字

基本解释 (translations)

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词组短语

form of a written or printed character

与字相关的网络例句 [注：此内容来源于网络，仅供参考]

Rough eight bowl is fried shrimp, fish slipped, meat ball, fish cooked in soy and vinegar Waterloo, boil for a short time white meat strips, Benedict gluten, roast pork, fried meatball, meat, such as pine Selected portfolio; fine炒青shrimp from eight bowl, two chicken cooked in soy and vinegar silk, burning three-wire, the whole stew, Crab custard, cucumber ball, bullions meat, chicken broth, chicken cooked in soy and vinegar demolished home boiled fish, mushrooms, etc. Second slip Selected formed; high eight bowl is by the shark four silk, Yipin Officer Yan, shark family blocks,桂花鱼bone, shrimp custard, oil slide covered, burning scallops, scallops four-wire,寿字meat, meat and other hi word combination of.

粗八大碗是由炒虾仁、溜鱼片、烩丸子、烩滑鱼、氽白肉丝、笃面筋、烧肉、煎丸子、松肉等选编组合的；细八大碗由炒青虾仁、烩两鸡丝、烧三丝、全炖、蟹黄蛋羹、海参丸子、元宝肉、清汤鸡、拆烩鸡、家熬鱼、溜二蘑等选编而成的；高八大碗则是由鱼翅四丝、一品官燕、全家福鱼翅盖帽、桂花鱼骨、虾仁蛋羹、溜油盖、烧干贝、干贝四丝、寿字肉、喜字肉等组合成的。

In these portion,the article begins the study of tone sandhi from the point view of two-character phrases and three-character phrases,which is also the focus and difficult point as well.On the basis of substantial materials of Dingzhou dialect,the author elaborates its rules and principles of tone sandhi of the general phrases and those with light tones,and reiterative location.the author puts his views as follows: 1.The rules of tone sandhi of two- character phrase are simple and unitive. 2.The complex of the phrase with light tones lies in the combination of the first tone and light tone.In the case,there are two different pronunciations in Dingzhou dialect.The author guesses it is the coexist of ancient pronunciations and common spoken Chinese. 3.The tone sandhi of general three-character phrases on the basis of the rules of that of two- character phrases,using the grammar structure of the three-character phrases as the restricted conduction,which function jointly. 4.The rules of tone sandhi of three- character phrases with light tones are restricted only by that of the two- character phrases with light tones and thus are foreign to grammar structure. 5.The tone sandhi of the words with reiterative location has their own system.

这两章中，作者采用直接调查法，社会语言学方法分别从一般字组、含轻声字组和叠音词字组三个方面对定州方言连读变调进行详尽地描写，文章中既有对连读变调的共时性描写，也有对连读变调历时性推测，总的来讲笔者认为定州方言变调具有一定的系统性，主要表现在以下几个方面：两字组连读变调规律简单统一，含轻声字两字组内部规律较为复杂，但是具有很强的一致性；定州方言含轻声两字组变调的复杂性主要表现在阴平+轻声的组合中，在这种情况下，定州方言有两种读音方式，推测它是语音存古现象和普通话语音并存的结果；一般三字组连读变调以两字组连读变调规律为基础，以三字组的语法结构为制约条件，二者共同发生作用；轻声三字组变调规律只受轻声两字组变调规律的制约，与语法结构无关；叠音词的变调规律自成系统。

The binary + operator performs string concatenation when one or both operands are of type string. If an operand of string concatenation is null, an empty string is substituted. Otherwise, any non-string argument is converted to its string representation by invoking the virtual ToString method inherited from type object.

由此可知 C#的加号运算子预设就支援字串串加的功能，只要一群字串串接的物件中只要有一个以上的物件型别是「字串」的话，就会全部变成「字串相加」，只要遇到「非字串」的物件，预设会使用继承至 object 物件的 ToString 方法进行转型，让所有物件都变成「字串」后进行相加动作。

The first and second syllables constitute a disyllable group, and the first syllable changes according to the initial syllable of the disyllable group.

即第一、二两个音节构成一个两字组，第一个音节按两字组的前字变；第二、三两个音节构成一个两字组，第二个音节按两字组的前字变，第三个音节按两字组的后字变。

Evaluation of a literal yields an object of the given type (string, bytes, integer, floating point number, complex number) with the given value. The value may be approximated in the case of floating point and imaginary literals. See section 字面值 for details.

对字面值求值会得到一个给定值的给定类型的对象（字符串、字节、整数、浮点数和复数），如果是浮点数和虚数，那么这个值可能是个近似值，详见字面值一节的介绍。

Chapter one is "Introduction". On the basis of summarizing the history of the study of the pictophonetic characters, we suppose some theoretical principle, such as the principle of the correspondence between the form and the meaning of the individual graph of Chinese characters, the principle of the total graphs of Chinese characters being a character-formation system, and the principle of the optimum development of the character -formation system in the history, and som analytic methods, such as the methods of structrue-function analysis, form-position analysis and meaning factor analysis, in the study of the pictophonetic characters. Chapter two is titled"General knwledge of the pictophonetic character." We discuss their origins, nature and some standards of distingnishing them, introduce the knowledge about the editions of SHUO WEN JIE ZI, analyse the functions of the modules of pictophonetic characters in detail, discuss concretely the function of phonetic graphs showing origins and pronunciations, the function of meaning graphs showing meanings and analogies, and the function of distinguishment when the two kinds of graphs are conbined. Chapter three is"The system of meaning graphs of Xiao Zhuan system."After we describe the structure of the meaning graph system, the relations between meaning graphs, the distributions of the function of meaning graphs showing meanings, and the frequency of all this kind of graphs, we get a table of all meaning graphs, a table of the frequency. Chapter four is"The system of phonetic graphs of Xiao Zhuan system."We describe the structure of the phonetic graph system, the relations between phonetic graphs, and between their function showing origins and their function showing pronunciations, and their frequency, then we get ageneral table of phonetic graphs and table of their frequency. Chapter five is "conclusion". We think that systematical methodology is useful in describing and analysing the formation system of Chinese characters. The methodology is adaptable in describing the formation system of modern Chinese characters as well as the historical character systems, adaptable in describing horizontally as well as comparing vertically. Only when we finish the systematical vertical compare on the base of systematical horizontal decription, could we know the true history of the system of Chinese characters, recover the rule of the system's development, and supply the theoretical supports for the scientifical arrangement of modern Chinese characters.

第一部分—绪论，在总结形声字研究历史状况的基础上，提出了研究形声系统的理论原则和分析方法，即汉字个体字符形义统一的思想，汉字字符集合构形系统的思想，汉字构形系统历史演变系统优化的思想等三项理论原则和结构功能分析法，形位分析法，义素分析法等三种分析方法，还扼要地介绍了具体的工作程序和论文的主要内容；第二部分—形声字概述，论述了形声字的来源、性质和鉴别标准，介绍了对《说文解字》正篆形声字说解中的传抄讹误，版本异文，说解错误校勘和考证的经过，详细分析了形声字构件的功能，具体讨论了声符的示源功能与示音功能，义符的示意功能与类化功能以及声符与义符组合中的相互区别功能；第三部分—小篆字系的义符系统，从义符系统的构成、义符间的相互关系，义符示意功能的分布及义符的构字频度等不同侧面，对义符系统进行了全面的描写，产生了义符总表、义符间意义关系总表和义符构字频度总表；第四部分—小篆字系形声字的声符系统，从声符系统的构成、声符间的相互关系，声符的示源功能与示音功能的关系以及声符的构字频度等不同侧面，对声符系统进行了全面描写，产生了声符总表和声符构字频度总表；第五部分—结束语，在全面测查小篆字系形声字的基础上，对研究汉字的方法和现代汉字发展方向的问题提出了一些看法，认为系统论的方法是描写和分析汉字构形系统行之有效的方法，系统论方法，不仅适用于历史上文字系统的描写，也适用于现代汉字构形系统的描写，不仅适用了断代描写，也适用于历史比较，只有在对汉字断代系统描写的基础上进行系统的历史比较，才能认清汉字系统历史演变的真相，揭示汉字系统发展的客观规律，为科学地整理现代汉字提供理论上的依据。

They (1) describe the same thitlgs, behaviors or conditions opposite or contrary to the spatial direction as the original characters describe;(2) describe the images reverse to which the original characters describe;(3) give meanings completely opposite to those of original characters;(4) are used to distinguish similar but different things with the original characters;(5) give new meanings which are spread out from those of original characters;(6) expand more abstract meanings.

其意义大致有以下几种类型：（1描绘与原字所指事物、行为或状态在空间方向上呈相反或相背关系的同类事物、行为或状态；(2)与原字分别描绘同一事物的正反两面形象；(3)新字义是对原字义的完全否定；(4)新字与原字用以区别形象相似的两种不同事物；新字的意义由原字意义顺衍而来；(6)引申出较为抽象的含义。

Do you still remember,how we used to be Feeling together, believe in whatever My love has said to me Both of us were dreamers Young love in the sun Felt like my Saviour, my spirit I gave you We'd only just begun Hasta, my young girl Always be mine Viva forever, I'll be waiting Everlasting, like the sun Live Forever, for the moment Ever searching for the word Yes I still remember, every whispered word The touch of your skin, giving life from within Like a love song that I'd heard Slipping through your fingers, like the sands of time Promises made, every memory saved Has reflections in my mind Hasta, my young girl Always be mine Viva forever,I'll be waiting Everlasting, like the sun Live Forever, for the moment Ever searching for the word But we're alone now, was it just a dream Feelings untold, they will never be sold And the secret's safe with me Hasta my young girl, Always be mine Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word

你仍然记得吗，我们过去一直是的方式一起感觉，相信任何的我的爱已经对我说我们两个都是做梦的人年轻的爱在太阳下感觉像我的救星，我的精神我给予了你我们才开始 Hasta，我的年轻女孩总是我的万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字是的我仍然记得，每一耳语字你的皮肤的触觉，提供生活从在喜欢情歌我有听到滑倒过你的手指，像时间的沙子承诺制造，解救的每记忆有我的思想的反映 Hasta，我的年轻女孩总是我的万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字但是我们现在很孤独，它只是一个梦感觉不告诉，他们将会无法被卖而且秘密的保险箱由于我 Hasta 我的年轻女孩，总是我的万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字

Newspapers often occur with rare with more than one input method will not be able to record them in, even if you can play, and do not display properly, in which case you will need to use the word, if that is the structure around unwinable words that you can use to change the width of the horizontal and vertical to use, but many people ignore a problem, the two words in the same scale, resulting in the building looks unhabit.

报纸洋常呈现常见的字，用多种输入法都不克不及录入，有的即使可以打不入，也不克不及变态表现，这时不离必要造字，此刻的造字办法多种百般，如果是把握布局又能打不入单字，可用保持字的不横、横宽度来造字，但不少人关心了比例题目，把两个字同样不收伸，甘休造字看不躺下很难受。

Jindal signs×Wujiang factory, professional production of large-scale, standardized product quality excellence is your preferred brand, the main products include×bronze, stainless steel plate, Titanium plate, foil character paste Rongji, Acrylic light-emitting character Blister character of stainless steel bollards character Super bright LED light box character LED Lightbox licensing, copper engraving, etching character licensing drop models, aluminum character trophy series, as well as aluminum alloy flat, Globoidal signs of flowing water processing.

吴江金达铜字标牌厂，专业化生产规模宏大，规格化产品质量优异，是您的首选品牌，主要产品包括铜字铜牌、不锈钢字牌、钛金字牌、金箔字、贴金字、亚克力发光字、吸塑字、不锈钢灯箱字、超高亮LED灯箱字、发光灯箱牌、铜版画、铜版字、滴塑牌、铝字、奖杯系列等、以及铝合金平面水牌、弧面标牌的流水加工。

与字相关的网络解释 [注：此内容来源于网络，仅供参考]

bold Italic：粗斜体字

Font Style 区域选择字型,字型可以为粗体字(Bold) ,粗斜体字(Bold Italic) ,斜体(Italic) ,正常字(Regular) . Size 区域选择字型大小,可以直接在栏位里选取. Sample 区域显示的是所设定的字型.

centillion：美国一字后加三百零三个圈,英国一字后加六百个圈

novemdecillion 美国一字后加六十个圈,英国一字后加一百一十四个圈. | vigintillion 美国一字后加六十三个圈,英国一字后加一百二十个圈. | centillion 美国一字后加三百零三个圈,英国一字后加六百个圈.

character set：字元集

这前 128 个字码指标和 ASCII 字元集 (Character Set) 中所定义的字码指标相同. 后 128 个字码指标 (128255) 代表的是特殊字元,例如拉丁文字母、腔调字、货币符号与分数. 其余字码指标则是使用在各种符号,包括各国文字字元、读音符号以及数学和技术性符号.

decillion：美国一字后加三十三个圈,英国一字后加六十个圈

nonillion 美国一字后加三十个圈,英国一字后加五十四个圈. | decillion 美国一字后加三十三个圈,英国一字后加六十个圈. | undecillion 美国一字后加三十六个圈,英国一字后加六十六个圈.

ideogram：表意字

现存女真文资料反映出女真字系统为一个表意字(ideogram)和表音字(phonogram)的混合体且后者占据明显的多数;表音字最初可能虚化自表意字而用于记录女真语中难以忽略的变格变位后缀,在表音字增多后原来以纯粹表意字记录的语词也改用表意-表音字混合记录,

font mapper：字型对映器 字型映射

font file 字型档 字型文件 | font mapper 字型对映器 字型映射 | font mapping 字型对映字型映射

nonillion：美国一字后加三十个圈,英国一字后加五十四个圈

octillion 美国一字后加二十七个圈,英国一字后加四十八个圈. | nonillion 美国一字后加三十个圈,英国一字后加五十四个圈. | decillion 美国一字后加三十三个圈,英国一字后加六十个圈.

outline font：空心字、轮廓字 外框字,描边字 空心字

Orphan (缩排的)页末单行段落 弧字 孤行 | Outline font 空心字、轮廓字 外框字,描边字 空心字 | Out of register 套印不准;对版不准 未套准 对位不准

quadrillion：美国一字后加十五个圈,英国一字后加二十四个圈

trillion 美国一字后加十二个圈,英国一字后加十八个圈. | quadrillion 美国一字后加十五个圈,英国一字后加二十四个圈. | quintillion 美国一字后加十八个圈,英国一字后加三十个圈.

word wrap indent：字卷内缩,字回绕缩排

可变字长 word with variable length | 字卷,字回绕,字绕回,字返转,字环绕 word wrap | 字卷内缩,字回绕缩排 word wrap indent