英语人>词典>汉英 : 女性的 的英文翻译,例句
女性的 的英文翻译、例句

女性的

基本解释 (translations)
female  ·  feminine  ·  monitress  ·  woman  ·  gynic  ·  muliebral  ·  gynaecoid  ·  gynaeic

更多网络例句与女性的相关的网络例句 [注:此内容来源于网络,仅供参考]

As a formed writer with female idea, she look forward to female can riddance various binding of history., cultural,, physiological., psychical and become free female and have a good life. She wasn"t according to apotheosize female"s condition, she noticed that money shift females fate and naticed to flesh shift fate by themselves.

张爱玲认同、接受女性的性别角色,但并不以神化女性为条件,张爱玲的女性意识是女人而女性的;张爱玲注意到了都市社会中金钱对女性命运的奴役,同时也注意到女性情欲对自己命运的役使,在张爱玲的作品里,性之于生命,就象饮食一样重要,性与爱天然地存在于女性的天性里。

In correspondence with the understanding of the meaning of woman's emancipation, concerning the problem of the way of woman's emancipation, feminism in the early stage of Neo-Cultural Movement emphasizes particularly that woman should get equal rights and opportunities respectively in education, profession, politics and heirdom etc. Feminism in the later stage of Neo-Cultural Movement leads woman's emancipation to the way of class warfare and social revolution.

与对女性解放涵义的理解相应,在女性解放的道路问题上,新文化运动前期的女性主义侧重于探讨女性在教育、职业、参政、继承权等方面获得与男性同等的权利和机会,提升女性人格,唤起女性的觉醒意识;新文化运动后期的女性主义则将女性解放引导到阶级斗争、社会革命的道路上来。

New Feminie 男权制文化Male supremacy culture self-awareness自我意识角色失调role incongruence 伤逝harm to die 创作思想creative ideas 封建旧观念old feudalism 幻灭evanescence 女性主义feminism Abstract: In Xun Lu's novel "harm to die ",the imagine of Zi Jun is an advanced sign in the author's creative creative ideas. As a new feminie, Zi Jun took upon herself to pursue her free love in her ideality regardless of the shackles of old feudalism,but resulted in evanescence.

帮忙翻译下以下的摘要和关键词,不要在线翻译工具翻译的,不准确,谢谢摘要:鲁迅的《伤逝》中,子君的形象是作者创作思想上一个超前性的标志,作为"新女性"的子君,她不顾一切冲破封建旧观念的枷锁,毅然去追求自己理想中的自由爱情,但最终以"幻灭"而告终。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著,历来受到较高评价。然而,作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数,主要可分为两大类:1是所谓的荡妇恶婆;2是所谓女英雄。作家在对这两类型女性的描写时,都因作者有意或无意的女性意识而走向极端化,实际上是走上了两个无法交汇的极端,使女性形象的塑造过于偏激,不是"淫恶"到极端,就是"男性化"到极点,写淫妇恶婆,写尽其淫,狠,毒;写女英雄,则写尽其行侠仗义,巾帼不让须眉。这种极端化的女性角色定位,既是作者男权意识的自然反映,又是男权社会男性话语权的必然呈现,说白了,出现在《水浒传》的女性不过是点缀和突出男性的生活,是为表现父权制男性英雄世界服务的。

This part analyzes their psychology experience, wide-accepted Language and female's living situations as well, emphasizing their new creative view, that's concerns about their own fate. The second part emphasizes the characteristics of their images in their writings: sing high praise for females and resist to the male society.

这部分主要就女性心理、女性经验与公共话语、女性现实等方面进行分析,突出女作家创作的新视点,即对个人命运的关注;第二部分从女性神话与现代巫女两个方面突出女性写作中女性形象的特点:对女性的歌颂和对男性社会的反叛。

Chapter Five An analysis on the narration methods from the angles of women'slanguage and discourse is presented.women's language representswomen's constrained and disseminated state of existence,and thus analysisand examination on women's language is made through the following fiveaspects:1constrained and evasive language;2struggling language in thediary-style novels;3communicative language in the letter-style novels;4caring and revealing language in the autobiography novels;and 5satiricallanguage that insert in the slight crack.

但笔者更多着眼于现代女性小说中的女性语言反映女性被压抑和异化的生存状态。进入现代社会,尽管女性获得了话语的权利,但女性的语言和话语方式很难冲出她们的生存牢笼。本文中的"女性语言"不仅成为展开叙述的基本因素,更重要的是在现代女性小说中,它呈现出女性的话语方式与现实之间的两难困境。在这种基本前提之下,本文分五个部分来分析现代女性小说中的女性语言,从而比较中韩女性小说的叙述方式:一、禁闭与躲避的语言;二、日记体小说中挣扎的语言;三、书信体小说中沟通的语言;四、自传体小说的关怀与审视的语言;五、穿行于裂隙之间的讽刺语言。

Zhang Ailing approbates and accepts the female sexual role not in terms of apotheosizing female, but in the roots of female herself. Zhang Ailing has noticed money had an enslavement effect on female destiny in citied society, and he also noticed that the female sensual desire had the same effect on her own fate. In her work, sex to life is what food to us, which are all the same important. The sex exists with love naturally in female nature.

张爱玲认同、接受女性的性别角色,但并不以神化女性为条件,张爱玲的女性意识是女人而女性的;张爱玲注意到了都市社会中金钱对女性命运的奴役,同时也注意到女性情欲对自己命运的役使,在张爱玲的作品里,性之于生命,就象饮食一样重要,性与爱天然地存在于女性的天性里。

This thesis, applying western postmodern- feminism as the theory background, and the social and history status of Chinese women as the culture background, tries to unveil the postmodernism spirit trend that demonstrated by Chinese feminine writing in 90s in the following three aspects: the establishment of female discourse power, orectic writing, the breakdown of maternity mythology, and under the guidance of this spirit trend, the persistency and hard work Chinese female writers has put in reconstructing feminine "detailed history", fighting oppression of the masculine discourse power and actively expressing her creativity and vitality.

本文以西方后现代女性主义批评理论作为阐释的理论背景,以中国女性的社会历史地位作为阐释的文化背景,结合90年代中国女性写作的实践,从女性话语权的树立、欲望化写作、母性神话的窥破这三个方面,力图揭示出90年代中国女性写作所展现出的后现代精神向度,及在这一精神向度的指引下,中国女性写作重构女性&具细的历史&、抗争男性话语权力的压抑、积极表现女性创造力与生命力的执著与努力。

On the other hand, women need to be given due attention from the gender perspective and their unique value and rights, foregrounded. That is the rational paradigm of women\'s development. The goal of women\'s development is, together with men, to dispel the constraints of the gender system, and in the end, bring freedom and overall development to all people.

女性发展的合理范式是:一方面要从人的发展高度引领女性发展,承认女性作为&人&的发展权利与要求,使女性从&人&的意义上获得与男性共同的发展权利;另一方面要从性别视角关怀女性发展,承认女性作为&女&人的发展权利与要求,在女性发展过程中彰显女性的独特价值和独特权利。

Chapter 3 reverts the "uglified" female to its historical true, objectively sees female its negative side and the defined negative side from the standpoint of physics female, fulfills female to explore the female materials in the textbooks, consciously make up the female materials as an extended curriculum and probe into the relationship with the development of the female role awareness.

第三部分从还&妖魔化&女性的本来面目、客观评价教材中的反面女性或从政治角度定义为负面的女性、丰富杰出女性材料、作为扩展型课程有意识地补充女性材料四个角度挖掘和补充历史教材中女性的材料,探讨与女性角色意识培养的关系。

更多网络解释与女性的相关的网络解释 [注:此内容来源于网络,仅供参考]

Elizabeth Blackwell:美国第一个女医生,创建了员工一直为女性的纽约诊所

28. Elizabeth Blackwell,美国第一个女医生,创建了员工一直为女性的纽约诊所 | Cat gut是"羊肠线",而和 "猫" 无关. | Barber's cat是"面黄肌瘦的人",而不是"理发师的猫".

Chaperone:陪伴分子,伴侣蛋白[原意为未婚女性的社交伴侣]

chaotropic salt 离液序列高的盐,离液盐[如硫氰酸钾] | chaperone 陪伴分子,伴侣蛋白[原意为未婚女性的社交伴侣] | chaperone cohort 伴侣伴蛋白,伴侣蛋白协同物[可提高伴侣效率并促进伴侣蛋白的再循环]

The cunt:女性的阴部

It's the closest I've ever come to pure universal God force.|此刻是我最接近 纯粹的全能上帝的力量 | The cunt.|女性的阴部 | Oh, my!|我的天

feminine:女性的

这一事实揭示在"男性的"(masculine)与"女性的"(feminine)之间存在着根本的不对称:男人界定的是人,而不是女人,这种不平衡可以追溯到>. 女人散布在男人中间,没有自己单独的历史,没有自然的团结;她们也不像其他受压迫团体那样结合在一起.

janitress:女性的守卫

janitress 女性的门警 | janitress 女性的守卫 | janizary 土耳其士兵

janitress:女性的门警

janissary 古时土耳其的禁卫军 | janitress 女性的门警 | janitress 女性的守卫

janitress:女性的守卫/女性的门警

janitor /管理员/ | janitress /女性的守卫/女性的门警/ | janizary /土耳其士兵/亲信/

The Feminine Mystique:女性的奥秘

17,>(The Feminine Mystique),贝蒂.弗里丹(Betty Friedan),1963 "我们不能再忽视女性的声音:除了我的丈夫、我的孩子和我的家庭,我还想得到更多,">是挑战传统性别和社会结构的有力的女性主义宣言.

sheik:头目/酋长/美男子/玩弄女性的人

sheffield /英国中部的工业都市/ | sheik /头目/酋长/美男子/玩弄女性的人/ | sheikh /头目/酋长/美男子/玩弄女性的人/

Love unexpressed is sacred.It shines like gems in thegirl is boldness:真正的爱最初的表白是男性的羞怯和女性的大胆

Love is frail at birth,but grows stronger with ag... | Love unexpressed is sacred.It shines like gems in thegirl is boldness 真正的爱最初的表白是男性的羞怯和女性的大胆 | He who loves well is consumed i...