查询词典 barbarousness

Retributivists, who seem to hold that there are circumstances in which the infliction of suffering is good thing in itself , are charged by their opponents with vindictive barbarousness.

报应主义者认为在一定的情形下施加痛苦本身就是一件正当的事，但他们被其对手指责具有复仇的野蛮性。

The Goth tribe was famous for its barbarousness, fierceness and sanguinariness, which was quite similar to the darkness European Middle Age.

"哥特"一词来源于摧毁了西罗马帝国的北欧条顿民族中哥特部落的名称。哥特部以野蛮、凶狠、嗜杀成性而著称，与欧洲黑暗的中世纪有很多相似之处。

As a result, the word "Goth" was gradually endowed with the multiple meanings as barbarousness, terror, lag, mystery, darkness age, Middle Age, and so on.

这样，"哥特"一词逐渐被赋予了野蛮、恐怖、落后、神秘、黑暗时代、中世纪等多种含义。

Retributivists, who seem to hold that there are circumstances in which the infliction of suffering is good thing in itself , are charged by their opponents with vindictive barbarousness. Utilitarians, who seem to hold that punishment is always and only justified by the good Consequences it produces, are accused of vicious opportunism .

报应论者认为，在特定情形下，施加令人痛苦的惩罚在本质上是善的，而功利论者则指责其为野蛮的报复；功利论者认为，惩罚的正当性根据永远是也只能是，其所产生的福利效益，对此，报应论者则斥之为邪恶的机会主义分子。

The origin, spreading, basic beliefs and rituals of the ancient druidism are focused on this paper. Its historical significances are also analyzed and revalued. The conclusion is drawn that the primitiveness, mysteriousness, barbarousness are the main features of Druidism.

本文主要从起源和传播、基本信仰、仪式活动三方面对原始督伊德教进行重点考察，并对它的历史作用和地位作出分析和评价，认为原始性、神秘性、野蛮性是其主要特征。

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台，张艺谋影片中的采用了时间的滞后性策略，影片中的故事本文时间均选择了过去：十九世纪三十、四十年代，抗战前期，六七十年代；影片中的本文空间均选择了远离文化中心的边缘地带，通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境；将处于社会边缘的女性放置在其中，利用观众位置的双重性认同结构，巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态：即重复再一次对女性的观看，满足东西方男性的窥视欲望。

Warden: That's a beautiful dog, but don't bring her again.

那是条漂亮的狗，但是不要再把她带来了。

You get up in the morning – no hangover!

你第二天早上起来的时候—不会宿醉！