查询词典 Farinelli

On the accession of Philip's son, Ferdinand VI, Farinelli's influence became even greater: Philip was a keen musician, and his wife, Barbara of Portugal, little short of a musical fanatic (as long ago as 1728 she had appointed Farinelli's fellow Italian, Domenico Scarlatti , as her harpsichord teacher; the musicologist Ralph Kirkpatrick acknowledges Farinelli's correspondence as providing "most of the direct information about Scarlatti that has transmitted itself to our day").

在菲力普的儿子，斐迪男六世即位后，Farinelli的影响力变得更大。菲力普是个敏锐的音乐家，而他的太太，来自葡萄牙的Barbara只差一点不是音乐狂（早在1728年，她任命Farinelli义大利同胞Domenico Scarlatti作为她的大键琴老师。音乐学者Ralph Kirkpatrick认为流传至今的Farinelli的书信集是提供有关Scarlatti的最直接资料。

The latter thought he had achieved prodigies of technique and ornamentation, only for Farinelli to surpass him so much that he "was at last silenced only by the acclamations of the audience"(to quote the music historian Charles Burney — this account cannot be verified one way or the other, since no surviving work which Farinelli is known to have performed at this time contains an aria for soprano with trumpet obbligato).

而后者认为他在吹奏技巧与装饰音上已达到天才的境界，只有Farinelli能远远压过他，最后吹奏者只能被听众的欢呼声嘘下来。（引用音乐史学家Charles Burney的话－这种说法其实无法以这种或其他方法证实。因为没有残存的作品可以证明Farinelli在此时的表演包含著以喇叭为高音的咏叹调伴奏。

Farinelli sang at Bologna in 1727. There he met and acknowledged himself vanquished by the singer Antonio Bernacchi (twenty years Farinelli's senior), to whose instruction in finer points of technique he was much indebted.

Farinelli於1717年在义大利的Bologna演唱，在那里他结识了强过他的歌者Antonio Bernacchi（年长Farinelli二十一岁），受到Antonio技巧上较精微之处的指导下受益良多。

Farinelli was said to have been impressed, although Alberti was an amateur.

法里内利据说留下深刻印象，虽然是一个业余阿尔贝蒂。

Little is known of his life, but he was Venetian ambassador to Spain in 1736, where the famous castrato singer Farinelli heard him sing.

几乎没有人知道他的生活，但他是威尼斯人在1736年，在著名的阉人歌手法里内利听到他大使向西班牙唱。

Farinelli's supposed sexual exploits are a major element of the film's plot.

Farinelli假设性的性伟业是电影情节的主要卖点。

With ever-increasing success and fame, Farinelli appeared in nearly all the great cities of Italy. Handel was keen to engage him for his company in London and while in Venice in January 1730, tried unsuccessfully to meet him.

随著与日俱增的成功与名声，Farinelli出现在几乎所有义大利的大城市，韩德尔热切的想拉拢他参加他在伦敦的剧团，但在1730年3月於威尼斯没能成功的与Farinelli见面。

Though his singing cannot be said to have cured the King, this early music therapy certainly had some success: Farinelli became a royal favourite, and very influential at court.

虽然他的歌唱不能说是治愈国王，但初期的音乐治疗是有其成功之处：Farinelli成了皇家的宠爱且在宫中很有影响力。

In 1724, Farinelli first appeared at Vienna, spending the following season in Naples.

1724年，Farinelli初到维也纳，紧接的下一季又到Naples。

Although much courted by diplomats, Farinelli seems to have managed to keep out of politics, but history eventually caught up with him.

虽然极受外交官们的奉承，Farinelli似乎一直想设法摆脱政治，但是历史终究缠绕著他。

Warden: That's a beautiful dog, but don't bring her again.

那是条漂亮的狗，但是不要再把她带来了。

You get up in the morning – no hangover!

你第二天早上起来的时候—不会宿醉！