- 更多网络例句与为...配乐相关的网络例句 [注：此内容来源于网络，仅供参考]
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Comprised of superior standards, a few group originals and three Ornette Coleman tunes (including the classic "The Blessing"), this set is quite accessible and finds all of the musicians in top form.
据说Serra为作这出配乐，还被吕克贝松每天拉着去潜水，硬是被逼得从旱鸭子变成了潜水好手，也许正因为如此Serra才会写出如大海般湛蓝忧郁的音乐。
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"October Rising" 2009 Chinese film made the strongest. 2,"Shinjuku Incident" reflects the real Chinese people smuggling syndicate in Japans life, the director depicts scenes between men, friend and brother, is inspiring. 3,"Banlieue 2: Ultimate" smooth continuation of the first Parkour action style, fast-paced, music is a lot of highlights. 4,"Hurricane rescue" retired agents thousands of miles to save women, clear-cut action style, the audience hooked. 5,"Ye ask," the best in recent years, the Hong Kong kung fu movies. 6,"race situation" sense of speed super "car action movie." 7,"accident" opening a surprising and exciting plot, the unique way the film temperament and camera work. 8,"the Rye" is no heroism, replaced by nothing, anxiety and loss, it is no longer a clear distinction between good and evil battle of good and evil, but at the edge of the good sorts of people and more poor people struggle. 9,"the prequel Underworld: wolf came again," a simple plot, gorgeous fight, perfect visual impact on viewers eye. 10,"Vengeance": a quiet burst of violence under the screen, slow-paced narrative images and game-like life and death among men, affection, Hong Kong director for the French meal on an Oriental.
《十月围城》2009华语影坛最强制作。2、《新宿事件》真实的反应了偷渡到日本涉黑中国人的生活，导演刻画出的一幕幕男人间情义，令人动容。3、《暴力街区2：终极》延续第一部流畅的跑酷动作风格，节奏明快，配乐也是很大的亮点。4、《飓风营救》退休老特工千里救女，干净利落的动作风格，让观众大呼过瘾。5、《叶问》近年来最好的香港功夫电影。6、《赛车风云》速度感超强的"汽车动作片"。7、《意外》开场惊艳，情节精彩，独特的电影气质与运镜手法。8、《守望者》它没有了英雄主义，取而代之的是虚无、焦虑与失落，它不再是正邪分明的善恶大战，而是处在边缘，勉强称得上好人的人与更糟糕的人的斗争。9、《黑夜传说前传：狼族再起》单纯的情节，绚烂的打斗，完美的视觉效果冲击观众眼球。10、《复仇》：安静画面下的暴力迸发，慢节奏的叙事画面和男人间游戏般的生死情意，香港导演为法国人上的一道东方大餐。
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Copland created scores that simplified music and expressed the American experience.
科普兰於是以简单的音乐来表达美国人的生活经验，并把这些音乐谱为配乐。
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He composed the film scores of Gumshoe and The Odessa File, and a setting of the Latin Requiem Mass Requiem for which he won a Grammy for Best Contemporary Composition.
他还为电影《侦探》、《奥德萨纵队》、《艾维塔》配乐，还创作了《安魂曲》（以拉丁安魂弥撒为构架而作）。
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Reed's compositional talents extend to film soundtracks and prestigious commissions for the Minneapolis Guitar Quartet, and as well as appearances alongside Bonnie Raitt and Linda Ronstadt his major performances include an historic live satellite broadcast on Turkish National Television in 1997 with renowned saz player and composer Arif Sag which reached an audience of 120 million in 17 countries, prompting a flood of international telephone calls to the station from stunned viewers.
Reed的创作天分扩展到为电影配乐和为著名的Minneapolis吉他四重奏乐队写曲，并且与Bonnie Raitt 和Linda Ronstadt合作进行演出。在他的演出生涯中，还包括了一场有历史意义，在土耳其国家电视台卫星现场直播的演出，那是在1997年，同台演出的是著名的saz演奏家和作曲家Arif Sag，当时的观众达到了十二亿，覆盖了17个国家，那些电视观众被震惊了，然后国际电话就像潮水般涌进了电视台。
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When I listened to my friend, Daniel Deng's original film songs of Freezing Town which was still not published now, I really didn't mask my excitement to it. The independent, vocal and philosophy in this album gave me wide and deep imaginal room. I thought this is the important harvest of popular music in south China and Chinese film music. I prefer to write my feeling to this original film music album.
所以，当朋友邓伟标把他为尚未上映的电影《寒风镇》所作的音乐给我听完之后，我真的不想掩饰我的兴奋和听时的沉溺忘情：这张唱片的独立性、歌唱性和哲理性，都给我广阔和深邃的想象空间；我以为，这是中国音乐、电影配乐的重要收获，我愿意为这张原声音乐大碟写出我的感受。
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Apart from Greene and Orson Welles (onscreen for barely fifteen minutes as Harry Lime, yet dominating the whole film with his unseen presence), there was Krasker again with his skewed, tilted framings and melodramatic lighting, and the wheedling, insinuating zither score of Anton Karas; and, far from least, the shattered occupied city of Vienna, its professional charm turned sour and corrupt, visibly embodying the intolerable burden of post-war guilt.
除了格林和奥森威尔斯（扮演harry lime，只出境十五分钟，但在幕后为影片做了很多工作）之外，krasker为影片贡献了他的倾斜式景框和戏剧性的灯光效果，anton karas的齐特琴配乐也引人入胜、极富暗示性；另外，绝对不能不提破碎之都维也纳，它颓废腐朽的魅力把战后不可承受的罪恶感清晰的具象化了。
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Old aunts used to come up to me at weddings, poking me in the ribs and cackling, telling me,'You're next.
老姑婆们每当我们在他人的婚礼上见面，就会以怪笑为配乐的挖苦我说：&下一次该是你了！&
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Between sessions he sat at the piano and picked out a score: he has written music, including full scores, for many of his films.
闲暇之余，他坐在钢琴前挑选配乐：他创作音乐，包括为自己的多部电影做完整配乐。
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This score written by a young Morricone is a music jewel containing many elements so typical of his later style that he has delevoped and matured during the following four decades and half.
而这种手法，在大师其后为电影&好坏丑&以及镖客三部曲，往事三部曲等等著名的影片所作的配乐中，又得到了充分的发挥而为世人所称赞。
- 更多网络解释与为...配乐相关的网络解释 [注：此内容来源于网络，仅供参考]
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Edward Scissorhands：剪刀手
担任影片配乐的是丹尼.艾尔福曼(Danny Elfman),他极具个性、紧跟时代潮流的配乐手法使他成为年轻一代配乐爱好者们崇拜的偶像,由他为1990年的影片>(Edward Scissorhands)谱写的一曲"The Grand Finale"堪称九十年代配乐作品的经典,
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Jerry Goldsmith：(电影配乐--为人猿星球等配乐)
Helene Segara (温婉柔美的法国女歌手) | jerry goldsmith(电影配乐--为人猿星球等配乐) | jim brickman(纯音乐--钢琴演奏)
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Helene Segara：(温婉柔美的法国女歌手)
Hans Zimmer(电影配乐-曾为"雨人"等配乐) | Helene Segara (温婉柔美的法国女歌手) | jerry goldsmith(电影配乐--为人猿星球等配乐)
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Howard Shore：作曲:霍华德.肖
北京时间1月26日消息,据国外媒体报道,>的作曲霍华德.肖(Howard Shore)即将为>(The Twilight Saga: Eclipse)配乐联想到之前>的作曲亚历山大.迪斯普拉特(Alexandre Desplat)为>配乐的消息,
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Somewhere in time：(似曾相似)
拉赫玛尼诺夫--伟大的作曲家、钢琴家、指挥,为二十世纪的音乐史写下灿烂的一页. 随着电影>(Shine)的风潮,现在拉赫玛尼诺夫的第三号钢琴协奏曲是满城皆知. 其实,还有许多电影以以拉赫玛尼诺夫的音乐为配乐,例如,电影>(Somewhere in Time)是采用他的<<帕格尼尼主题狂想曲&
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Jim Brickman：(纯音乐--钢琴演奏)
jerry goldsmith(电影配乐--为人猿星球等配乐) | jim brickman(纯音乐--钢琴演奏) | james horner(电影配乐--为泰坦尼克等配乐)
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Jonathan Pryce：乔纳森.普莱斯
邦德女郎:杨紫琼(Michelle Yeoh)饰邦德女郎魏林奸 角:乔纳森.普莱斯(Jonathan Pryce)饰演的媒体大亨卡佛(Elliot Carver)关于配乐:本片另一项特点是大卫阿诺(David Arnold)的电影配乐,那些具有深情怀旧的浪漫乐章是对长期为庞德系列电影配乐的John Barry致敬.
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soundtrack：电影原声大碟
Rhino唱片公司日前提供了>(Superman Returns)电影原声大碟(Soundtrack)在线收听,该片将于6月28日上映,并于7月11日来到国内. 为影片作曲的是曾为>配乐的约翰.奥特曼(John Ottman),在这张全新创作的原声大碟里,
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soundtrack：原声带
附注:共发行配乐篇(Score)与歌曲篇(Soundtrack)两种原声带,两者的唱片封面并不相同,而本页所列之封面为美版配乐原声带(Score)的封面,但在台湾地区,这反而是歌曲合辑版原声带(Soundtrack)的封面,而美版歌曲原声带的封面则为台湾配乐原声带的封面,
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Willow Weep For me：杨柳为我哭泣
1932年时,罗内尔即开始谱写电影歌曲,像>(Willow weep for me)就是她早期的代表作之一. 1934年罗内尔来到好莱坞,为音乐剧和各类表演写音乐. 罗内尔还是历史上第一位获得奥斯卡最佳配乐奖提名的女性作曲家,