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In this paper, by using the research results of rock permeation mechanics, the author set up the hydraulic model of rock fractures firstly. Then, the author analyzed the current research results of rheology of ordinary portland cement and micro-fine cement grouts, and established the rheological model and the relationship of rheological parameters to hydraulic time.

本文首先借鉴岩体渗流力学的研究成果，建立了适合于研究浆液运动的岩体裂隙模型；然后对现有的水泥浆流变性的研究成果进行了综合归纳和分析，确定了浆液的流变模型和流变参数与水化时间的关系式。

Sing performance is one art that combines vision with sense of hearting. Though one song is created by word author, author Qu, only stay on the paper people can't come up to hear and appreciate it, because this needs to pass by the performance of the singer.

歌唱表演是视觉与听觉相结合的一种艺术，一首歌虽由词作者、曲作者创作而成，但毕竟只停留在纸上，人们不能从纸上来听到它、欣赏它，这就需要通过歌唱者的演唱表达出来。

In the third section, the author discusses different functionalism types, including David Lewiss commonsense functionalism, machine functionalism, homuncular functionalism and teleological functionalism. The author analyses two concepts, Ramsey sentence and Turing machine, which are important for functionalism, and explains the view of functionalism by using both concepts.

在第三部分，笔者论述了功能主义的分类，把其分为刘易斯的常识功能主义、机器功能主义、小人功能主义和目的论功能主义，重点说明了对功能主义影响深远的两个概念：拉姆齐语句和图灵机，通过这两个概念细致地说明了功能主义对心身问题的看法。

Author Hurri individual space The article represents author point of view only, have nothing to do with stationmaster network position.

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After pointing out the connotations of the two theories, the author puts a stress on clarifying their gains and losses. The author thinks that,""Drama-Poetry Theory"" enlightened some playwrights' drama-creating, but it didn't intactly reveal the ousia of opera;"" Yue-Ousia Theory""explored the question of Opera origin , but it still didn't work out the ousia structure of Chinese traditional opera.

在阐明这两种学说各自的内涵之后，着重辨析了它们各自的得失，指出：&剧诗说&虽能在一定程度上指导戏曲创作实践，并启示了一种对于戏曲艺术的诗性领悟方式，但并未完整地揭示出戏曲艺术本体，也没有准确地把握到戏曲艺术精神；&乐本体说&虽然深入地探讨了戏曲本源问题，揭示了戏曲艺术的精神命脉和审美定性，但由于未能贯彻历史的、发展的、辩证的观点，仍未能准确完整地把握到戏曲的本体结构。

A translation would be a receptor language interpretively resembling the original;③ While searching for relevance the translator must make his train of thought relevant to the original author's and the receptor language audience's cognitive environments;④ The translator must perform his responsibility for making the author's informative intention and communicative intention meet the target readers' expectations;⑤ In the course of translating, the translator makes contextual assumptions and searches for relevance according to the source lexical information, logical information and encyclopaedic information in his cognitive environment.

我们给它定义为，在翻译过程中译者思维运作的跨文化区域，它主要包括五点内容：①翻译是一个认知推理的跨文化交际过程，其研究对象是译者的大脑信息处理机制的运作过程；②翻译可以视为语际间释意相似性接受语语段；③译者作出语境假设寻找关联时，必须使他的思维与原文作者的认知语境和译文读者的认知语境相关联；④译者必须履行责任，使原文作者的意图与译文读者的期盼相吻合；⑤译者应在原文文本明示的基础上，根据原文的词汇信息，逻辑信息以及它的百科信息作出语境假设，寻找关联。

With an intonate view of design, the author derived the fruits of theory and practice from various fields. Using the ways of combining science and art tightly, the author tried to figure out the problems of sensibility communicating in museum display design.

文章始终坚持以一种朴素的设计观深入问题的本质进行思考，超以象外、得其寰内，将科学与艺术的研究方法紧密结合，从传播学、心理学、、生理学、环境心理学、符号学等角度，汲取戏剧舞台艺术、中国传统绘画艺术等多领域经验成果，来解决博物馆信息传达中情感传达存在的实际问题。

After fully and profoundly surveying the popular literature in recent 20 years, the author demonstrates the characteristics of popular literature, some factors influencing it and the impetus of its change to the existing views on literature; the author also observes that the shift in the model of popular literature criticism and popular literature in itself have some affinity and irreconcilement with the literary field in and the society in transition.

详细在社会转型的背景下，中国文学发生了并继续发生着变迁。作为表征，大众文学在新时期以来蓬勃兴盛，成为文学领域中令人注目的场域。本文对当代近20年的大众文学进行深入全面的考察，试图探讨大众文学的特征，分析影响大众文学的一些因素，大众文学变迁对既有的文学观念的冲击，大众文学批评的模式转换以及大众文学与文学场同整个转型时期的社会场的同构和冲突的关系。

Finally, even though we should suppose that Matthew were the author only of the Logia, the full scope of which we do not know, and that a part of his Greek Gospel is derived from that of Mark, we would still have a right to ascribe this First Gospel to Matthew as its principal author.

最后，即使我们应该假设马修是作者唯一的Logia ，全面的，我们不知道，这部分他的希腊福音来自马克说，我们仍然有权利赋予第一马太福音作为主要作者。

To say 'he spent the evening reading Shakespeare' is metonymic because it substitutes the author himself for the author's works .

说'他整夜在读莎士比亚'是转喻，因为作者本人代替了他的作品。

Anna: No, I've got a hangover.

不是，我昨晚宿醉了。

We head into the mountains in Su's new Land Cruiser, stop for lunch at a scenic restaurant and then hang around drinking beer and eating fruit as two of his employees attempt to lure the birds with a tape recording of the fowl's mating call.

我们坐上苏的巡逻车向山顶出发，在一家风景优美的餐馆吃了中饭。然后我们喝着啤酒吃着水果四处逛。