姿势

基本解释 (translations)

attitude  ·  gesticulation  ·  poise  ·  pose  ·  position  ·  positioned  ·  posture  ·  posing  ·  poises  ·  poising  ·  posed  ·  poses  ·  positions  ·  postured  ·  postures  ·  posturing  ·  attitudes

与姿势相关的网络例句 [注：此内容来源于网络，仅供参考]

After the beauteous Fetnab (who "knew the ninety-seven waysof love...though...the seventy-fourth position turns out to be the same as theseventy-third, but with your fingers crossed"), came Lola Montez and Cassie andSusie the Bawd; and, finest of all, the Indian princess Lakshmibai, her"splendid golden nakedness" dressed in no more than bangles and a tiny veil.

先是美艳的菲娜波(她知道97种爱的姿势…虽然第七十四种姿势不过是第七十三种姿势的翻版，唯一的不同是双手十指交叉)，接着是罗拉·莫恩忒兹、卡西和女鸨母苏茜；还有最美丽的印度公主拉克仕密白，她那"绚烂的淡金色裸体"上，除了镯子和小小的面纱之外再无它物。

It solves the problem that the unitary contour presentation can not correctly extract face contour in a face image which suffers from scale, rotation etc. The definition of the internal and external energy function is provided. At the same time, the global matching algorithm and local matching algorithm is given. The experiment shows that this presentation and the accompanying matching algorithm can be used to extract the face contour very well. So the image segmentation can be implemented by using it.②By analyzing the recognition principle of PCA method, we can conclude that the face images coming from different surrounding consist of different face image space. This is the essential reason that makes the generality of PCA method worse. Also, we give a measurement means to measure the distance from different face image space, so we can analyze face image space more conveniently.③We also construct various scale models and rotation pose models to detect the scale and rotating angle of face image to be recognized. The experiment results show that the detecting precision is very high. So it is good for face image feature extraction and face image representation.④Similarly, we construct local feature models of face image and utilize them to detect the local feature of face image. At the same time, we put forward a novel face image local feature detection algorithm, locating step by step. The experiment results show that this method can accurately detect the location of local face feature in a image.⑤A novel face image presentation model, dual attribute graph , is put forward. Firstly, it utilizes attribute graph to present the face image, then exact the local principal component coefficient and Gabor transform coefficient of thc pixels which corresponds to the nodes of the graph as the attribute of the nodes. This representation fully makes use of the statistical characteristic of the local face feature and utilizes Gabor transform to present the topographical structure of face image. So DAG has more general property.⑥Based on the DAG presentation, we give a DAG matching function and matching algorithm. During the design of the function and algorithm, the noise factor, e. g., lighting, scale and rotation pose are considered and tried to be eliminated. So the algorithm can give more general property.⑦A general face image recognition system is implemented. The experiment show the system can get better recognition performance under the noise surrounding of lighting, scale and rotation pose.

本文在上述研究的基础上，取得了如下主要研究成果：①构造了一个通用的人脸轮廓模型表示，解决了由于人脸图象尺度、旋转等因素而使得仅用单一轮廓表示无法正确提取人脸轮廓的问题，并给出了模型内、外能函数的定义，同时给出了模型的全局与局部匹配算法，实验表明，使用这种表示形式以及匹配算法，能够较好地提取人脸图象的轮廓，可实际用于人脸图象的分割；②深入分析了PCA方法的识别机制，得出不同成象条件下的人脸图象构成不同的人脸图象空间的结论，同时指出这也是造成PCA方法通用性较差的本质原因，并给出了不同人脸空间距离的一种度量方法，使用该度量方法能够直观地对人脸图象空间进行分析；③构造了各种尺度模板、旋转姿势模板以用于探测待识人脸图象的尺度、旋转角度，实验结果表明，探测精确度很高，从而有利于人脸图象特征提取，以及图象的有效表示；④构造了人脸图象的各局部特征模板，用于人脸图象局部特征的探测；同时提出了一种新的人脸图象局部特征探测法---逐步求精定位法，实验结果表明，使用这种方法能够精确地得到人脸图象各局部特征的位置；⑤提出了一种新的人脸图象表示法---双属性图表示法；利用属性图来表示人脸图象，并提取图节点对应图象位置的局部主成分特征系数以及Gabor变换系数作为图节点的属性，这种表示方法充分利用了人脸图象的局部特征的统计特性，并且使用Gabor变换来反映人脸图象的拓扑结构，从而使得双属性图表示法具有较强的通用性；⑥在双属性图表示的基础上，给出双属性图匹配函数及匹配算法，在函数及算法设计过程中，考虑并解决了光照、尺度、旋转姿势变化等因素对人脸图象识别的影响，使得匹配算法具有较强的通用性；⑦设计并实现了一个通用的人脸图象识别系统，实验结果表明，该系统在图象光照、尺度、旋转姿势情况下，得到了较好的识别效果。

Prevalences of the 3 basic patterns wre palmar prehension (68.5%), lateral prehension (14.2%), and dynamic palmar prehension (17.3%). There was a statistically siginificant diference in manipulation speed among the 3 basic patterns. The influence of sex and age on manipulation speed was also analyzed for each of the 3 basic chopstick-use patterns.

此三种基本拿筷姿势与盛行率分别为指捏型(68.5%)，侧捏型(14.2%)及动式指捏型(17.3%)，且三种基本的拿筷姿势在功能表现上有统计学上显著的差异性(P 。001)，此外我们还分析此三种基本拿筷姿势其操作速度受年龄与性别影响的情形。

The prehistorical sculpture-a woman touching herself on her breasts and belly shows that our prohistorical ancestors' idea of sculpture was closely associated with the instinctive human nature;The encient Egyption human sculptures have hardly ever changed,and remained the same for almost 3000 years,which reflects that the encient people believed their belief would last as long as forever,and the distinctive taste of their works;The Buddist sculptures are the tool for the religion to express it's idea. While,the encient Geece artist were seeking the hamoney and balance of human movement,which can be found easily in their works.

从史前女体雕刻的姿势多为抚腹或抱胸可以看出原始人雕塑的观念直接与生命的本能联系在一起；古埃及漫长的三千年历史中人像雕刻的姿势都没有明显变化，反映了当时人们坚持自己的信仰永恒的态度，及其艺术法则的独特风格；佛教造像把人物姿势做为传达教义的解说词；古希腊的人物雕塑的姿势体现了他们对和谐。

If the yogi is to realize dukkha in the new position, he must have "yoniso", because tanha or abhijjha usually occur in the new position – and domanassa occurs in the old position.

如果修行者要体会新姿势的苦，就要保持「如理作意」，因为新姿势通常会产生贪爱或喜欢→就像不喜欢旧姿势一样。

Now, dukkha vedana can't be realized in the old position, because the new position hides the dukkha in the old.

因为新姿势隐蔽旧姿势的苦，因此无法从旧姿势中体会到苦苦了。

Dukkha vedana in the old position is usually very easy to see when yogavacara is working; but sankhara dukkha (pain carried into the new position) is very difficult to see – because the new position usually appears to be a happy one.

明觉起作用的时候很容易体会到旧姿势中的苦苦，但行苦（变换到新姿势所残留的苦）却很难体会得到→因为新姿势通常令人觉得舒服。

When a a position is changed there is dukkha vedana in the old position but lack of "yoniso" in the old position prevents yogavacara from working and seeing the dukkha vedana.

改变姿势的时候，苦苦早已存在旧的姿势当中，但如果缺乏「如理作意」观照旧姿势的话，明觉就无法起作用而察觉到苦苦了。

From the medle ages sculpture,we can see that people in that period take human sculptures merely as a decorative part of an achetecture;The Rassanance make people regained their natural inner strength,and people express their admiration to the heros,using the pose of human sculpture. The great master Rodin reach the peak in making the full use of human pose,as a way of artistic expression. While doing so. he turned the the development of sculpture into a new track-the way of expression itself. From then on,in the hands of some mordern sculptors,human pose and the distinctive personal expression ways of each sculptor and the matiral.

运动。均衡等理想美的追求；中世纪教堂人物雕塑姿势的僵直和微妙反映了当时雕塑成为建筑的依附以及教徒对上帝的态度；文艺复兴使人们找回自身的力量，对英雄的崇敬和力量的赞美通过人物雕塑充满生机的姿势体现出来；罗丹对人物姿势表现力的把握达到了一个高峰，同时他把雕塑引向了形式本身，在他以后的一些现代雕塑家手中，人物姿势和艺术家各具个性的艺术手法。

The Visuddhi Magga also says that the body postures conceal suffering, because we don't notice the postures, and then don't notice that the new posture hides the suffering from the old o-ne.

《清净道论》也提到身体的姿势隐藏著苦，因为我们不注意观照姿势，所以不曾注意到新姿势隐藏著奋姿势所留下来的苦。

与姿势相关的网络解释 [注：此内容来源于网络，仅供参考]

free throw：罚篮姿势

POST 转身投篮姿势 | FREE THROW 罚篮姿势 | ISOMOTION 假动作姿势

gesticulation：姿势

gesticulate 做姿势表达 | gesticulation 姿势 | gesticulative 姿势的

gesticulation：姿势/手势/做姿势传达

gesticulate /比画/揶/用手势谈话/做姿势表达/ | gesticulation /姿势/手势/做姿势传达/ | gesticulative /做姿态的/

pull up standing position from sitting：(可以从坐的姿势一下提起来到站的姿势)

. . . may even be able to (甚至有可能做到): | pull up standing position from sitting (可以从坐的姿势一下提起来到站的姿势) | stand holding on to someone or something (扶这东西或者人的时候可以站着)

fourth; quarte：第四姿势

225.第三姿势防守:third parry | 226.第四姿势:fourth; quarte | 227.第四姿势防守:fourth parry

fifth; quinte：第五姿势

227.第四姿势防守:fourth parry | 228.第五姿势:fifth; quinte | 229.第五姿势防守:fifth parry

second; seconde：第二姿势

221.第一姿势防守:first parry | 222.第二姿势:second; seconde | 223.第二姿势防守:second parry

seventh; septime; semi-circle; mezzocerchio：第七姿势;半圆

231.第六姿势防守:sixth parry | 232.第七姿势;半圆:seventh; septime; semi-circle; mezzocerchio | 233.第七姿势防守:seventh parry

sixth; sixte：第六姿势

229.第五姿势防守:fifth parry | 230.第六姿势:sixth; sixte | 231.第六姿势防守:sixth parry

postural reflex：姿势反射

生物在维持一定姿势,进行活动时,大脑发出的命令通过锥体途径和锥体外路系统支配全身的肌肉,加之内耳平衡器和颈部等肌肉及关节感受器的反射性调节(姿势反射),使全身形成平衡的姿势姿势反射(postural reflex)是高等脊椎动物中有利于适当