中国画的又一流向,但是不是没有脱离60、70年代美国的"抽象主义"意义,反而还有了拾人牙慧之嫌,所以始终难以获得更大的认可和成功;很有趣的是,与此"西化"流向同时的,还有以非常传统的方式出现的"新文人画"潮流,或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制,对传统理想的怀念和诉求,但由于已经失去了其语境和环境,"新文人画"显得娇情和造作,而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能;反而是延续传统一脉的国画,由于有巨大的人数基础的本土文化的认同,在中国经济发展后有了更大的市场,所以还是蔚然为中国画的一大潮向,从这也可以看到中国文化承传的保守性的力量。

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