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This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.
正文共分七章，第一章是对&中国文学中的历史叙事传统&的追溯：探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系，传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理：第二章是对&当代红色叙事中的历史观&的分析：探讨了其&红色历史编纂学&的由来，红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等，还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘：第三章是对&启蒙历史叙事的重现与转型&的梳理：分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想，还以稍后的扎西达娃的《西藏，隐秘岁月》和莫言的《红高粱家族》为例，探讨了其由启蒙历史主义向新历史主义过渡的特点：第四章是对&新历史主义叙事的现象与特征&的分析，先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹，而后分析了各种类型的新历史主义叙事的特征，其基本尺度、还有&新&与&旧&的关系等等；此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。
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He ordered the historiographers' institute to compile The List of Martyrized Officials of Last Dynasty and Biography of Disloyal Officials, He re-enforced the thoughts of traditional virtues by means of praising and honoring those martyrdoms of Ming Dynasty as well as denouncing those traitors.
他谕令史馆编纂《胜朝殉节诸臣录》、《贰臣传》，通过褒奖明末殉节之士，贬斥降清失义之臣，倡导忠义，风励臣节，借助明末清初历史来阐发自己的君臣关系论，适时转换道德角色，重新审论历史上的重要现象和人物，并作出符合清廷根本利益的理论解释，巧妙地把历史与现实统治结合在一起。
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The thesis purposes to read Shakespeare's Queen Margaret in the context of Renaissance: Renaissance women writers appropriate biblical female characters to reconfigure the traditional virtues; in addition, Shakespeare, influenced by a diversity of Renaissance historiographies, devises his own history plays in which he lets his women articulate and exert their influence upon their male counterparts in comparison with Holinshed's Chronicles.
本论文试著将玛格丽特皇后置於文艺复兴时代的脉络下探讨：於第一章，一方面藉由几位文艺复兴时代女性作家之作品，观察她们如何挪用圣经中的女性角色、重新定义传统女性美德之内涵；另一方面，受到当代史料编纂多元化之影响，莎翁亦写出能够呈现自己风格的历史剧，尤其是在与何林塞之编年史(Holinshed's Chronicles)的版本比较之下，发现到莎翁历史剧中的女性不但能够发声，更进而影响其他男性角色。
- 更多网络解释与历史之编纂相关的网络解释 [注：此内容来源于网络，仅供参考]
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historiographer：历史家/史料编纂者
historicity /史实性/确有其事/ | historiographer /历史家/史料编纂者/ | historiography /编史/历史之编纂/