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Modernism相关的网络例句

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与 Modernism 相关的网络例句 [注:此内容来源于网络,仅供参考]

Briefly,on the one hand,the development of the early Minimalism is in line with Greenberg\'s principle of "simplified form";on the other hand,after Stella\'s"What you see is what you see",Judd\'s "Special Object" and the creative idea of "theater" advocated by Tony Smith and Robert Morris, the Minimalism begins to depart from the mainstream of Modernism to the anti-Modernism ultimately.In 1967,Greenberg\'s "Recentness of Sculpture"and Michael Fried\'s "Art and Objecthood" mark the watershed of the Formalist criticism which came to decline then.

简要地说,一方面,早期极少主义的发展是符合格林伯格主张的&形式简化&原则的;但另一方面,当斯特拉提出&你看见的是什么就是什么&,贾德主张&特殊客体&,以及托尼·史密斯、罗伯特·莫里斯宣扬&剧场&化的创作主张后,极少主义开始脱离现代主义的发展轨迹,最终走向了反现代主义的道路。1967年,格林伯格的《雕塑的近况》与迈克·弗雷德的《艺术与客体性》成为了形式主义批评的分水岭,此后,形式主义批评走向衰落。

However, neither Modernism nor Post-modernism has any thinking and reflection of our own design circle. In this period of canonizing the variety, the Taoism of the design needs more searching belonging to ourselves. This both bases on the thinking of conditions...

然而 ,不论是现代还是后现代,我国设计界都缺乏自我思考,在这个推崇多元性的时代,设计之道更多地需要属于我们自己的探求,这既是出于我国设计风土化的考虑,也是对全球设计文化的一种丰富

This is important for us to see the continuities and discontinuities between the literary of Romanticism, Modernism and Post-modernism.

由此而形成的认识对我们理解浪漫主义、现代主义、后现代主义诸诗学之间的承续性和变异性有着重要的意义。

The conclusion of this dissertation mentions that Jameson theorizes the post-modernism features within a new frame of Marxism social theory, and offers the totalizing interpretation of post-modernism cultural and subject experience form.

结论部分指出了詹姆逊在一种新马克思主义的社会理论框架内对后现代的新特征所进行的理论化,以及为后现代的文化和主体经验形式所提供的总体性解释。

It's an experimental creation period from "Boatman's Elegy" to "Sirius" during which the performance of poetry's perception and the knowing are not mature/Under the influence of the west modernism art, his poetry has been experienced from the new moon romantic to the modernism. It's his mature period from "Lotus's Association" to"Separates the Water Goddess of Mercy". During this time his poetry's intellectuality and sensibility tends to be mature. Through the reconsidering of the westernization, the poet starts to inaugurate a new sky, and the poetry displays a bright neoclassic principle characteristic, then penetrates into the traditional nationality culture;and the "Bestows on from Cercis chinensis" is the deepened time until now which the poet displays for all kinds of practical styles, which includes multiplex characteristic.In his poetry, the intellectuality blends with sensibility, the sensation combined with logos.

从《舟子的悲歌》到《天狼星》是诗人创作的实验期,这一时期诗歌的感性和知性的表现还不成熟,其间由于受西方现代主义艺术的影响,其诗歌经历了从新月浪漫派到现代主义的变化;从《莲的联想》到《隔水观音》是诗人创作的成熟期,这一时期诗歌的感性和知性表现趋于成熟,诗人通过对西化的反思开始&浪子回头&,诗歌表现出鲜明的新古典主义特征,进而深入到民族传统文化之中;而自《紫荆赋》至今是诗人创作的深化期,表现为兼容并蓄的写实风格,并具有多元取向的特征。

In another words, Xiang Guohua's works contain at least two concepts: one is the formalists' tradition derived from the pedigree of modernism. However, his exploration of form is not the same as the originality and the elitism of modernism; quite on the contrary, his creation of form is carried out in a playful manner.

换句话说,向国华作品中至少包含了两种观念,一种是针对现代主义谱系发展而来的形式主义传统,但是,向国华对形式的探索并不同于现代主义的原创性、精英性原则,恰恰相反,他对形式的创造是在一种近似于游戏的态度下展开的。

Realism concentrates on the representation of the external reality of certain social group, featured by chronological order, omniscient point of view, closed ending, external characterization and so on; modernisms focus shifts to the consciousness and subconsciousness of mankind, mythical archetype, stream of conscious, anti-hero, open ending have been used frequently by modernists; postmodernism serves as a break as well ascontinuity of modernism, similar with modernism, it rebels against any pre-established rules and pays attention to innovations in form, but it emphasizes absurdity, playfulness and the crisis of representation in postmodern society, the blurring of high and low literature, collage, parody are the favorites of postmodernist.

现实主义侧重对社会某一群体的现实生活的反映,一般带有明确的时空概念,严密的情节,常用的叙事角度为全知视角,人物塑造上以外部描写为主;现代主义小说多表现人物内在心理的变化,关注人的意识及潜意识,神话原形、意识流、反英雄、开放式结尾为现代主义小说常用手法;后现代主义小说继承了现代主义对传统的反叛、形式上的革新等原则,但其作品强调后工业社会的荒诞性、游戏性及表征危机,有意识地混淆了高雅文学与通俗文学的界限,拼贴画、戏仿在后现代作品中应用广泛。

Modernism and post-modernism can be recoded as the epitome of thecharacteristics of our times in which life is just scissors-and-paste work, andmaybe we all live a life off and in.

拼贴从开始的一种有形手法转变成为我们今天观察及存在方式的基本原则,现代主义和后现代主义艺术可以看成是生活拼贴的集体体现,东拼西凑、断章取义似乎成为这个时代的特点。

Post modernism is the general term of forward art thoughts which appeared after modernism in western countries since 1950s.

&后现代主义&是五十年代以来欧美各国继现代主义之后出现的前卫美术思潮的总称。

At the same time, with the re-recognition of the western modern aesthetics and classicism, the relationship among modernism, post-modernism as well as classicism is discussed. Their development and practical significance are treated dialectically.

并分析了这些若干现象及引发的困惑与迷茫的社会历史背景和原因,同时,通过对西方现代美学和中西古典美学的再认识,论述现代主义、后现代主义与古典主义美术在中国的紧张关系,辩证地看待它们在中国美术的发展及现实意义。

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