查询词典 television

She has appeared on national radio and TV, including Maury Povich, Montel Williams, CNBC and Lifetime Television.

她现在出现在国家广播电台和电视台，包括Maury Povich， Montel Williams， CNBC 和Lifetime Television。

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This invention relates to television human interface generation method, which comprises the following steps: receiving user order by remoter and sending it to the television for its CPU to receive the order and to inform the OSD module to relative OSD process and display by the keys and the executing the relative operation according to the above order; the OSD module dispatching Plash memory pre-stored pictures and processing the relative OSD signals and displaying the OSD content onto screen, wherein the content comprises main menu, sub menu and relative content; during relative operation by television, OSD module dispatching multi-picture stored in the Flash memory to execute cartoon display; after the relative operations by television, the OSD module stopping the display.

要約 一种电视机人性化交互界面的产生方法，其特征在于它包括以下步骤：由遥控器接收用户指令，并将该指令发送到电视机；电视机中的CPU接收上述指令，并通知OSD模块，以便按照所按按键对应的功能执行相应的OSD处理和显示，同时电视机按照上述指令执行相应的操作；OSD模块调用Flash存储器中预先存储的图片并进行相应的OSD信号处理后，将OSD内容显示到屏幕上，所述OSD内容可同时包括主菜单、子菜单以及相应的子菜单内容；在电视机执行所述相应操作的同时，OSD模块调用Flash存储器中存储的多幅动画图片来执行动画显示；在电视机完成所述相应操作后，OSD模块停止执行所述动画显示。

Hithreto, television narrative research has already become an important region in postclassical narratology. Yet the research achievement on television advertisiment which is one of the most common television programmes is still very rare. In spite of the sporadic papers of television advertisiment narrative research, it has not form an integrity subject system at all.

迄今为止，电视的叙事学研究己经成为了后经典叙事学中的一个重要领域，但对于电视节目中一个最常出现的节目形态——电视广告，其叙事学研究理论成果还非常稀少，虽有零星研究论作的出现，却远远没有形成一个完整独立的学科体系。

The text was divided into five parts: The basic conception of narratology applicability of narrative theory in television advertisiment research was explained in the first chapter; television advertisiment was researched on four aspects: the entity of narratory、the display mode of storied advertisiment、the analysis of live broadcast and word of narrative advertisiment in the second chapter; narrative research on the symbol mode of television advertisiment such as montages and voices et cetera was made in the third chapter; television advertisiment was analyzed by signifier and signified of advertisiment as well as narrative technique in desire and implementation in the fourth chapter; the relationship of narrative prototype and adoption in television advertisiment was discussed on several aspects such as circumstances prototype、ideological prototype and person prototype et cetera in the fifth chapter.

本文正文共分五个部分展开：第一章阐释叙事学的基本概念以及叙事理论对电视广告研究的适用性；第二章从叙事的本质、广告故事化的表现形式、广告叙事的时况和话语分析四个方面研究电视广告并尝试建构一个电视广告叙事学的研究模式；第三章对电视广告中的画面和声音等符号形式进行叙事学研究；第四章从广告中的能指和所指、愿望和实现的叙事技巧对电视广告进行分析；第五章从情节原型、意识形态原型、人物原型等方面探讨电视广告中叙事原型与叙事接受的关系，同时探讨电视广告的陌生化表达方式。

Senior research and development of the talent of 25 per cent of the total number of staff. With the digital TV industry in rapid development, the company has in Israel SCOPUS, with the NTD, the United Kingdom TENDBERG Television, Shenzhen strong, the United States - TU, digital video, digital television, such as Haier Group forefront of vendors in-depth cooperation, as a present Sichuan Province, the largest cable digital television system integrators.

随着数字电视产业的迅猛发展，公司先后于以色列SCOPUS、永新同方、英国TENDBERG Television、深圳茁壮、美国恩讯、数码视讯、海尔集团等数字电视前沿厂商进行了深度合作，截止目前成为四川省内最大的有线数字电视系统集成商。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发，对其民族风格的形成与发展进行系统的梳理；进而在第二章中，从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因；第三章是对美、日、欧、中影视动画的同质性因素进行比较，论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征；第四章中外影视动画民族风格的异质性因素比较是本文的重点，也是论文的难点，这一章涉及到许多影视动画本体性的层面，拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较；最后一章是论文的总结，从全球化的视野下来认识中国影视动画，理论研究的最终目的是要为实践创作服务的，因而，论文更主要的是通过比较分析，从中获得一些借鉴性意见，找出中国影视动画和其他国家之间的差距，更好的学习国外影视动画先进的发展经验，以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

Combinations of germanic elements are also used, as in software, splashdown, and take-off.this process has sometimes produced odd mixtures, such as television, which is half greek and half latin, and microchip, which is half greek and half germanic.

同时得到使用的还有包含日耳曼语成分的合成词，如software、splashdown 和take-off。这一过程有时便产生了新奇的混杂词形，如半希腊半拉丁的television 和半希腊半日耳曼的microchip。

The Chinese television profession from it that moment which is born in China, experienced take propagandized the attribute as the leading first stage, take creator art work attribute as leading second stage, Enters slowly has occupied the dominant position now by the cultural commodity the third stage, after at present this stage field weight standard is each column weighting the viewing ratio height, But regardless of has various understanding and the discussion to the viewing ratio, also no matter the viewing ratio essence is good or bad, the list from the data analysis starting point, it indeed can reflect and explain very many questions, In view of the fact that the author at the Central Committee Television seventh set of agriculture program " the date of the countryside " the column practical work experience with CCTV Rope Luck Switzerland Investigation Company the data feedback which column each reception of TV investigates to "the date of the countryside", Simultaneously furthermore has to the agricultural dissemination study concrete understanding, this article analyzes emphatically from the television jobholders' angle to this range pole -like viewing ratio data, obtains corresponding fords the agricultural television conversation class program the creation method and to the television medium thorough understanding.

中国电视行业从其在中国诞生的那一刻起，经历了以宣传属性为主导的第一阶段，以创作者艺术作品属性为主导的第二阶段，慢慢进入了现在以文化商品占主导地位的第三阶段，目前这个阶段业界的衡量标准就是各频道各栏目加权后收视率的高低，但是无论对收视率有何种理解和探讨，也不管收视率的本质是好还是坏，单从数据分析的出发点来说，它的确能够反映和说明很多问题，鉴于笔者在中央电视台第七套农业节目《乡约》栏目的实际工作经验和央视索福瑞调查公司对《乡约》栏目各项收视调查的数据反馈，同时更兼有对农业传播学的具体理解，本文着重从电视从业人员的角度对这个标杆式的收视率数据加以分析，得出相应的涉农电视谈话类节目的创作方法和对电视媒介走向的理解。因此本文是建立在对《乡约》栏目的收视率数据分析、受众收视倾向分析以及《乡约》栏目的电视节目创作经验总结基础上所得出的涉农类电视访谈节目的创作规律和理念。

The sun will go downhill soon , I sit to be dead tired on the bicycle, Wang Ming also feels very weary , we have a rest thereupon on arriving in a slice exuberant grassplot.

太阳快下山了，我坐在自行车上精疲力竭，王明也觉得很疲劳，于是我们来到一片茂盛的草地上休息。

My professional interest is the type of community-based enterprises.

我的职业兴趣类型是企业社会型。