英语人>词典>汉英 : 作家 的英文翻译,例句
作家 的英文翻译、例句

作家

基本解释 (translations)
author  ·  composer  ·  literator  ·  pen  ·  pens  ·  storyteller  ·  writer  ·  authored  ·  authors  ·  penned  ·  writers  ·  auth

词组短语
a man of letters · man of letters
更多网络例句与作家相关的网络例句 [注:此内容来源于网络,仅供参考]

The merchant who says:"Montpellier not active, Marseilles fine quality," the broker on 'change who says:"Assets at end of current month," the gambler who says:"Tiers et tout, refait de pique," the sheriff of the Norman Isles who says: The holder in fee reverting to his landed estate cannot claim the fruits of that estate during the hereditary seizure of the real estate by the mortgagor," the playwright who says:"The piece was hissed," the comedian who says:"I've made a hit," the philosopher who says:"Phenomenal triplicity," the huntsman who says:"Voileci allais, Voileci fuyant," the phrenologist who says:"Amativeness, combativeness, secretiveness," the infantry soldier who says:"My shooting-iron," the cavalry-man who says:"My turkey-cock," the fencing-master who says:"Tierce, quarte, break,"the printer who says:"My shooting-stick and galley,--all, printer, fencing-master, cavalry dragoon, infantry-man, phrenologist, huntsman, philosopher, comedian, playwright, sheriff, gambler, stock-broker, and merchant, speak slang.

商人说"蒙培利埃可发售","优质马赛";兑换商说"延期交割,本月底的手续贴补费";玩纸牌的人说"通行无阻,黑桃完啦";诺曼底群岛的法庭执达吏说"在租户有禁令的地段,在宣布对拒绝者的不动产有继承权时,不能从这地段要求收益";闹剧作家说"喝了倒彩";喜剧作家说"我垮了";哲学家说"三重性";猎人说"红野禽,食用野禽";骨相家说"友善,好战,热中于秘密";步兵说"我的黑管";骑兵说"我的小火鸡";剑术师说"三度,四度,冲刺";印刷工人说"加铅条";所有这些印刷工人、剑术师、骑兵、步兵、骨相家、猎人、哲学家、喜剧作家,闹剧作家、法庭执达吏、玩纸牌的人、兑换商、商人,全是在说黑话。

Maugham is beneficially impacted by those French naturalistic writers like, Stradart, Balzac, Goncourt, Fraubert and Franze etc.; 3 the influence of Maughams personal experience.

毛姆非常注重对法国作家的学习,特别是司汤达、巴尔扎克、龚古尔兄弟、福楼拜、法朗士等自然主义作家或有浓郁自然主义色彩的作家给了他以有益的影响,再次是作家人生经历的影响。

Chinese writers have been marginalized over the past century in various ways; for mainland writers from 1949-1979, the marginalization resulted from ideology; for Chinese writers neglected in the canon of world literature, the cause was Western ethnocentricity; and for specific writers, the sanctions have resulted from the prejudice of Orientalism and of Occidentalism.

上个世纪以来,华人世界的许多作家们由于种种原因被社会边缘化了。比如说,中国大陆的作家在1949-1979年间,由于意识形态的政治原因,被边缘化了。由于西方文化中心主义的原因,中国的作家们被挡在了世界文学的大门之外。另外一些作家不幸沦为"东方主义"和"西方主义"辩论的牺牲品。

Firstly, most articles about Hong Kong by Taiwanese authors during 1950s and 1960s featured transients and refugees, revealing the tumultuous Hong Kong society in early 1950s. Secondly, in their writings between 1970s and 1980s, most Taiwanese writers either vented their thinking of the motherland or witness the moment of political transform and opening-up or directly throw themselves in the rising wave in Hong Kong of the pursuit of their Hong Kong and emotion identities, which offers insight into the social phenomena and the concerns over the future of the city. Thirdly, before and after Hong Kong's return to China in 1997, Taiwanese authors had in-depth observation and comprehension of the atmosphere and ambience in Hong Kong at the time. Lastly, in the new era after the return of Hong Kong, Taiwanese authors started to excavate, using their unique esthetic views and values, the pleb culture that can best represent the spirit of Hong Kong and in the meantime constructed the distinctive landscape of sense of taste and memory of Hong Kong beyond its skyscrapers.

首先,一九五○至六○年代的台湾作家的香港书写,以过客和难民为主角,呈现出五○年代初期政治动荡下的香港社会景况;其次,一九七○至八○年代的台湾作家在作品里抒发家国思念之情、见证两岸政治转型开放时刻,或是直接投入香港本土兴起对於本土身分与认同情感追寻的热潮,对於香港社会百态及前途问题皆有深刻的见解;再者,於香港九七回归前后,台湾作家对当时香港氛围有深刻的观察和体会;最后,在九七后的新世纪香港,台湾作家以独特的审美观与价值观,挖掘最能代表香港精神的庶民文化,并在标帜香港特色的摩天大厦群之外建构出独特的香港味觉景观与记忆。

As soon as passes through contacts Mo Yan's novel, we are very easy to discover ""the Gaomi northeast township"" this specific hypothesized space has nearly become the writer novel world pronoun, if again the deep level carries on to it inquires, we can discover William Faulkner, Yasunari Kawabata, Garcia de and so on the multitudinous western master's shadow; However accumulates speaking of writer's culture, any writers all not impossible completely to get rid of the native place culture influence which he grows, he inevitably must derive the folk tradition, inherits the most candid narrative spirit; Moreover, the writer own childhood experience had decided he has the unique emotion tendency, and has the profound influence to the writer unique esthetic consciousness way.

一经接触莫言的小说,我们很容易发现"高密东北乡"这一特定的虚拟空间几乎成为了莫言小说世界的代名词,如果再深层次地对其进行探询,福克纳、马尔克斯等众多西方大师的影子将会一一闪现;然而就作家的文化积淀而言,任何作家都不可能完全摆脱生长于斯的本土文化的影响,他必然要汲取民间传统,承继最本真的叙事精神;另外,作家自身的童年经验又决定了其独特的情感倾向,对作家独特的审美知觉方式有着深刻的影响。接下来,论文从叙事学角度对莫言叙事艺术的具体特征进行了归纳与总结。

By comparing two kinds of images admired and impugned by Lawrence, this part interpretates the writers conception towards gender and marriage, his denial towards the intellectual women and his conception of perfect female: obedient, appending and admiring man like Ursula.

剖析劳伦斯《爱恋中的女人》中被作家赞赏和被作家抨击的两类人物形象,解读作为作家本身代表的伯基的两性和婚姻观念,以此引出劳伦斯本人对知识女性,以及女性欲望的否定立场,句勒出作家所推崇的女性形象:像欧秀拉一样顺从、依附和崇拜男性的女性。

The peasants\' problem is the maximal one in the revolution and construction. The essoy deeply studies and explains the classical Maxist writers\' ideas regarding the status and Positions of the orient peasants within the old institution, regarding the possibility and necessity of the proletariate\'s leading the orient peasants, regarding the Orient peasant\'s land-reform and the establishing of the work-peasant democratic regime, and regarding the derelopment of economic collaboration. Moreover, it especially analyses the classical Maxist writers\' theory on Orient Peasants\' problem in the process of socialistic construction, in particular, the one a bout the treat ment of the abore problems and theirs respective characters. Accordingly, the essay deeply interprets the peasant\'s problem today and how the ideas on the construction of the socialistic new countryside does in herit and develop the classical Maxist writer\'s theofy on Orient peasants\' problems.

论文研究和阐述了经典作家关于东方农民在旧制度下的地位和状况,关于东方国家无产阶级领导农民的必要性和可能性的重要思想,关于东方农民土地问题和建立农民主政权的思想,关于东方农民发展合作(来源:a5f9ABC论文网www.abclunwen.com)经济的思想,重点分析了经典作家关于社会主义实践中农民问题的理论,特别是经典作家关于正确解决农民问题的理论及它们的各自特色,也分析了现实的农民问题和建设社会主义新农村的思想对经典作家农民问题理论的继承和发展。

Mr. Zhang donated three sets of his publications to the Library at the "Mr. Zhang Wei's Book Donation Ceremony and New Book Launch" held on 26 March. These include 《中国当代作家系列–张炜卷》, the newly published Endless Wonderings and《我又将逃往何方》which was launched at the ceremony.

在三月二十六日举行的「张炜赠书典礼暨《我又将逃往何方》新书发布会」上,张先生捐赠了三套著作予图书馆,包括《中国当代作家系列–张炜卷》和刚於三月出版的两套新作《我又将逃往何方》和《你在高原》。

Discusses in the writer selects in the Chinese modern history of literature to have the representative two writer communities as well as two writer -- modern local novel writer, Shen Congwen, Jia Pingao and the cainozoic era writer.

作家论中选取中国现代文学史上有代表性两个作家群体以及两个作家——现代乡土小说作家、沈从文、贾平凹与新生代作家

Writer"carries out the principle:to see the world from the writer's point of view. It takes the matter that training and promoting the new writers as its duty-bound matter. In the 90s,"Writerbecame the fertile soil which the Cainozoic Era writers grew.

作家》奉行以作家的眼光看世界的编辑理念,把对新作家的培养提拔作为份内之事,二十世纪九十年代的《作家》就成为新生代作家成长的沃土。

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