真实主义

基本解释 (translations)

verism

与真实主义相关的网络例句 [注：此内容来源于网络，仅供参考]

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

In the view of symbolism, a more real and eternal world is hidden deep inside the appreciable impersonality world, which could be comprehensive only by the instinctive gnosis, while the highest task of the creators is to artistically deliver this kind of mystery. Real artist is destined to possess perceptivity differing from the common people, to master the grotesque and gaudy nature and life and create unique charming arts by reaching the bourn of human-object combination.

在这两部作品都能强烈感受到象征主义的哲学----神秘主义，象征主义认为，在可感的客观世界深处，隐藏着一个更为真实的、真正永恒的世界，人们只有凭本能的直觉才能领悟。

For a long time, we have drawn knowability theory of materialism epistemology to demonstrate unilaterally and rigidly that criminal testification is absolute and carried out "standard based on objective truth "doctrine.

长期以来，我们片面、机械地用唯物论的可知论来论证刑事证明的绝对性，实行"客观真实主义"的证明标准。

There are many help for our learning western opera culture and music culture from the study of The Verism Opera in this paper.

在这里对真实主义歌剧的学习研究，会为我们学习西方歌剧文化和音乐文化有着很大的帮助。

Thereby, we can know the culture and music representation technique of The Verism Opera.

从而了解真实主义歌剧文化，了解真实主义歌剧的音乐表现手法。

The Verism Opera which depict something of true-life, especially, miserable history of the people who lived in bottom community originated in the late 19th century.

真实主义歌剧起源于19世纪末，以描写现实生活中的事情，特别是生活在低下层的人们的悲惨故事为主。

There's certain similarity in Judith and Yi's style of painting. Judith's styled verism and Yi's photo realism with features of impressionism form a contrast of insight and outlook on presenting the characters.

两位艺术家的绘画风格有相似之处，Judith倾向于风格化的真实主义和吕一带有印象主义特点的照相现实主义，在人物表现上形成了聚焦与展望的对比。

For a long time, we have drawn knowability theory of materialism epistemology to demonstrate unilaterally and rigidly that criminal testification is absolute and carried out "standard based on objective truth "doctrine.

长期以来，我们片面、机械地用唯物论的可知论来论证刑事证明的绝对性，实行&客观真实主义&的证明标准。

"Each of the three operas of this 'portrait' trilogy has its own distinctive sound world. Einstein on the Beach, an opera about a great mathematician who loved music, is for amplified ensemble and small chorus singing a text compromised of numbers (actually the beats of the music) and solfege syllables. Satyagraha, a work about one man leading his people to freedom, is a large choral opera with text taken directly from Gandhi's philosophical guidebook (the Bhagavad-Gita) in the actual language in which he read it. In Akhnaten, my emphasis is orchestral, with choral and solo voices sharing common ground with the orchestra."

20世纪最具开创性和影响力的后现代主义作曲家、'低极限主义'音乐的奠基人之一Philip Glass的歌剧《Einstein on the Beach》被称作20世纪音乐创作的里程碑，它和《Satyagraha》（甘地，非暴力不合作主义）、《Akhnaten》（阿赫那吞，公元前14世纪的古埃及王）构成了Philip Glass的歌剧三部曲——其中分别用Einstein、Gandhi和Akhnaten这三位曾经革新了他们时代科学、政治和宗教思想观念的人物隐喻地对人类真实世界中的意识形态进行了审视和深思。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

与真实主义相关的网络解释 [注：此内容来源于网络，仅供参考]

Constructionism：建构主义

建构主义(constructionism)是后现代思潮的主要流派. 建构主义认为我们的知识并不是对真实世界原状的准确反映,而是我们自己或社会用语言建构出来的,受时间、地点、环境及个人主观因素的影响,因而真理离不开特定的历史场合和价值体系,

LIED：利德

25 利德(Lied)字面意义为"歌曲". 此词现已专用于舒伯特、舒曼、布拉姆斯、沃尔夫、施特劳斯等人的德国浪漫歌曲,不过自中世纪以来也用于比较广泛的意义. 26 真实主义(Verismo)起源于19世纪晚期的一种艺术潮流,旨在生动而逼真地表现生活.

querist：询问者,质问者

preterist 认为>的预言已经实现的人 | querist 询问者,质问者 | verist 真实主义

scepticism：怀疑主义

在哲学史上,怀疑论或怀疑主义(scepticism)是很独特的,它以克服独断论为目的,以人类既有认识为反思对象,以人类特有的哲学思辩和抽象思维能力为基础,是一种经过艰辛的探讨而形成的怀疑客观世界的真实存在和获得客观真理的可能性的哲学学说.

sentimentalism：感情主义

它可以和自然主义(Naturalism)与物质主义(Materialism)相互为用;3、用来描述如何面对真实的事物(不是我们想象的或我们所希望的)--'让我们用现实主义(realism)来代替感情主义(sentimentalism),勇于揭露那些单纯却令人畏惧的法则;

verism：真实主义

verisimilitude 逼真 | verism 真实主义 | veritable 真实的

verist：真实主义

querist 询问者,质问者 | verist 真实主义 | christ 我主耶稣,救世主

veritably：真地

verism 真实主义 | veritably 真地 | verjuice 不高兴的态度

verismo：真实主义

到19世纪末叶,意大利文学界掀起了"真实主义"(Verismo)的狂潮,文学家从浪漫主义的美梦里清醒过来,以现实的题材,活生生地刻画人间百态. 他们的创作题材不再是神仙故事、贵族的罗曼史,而是一些微不足道的下层人物.

Mezza voce：半声

以前(Caruso前后),虽然当时有多部真实主义歌剧作品的涌现,你但是你还可以在你的事业前期演唱一些比较抒情的角色,这就归功于当时的歌唱家经常应用"假声"(Falsetto)和"半声"(Mezza Voce)的演唱方法.