- 更多网络例句与波普文化相关的网络例句 [注：此内容来源于网络，仅供参考]
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Pop Art in Chinese Contemporary art society, Huang Gang's artwork is solemn; and this creation is not persiflage to the contemporary culture, but consists of the cerebration since ancient period to modern Chinese culture and covers from visual formality to deep spiritual attentiveness.
与中国当代艺术界时下流行的调侃式波普艺术相比较，艺术家黄钢的创作是严肃的，这些创作并不是对当代文化的一种戏谑，而是充满了对从古代到现代中国文明的思考，也涵盖了从视觉形式到深层精神的关注。
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Create a contemporary art that belongs to China's own "contemporaneousness."
中国制造》就是这样以一种文化上的自觉和自信，在改变波普语言的原初性质的同时，也超越了东西方文化的对立。
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Gaudiness is not only an aesthetic style, but also linked with the changes of economy, politics, culture and value orientation.
以波普设计为代表的艳俗风格，不仅是一种审美风格，更与社会的经济、政治、文化、价值取向的转向紧密相连。
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From Ellen Johnston Laing's point of view, image like Red peony and the little girl with folksy characteristic might be closer to the popular culture.
一文中认为作为后现代艺术的中国政治波普不能够成立，原因之一是因为他们没有关心中国自身的大众文化。
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LASSE LIPPONEN,Towards Knowledge Building: From Facts to Explanations in Primary Students' Computer Mediated Discourse,Learning Environments Research , 2000.3
波普尔在《客观知识》中认为"世界3"是文化知识的世界，它由语言、科学理论以及思想等人类精神产品组成。
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Fiske, John (1989) Understanding Popler Culture, Boston: Unwin Hyman; Hebdige, Dick (1979) Subculture: the Meaning of Style, London: Methuen; de Certeau, Michel (1988) The Practice of Everyday Life, trans Stephen Rendall, Berkeley: University of California Press; Lefebvre, Henri (1971) Everyday Life in the Modern World, tras.
约翰·费斯克（1989），《理解波普文化》；波士顿： Unwin Hyman 出版社；迪克·海博蒂格（1979），《亚文化：风格的意义》；伦敦： Methuen 出版社；米歇尔·德·塞托（1988），《日常生活实践》；斯蒂芬·伦达尔译，贝克莱：加利福尼亚大学出版社
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When American Pop art met the Chinese modernism in that very context, a certain mystery was produced: Pop art was readily understood as a Dadaist destructive art, while its cultural deconstructive property seemed to be ignored. By the early 1990s, due to the political reason, China had undergone its rapid social and cultural transition from Enlightenment era to consumerist era, while artists, who were still in despair because of the failure of cultural Enlightenment movement, found themselves confronted with a completely new economic market and their ideas mingled with those of modernist Enlightenment and post-modern deconstruction.
它以风格上挪用、平面化、去意义、去价值这类语言策略解构和消除现代主义的启蒙神话，成为与后现代主义哲学同构的文化思潮。80年代初沃霍尔访华，尤其是1985年劳申伯在北京和拉萨举办个展开始了美国波普主义在中国的传播，而这时正值中国85现代主义运动的高潮，启蒙和反叛是这一运动的主题，正是这种语境使这种传播产生了十分吊诡的意义落差：波普主义很轻易地被理解为一种达达式的破坏性艺术，而它的文化解构主义色彩反倒不易被体会。90年代初中国社会由于政治的原因急促地完成了由启蒙文化向消费文化的转型，艺术家们还沉迷在文化启蒙运动失败的悲壮气氛中却突然发现自己已深陷在一个一完全陌生的经济世界中，理想的失落和批判身份的丧失使他们的思想开始混杂于现代主义的启蒙建设和后现代主义的解构观念之间，于是，波普主义成为这个时代的一种自然的风格选择。
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Liu Liguo's works in the mid 90s mainly combined exquisite ancient porcelain bottles with vulgar human hips to create a kind of Chinese-style pop art.He intended to criticize the developing culture of consumption society in the 90s,and at the same time to ironize the phenomenon that the fashionable western pop art had become a vulgar farmer-style art in China.
刘力国在九十年代中期的作品主要是将中国传统代表高雅的古代瓷瓶与恶俗的身体臀部组合在一起，他的观念主要是制造一种中国式的波普艺术，对九十年代正在形成的消费社会的文化进行批判，同时也对时髦的西方波普文化在中国变成一种农民式的低俗波普进行反讽。
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Rodney Pople's photo-based paintings blend discordant images from Western art and contemporary culture to create juxtapositions not only between painting and photography, but between historic and everyday modern cultures.
罗德尼。波普尔的作品是以照片为基础的混合西方绘画艺术和当代文化的产物，使绘画和摄影并列在一起，也并置了历史和现代文化生活。
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Ales Erjavec edited a book called Postmodernism and the Postsocialist Condition, and there's an article about Chinese contemporary art. Through that book I discovered that Chinese political pop mainly came from Eastern Europe. Former Soviet and Eastern European countries were mocking their holy images, such as the hammer and sickle, and we learned it from them later. Zhang: Political pop from the former Soviet Union was in style all over the world. Since the former Soviet Union reformed politics before reforming the economy, after the national economy collapsed, their political pop was swept off the scene pretty quickly.
前苏联因为先改革政治，后开放经济，国家的经济崩溃以后，他们的政治波普潮流在国际上很快被淘汰，中国的政治波普因为全球化市场的原因反而得以流传下来，可能和中国特殊的社会传统与当代的混杂，经济和文化处于过渡和转型期有联系。
- 更多网络解释与波普文化相关的网络解释 [注：此内容来源于网络，仅供参考]
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streamlining：流线型
3:流线型(Streamlining)设计波普(POP)设计首先在英国产生,来源于美国的大众文化和沃霍尔为代表的美国的波普艺术运动. . 在英国的年轻人眼中,摇滚乐、好莱坞影星、汽车和大众文 化消费品是美国富裕生活的象征,